1001 Stories For The Road

Chapm3 begins with Virginia Governor Spotswood's decree that a reward was in effect for the capture of Blackbeard and his crew and ends with the battle between Blackbeard and Capt. Maynard at Ocracoke Inlet.
BONUS: Source "The Last Days of Bladckbeard The Pirate" by Kevin Dufus
The "Local Legend" Theory (Edward Beard)
•    True Identity: Claims Blackbeard was Edward Beard, not "Edward Teach." He was a colonial native, likely the son of Captain James Beard (who owned land in Bath, NC and Goose Creek, SC). Kevin Duffus Official Site
•    The "Black" Alias: Argues "Black" was a nickname or nom de guerre added to his real surname (Beard) to protect his family's social standing. North Carolina Historical Review
•    Local Knowledge: His ability to navigate the treacherous, shallow waters of the Pamlico Sound and hide in Bath (50 miles inland) proves he was a local mariner, not a stranger from England. North Carolina Department of Natural and Cultural Resources
The "Survival" Narrative (The Crew)
Duffus challenges the "General History" claim that the crew was largely wiped out, suggesting many used their social status and spoils to buy their way home.
•    Edward Salter (The Legislator):
o    The Myth: Reported as hanged in Virginia.
o    The Reality: Duffus found he was released, returned to Bath, and became a wealthy cooper, landowner, and member of the Colonial Assembly.
o    Legacy: He was a founding warden of St. Thomas Episcopal Church. His remains were recovered and re-interred there in 2011. St. Thomas Episcopal Church History
•    William Howard (The Island Owner):
o    The Near-Miss: Blackbeard's quartermaster was sentenced to hang but saved by a last-minute Royal Pardon in December 1718.
o    Legacy: He eventually purchased Ocracoke Island in 1759. His descendants, the Howard family, still reside on the island today. Ocracoke Island History
•    Caesar (The Trusted Associate):
o    The Survival: Though often said to have been executed, Duffus cites evidence of a "Caesar" of matching description appearing in the estate inventory of Tobias Knight in 1719.
•    Samuel Odell:
o    Aquitted after proving he was a local man forced into service just the night before the battle at Ocracoke.
The Political Connection (The "Shield")
•    Tobias Knight: North Carolina's Secretary and Chief Justice who acted as a legal shield for the pirates.
•    The Evidence: A letter from Knight was found on Blackbeard's body after his death, proving a direct "pay-to-play" relationship between the pirate and the NC government. North Carolina History Project
Key Departures from "A General History"
•    Characterization: Duffus views them as "Pamlico mariners" and "sons of plantation owners" rather than the bloodthirsty monsters described by Captain Charles Johnson.
•    Motivation: Suggests the pirates were motivated by local economic pressures and political Jacobite sympathies rather than pure nihilism.

The story of Capt.Martel, who was notable in 1716 and 1717 until his disappearance, and of Capt "Teach", also known as Blackbeard, who raided ships from 1716 until his demise at Ocracoke NC in the fall of 1718. There is much to learn anout Blackbeard outside of DeFoe's account so we are adding my research to next week's episode.
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This book is an excellent choice!
Episode Overview
Title: A General History of the Pyrates by Daniel Defoe (Chap 1) Henry Avery & Crew
Duration: 43:02
Key Figures: Henry Avery (the "Arch-Pirate" who famously vanished with his loot) and Daniel Defoe (widely believed to be the true author behind the pseudonym "Capt. Charles Johnson").
Quick Historical Context
The Author Mystery: While the book was originally attributed to Captain Charles Johnson in 1724, most modern scholars credit Daniel Defoe. Defoe's background as a journalist and his fascination with criminals (seen in Moll Flanders) makes him the prime suspect for having the "inside scoop" from Newgate Prison.
 
Music Credits Pixabay
Spanish Ladies-m ebUNNY
Leave Her Johnny  Nascara da Alexander
The Sailor's Bargain  Kaazoom
Ocean Fluite  Universfield
 
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The Count of Monte Cristo was an enormous commercial and critical success, captivating readers with its intricate plot and universal themes. Following its publication, Alexandre Dumas earned a fortune but died poor due to an extravagant lifestyle, chronic overspending, and political upheaval. 

Success of the Novel
The novel, published in serial form from 1844 to 1846, was an immediate sensation and remains one of the most widely read French authors globally. 
Popularity: The serialization format, coupled with Dumas' ability to create suspenseful, page-turning narratives, ensured massive popularity among the 19th-century reading public.
Themes: Its exploration of justice, vengeance, mercy, and forgiveness, along with a complex plot and well-developed characters, resonated strongly with readers and secured its place as a classic of world literature.
Enduring Legacy: The book has been translated into numerous languages and adapted into countless films, TV series, and stage productions, demonstrating its lasting cultural influence. 
Life of Dumas After Publication
Dumas became one of the most famous and wealthy Frenchmen of his day, but his life after the novel's publication was marked by extravagance and financial difficulty. 
Flamboyant Lifestyle: He lived a life as dramatic as his heroes, engaging in numerous love affairs and foreign adventures. He was known for his extreme generosity, often granting money and gifts to anyone who asked.
Château de Monte-Cristo: A testament to his success, Dumas built an extravagant mansion on the outskirts of Paris, which he named the Château de Monte-Cristo, along with a theater, the Théâtre Historique, specifically for his plays.
Financial Ruin: Despite earning millions, his lavish spending habits outpaced his income, leading to significant debt. He eventually had to sell the Château de Monte-Cristo property just two years after its completion.
Exile and Travel: In 1851, to escape his creditors, Dumas fled to Brussels. He later traveled to Russia and then Italy, where he founded a newspaper, Indipendente, and supported Garibaldi's campaign for Italian independence.
Later Years and Death: Dumas returned to France in 1864 and continued to write prolifically. He died of a stroke at his son's home near Dieppe in December 1870, far from a rich man, despite his monumental literary success.

CHAP 115 SUMMARY
Peppino, the jailor in the catacombs, announces to Danglars the next day that, if the banker would like to eat, he must pay 100,000 francs for a chicken, or 100,000 francs for a loaf of bread. Peppino says he knows that Danglars is carrying over 5 million francs worth of banknotes on his person, and so he asks that, for each individual item, Danglars pay out 100,000 francs so that he might survive. Danglars realizes this is how his ransom is to be meted out, and he does in fact pay 100,000 francs for a chicken, which he considers rather "thin" as he eats it angrily in the cave.
This is a small, humorous episode in Danglars capture, allowing Vampa, Peppino, and their men to slowly peel away Danglars' money. It should be noted that this money has effectively been stolen from Boville, who was to use it for charitable ends. Thus, though Vampa is stealing it for himself, he is at least stealing from a thief, one who is doing all he can to maintain his social standing in the face of public shaming.
 
CHAP 116 SUMMARY
 
Danglars continues bargaining his money, thousands by thousands, so that he might eat in the prison for five days. The Count of Monte Cristo finally appears with Vampa when Danglars is down to his last 50,000 francs, and the Count says that he is now pardoning Danglars—and that Villefort and Fernand were not so lucky, as the first is now mad with grief, and the second is dead by suicide. The Count announces that he is actually Edmond Dantes, and that Danglars' utter financial ruin is for the sake of punishment, but the Count allows Danglars to start his life anew somewhere else upon release by Vampa. He also states that the 5 million francs "paid out" to the bandits have been given to the hospice account of Boville, from which Danglars first drew them under criminal circumstances in Rome.
  This shows that, though he could exact even more damning revenge on Danglars by killing him, the Count has chosen not to – he has placed a limit on his desire for vengeance.