The LRB Podcast

‘Is it a bubble?’ John Lanchester asked in a recent LRB of the colossal amounts of money pouring into AI firms. ‘Of course it’s a bubble. The salient questions are how we got here, and what happens next.’ On this episode of the podcast, John joins Thomas Jones to discuss some possible answers to those questions. They talk about the history of companies such as Nvidia and OpenAI, the reasons ‘artificial intelligence’ is a misnomer, the harms that large language models can cause and why you shouldn’t rely on them for advice in the kitchen. From the LRB Subscribe to the LRB: ⁠⁠https://lrb.me/subslrbpod Close Readings podcast: ⁠https://lrb.me/crlrbpod⁠ LRB Audiobooks: ⁠https://lrb.me/audiobookslrbpod⁠ Bags, binders and more at the LRB Store: ⁠https://lrb.me/storelrbpod⁠ Get in touch: [email protected]

In The Man Behind the Curtain, a bonus Close Readings series for 2026, Tom McCarthy and Thomas Jones examine great novels in terms of the systems and infrastructures at work in them. For their first episode, they turn to the book that invented the modern novel. Don Quixote, the ingenious man from La Mancha, is thought to be mad by everyone he meets because he believes he’s living in a book. But from a certain point of view that makes the hero of Cervantes’ novel the only character who has any idea what’s really going on. Tom and Tom discuss the machinery – narrative, theoretical, economic, psychological and literal (those windmills) – which underpins Cervantes’ masterpiece. This is a bonus episode from the Close Readings series. To listen to all our other Close Readings series, sign up: Directly in Apple Podcasts: ⁠⁠⁠https://lrb.me/applecrna⁠⁠⁠ In other podcast apps: ⁠⁠⁠https://lrb.me/closereadingsna⁠⁠ Further reading in the LRB: Karl Miller on ‘Don Quixote’: ⁠https://www.lrb.co.uk/the-paper/v08/n03/karl-miller/andante-capriccioso⁠ Michael Wood: Crazy Don ⁠https://www.lrb.co.uk/the-paper/v17/n15/michael-wood/crazy-don⁠ Gabriel Josipovici on Cervantes’ life: ⁠https://www.lrb.co.uk/the-paper/v01/n05/gabriel-josipovici/the-hard-life-and-poor-best-of-cervantes⁠ Robin Chapman: Cervantics ⁠https://www.lrb.co.uk/the-paper/v08/n16/robin-chapman/cervantics⁠

Did Dickens ruin Christmas? He was certainly a pioneer in exploiting its commercial potential. A Christmas Carol sold 6,000 copies in five days when it was published on 19 December 1843, and Dickens went on to write four more lucrative Christmas books in the 1840s. But in many ways, this ‘ghost story of Christmas’ couldn’t be less Christmassy. The plot displays Dickens’s typical obsession with extracting maximum sentimentality from the pain and death of his characters, and the narrative voice veers unnervingly from preachy to creepy in its voyeuristic obsessions with physical excess. The book also offers a stiff social critique of the 1834 Poor Law and a satire on Malthusian ideas of population control. In this long extract from ‘Novel Approaches’, part of our Close Readings podcast, Colin Burrow and Clare Bucknell join Tom to consider why Dickens’s dark tale has remained a Christmas staple. This is an extract from the episode. To listen in full, and to all our other Close Readings series, sign up: Directly in Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/applecrna⁠⁠⁠⁠⁠⁠⁠⁠⁠ In other podcast apps: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/closereadingsna⁠⁠ AUDIO GIFTS Close Readings and audiobooks: https://lrb.me/audiogifts

Emily Brontë died on 19 December 1848. As Patricia Lockwood said in an episode of Close Readings, there is evidence that Brontë was writing a second novel to follow ‘Wuthering Heights’, but if she was, it has been lost, and it has been suggested, though never proved, that her sister Charlotte might have destroyed it. But what could possibly be in that lost novel, Lockwood wondered, that was worse, more unacceptable, than what we find in ‘Wuthering Heights’? To mark the anniversary, we’re releasing the full version of this episode from the Close Readings series ‘Novel Approaches’. David Trotter and Patricia Lockwood join Thomas Jones to discuss Brontë’s only surviving novel, one Trotter describes as ‘completely amoral’. Readings by Alex Colley Give a gift subscription to Close Readings for Christmas: https://lrb.me/audiogifts From the LRB Subscribe to the LRB: ⁠⁠https://lrb.me/subslrbpod Close Readings podcast: ⁠https://lrb.me/crlrbpod⁠ LRB Audiobooks: ⁠https://lrb.me/audiobookslrbpod⁠ Bags, binders and more at the LRB Store: ⁠https://lrb.me/storelrbpod⁠ Get in touch: [email protected]

For a century, Judy Garland’s joyous and vulnerable singing voice has captivated audiences at the theatre, over the airwaves and in the cinema. Camille Paglia wrote of her that she ‘became an emblematic personality of her time, into whom the mass audience projected its hopes and disappointments’. Bee Wilson joins Malin Hay to discuss Garland’s years at MGM Studios, where she was mistreated and overworked by her employers but also made some of her best pictures, growing from a contract player into a star. They discuss whether Garland’s work at MGM was worth the pain it caused her, who her greatest collaborators were, and who now owns her story. Listen to Bee read her pieces in the audiobook Complicated Women, which includes an introductory conversation between Bee and Malin: https://lrb.me/audiobookspod From the LRB Subscribe to the LRB: ⁠⁠https://lrb.me/subslrbpod Close Readings podcast: ⁠https://lrb.me/crlrbpod⁠ LRB Audiobooks: ⁠https://lrb.me/audiobookslrbpod⁠ Bags, binders and more at the LRB Store: ⁠https://lrb.me/storelrbpod⁠ Get in touch: [email protected]