The Modern Art Notes Podcast

Episode No. 777 of The Modern Art Notes Podcast features artist Jitish Kallat.
The Menil Drawing Institute is presenting "Wall Drawing: Series: Jitish Kallat" through August 8, 2027. For the exhibition Kallat has produced a site-specific wall drawing that grows out of his years-long engagement with Project A119, a partly declassified 1958 US Air Force plan to detonate a nuclear bomb on the moon. The drawing Kallat has made for the MDI, Wall Drawing / Redux: A119, presents enlarged images derived from Kallat's 2025 Accordion of Drawings / Project A119 / Early Intuitions, in which watercolors evoke an unrealized Cold War story of ambition, secrecy, and the exporting of global violence to the moon. The presentation was curated by Edouard Kopp.
Kallat's work often blends the intimate and specific and the immense, and references history, science, time, and philosophy. He has exhibited at institutions such as the Art Institute of Chicago, the Art Gallery of New South Wales, the Tate Modern, London, and the Mori Art Museum, Tokyo, and he has participated in biennials in Venice, Gwangju, Havana, and more.
Instagram: Jitish Kallat, Tyler Green.
Air date: September 24, 2026.

Episode No. 776 of The Modern Art Notes Podcast features artist Mark Thomas Gibson and curator Ben Colman.
The Tang Museum at Skidmore College is presenting "Mark Thomas Gibson: We Are a Constellation," a survey of Gibson's recent considerations of US history and the relationship between our past and our present. The exhibition was curated by Ian Berry in collaboration with the artist and is on view through January 3, 2027.
Gibson's work is also featured in  "The Crossing: Picturing the American Revolution" at the Michener Art Museum, Doylestown, Penn. "The Crossing" looks at how artists have represented Continental Army commander-in-chief George Washington's crossing of the Delaware River on Christmas night, 1776. "The Crossing" is particularly interested in how artists have built on and often 'refuted' Emanuel Leutze's famed 1851 Washington Crossing the Delaware, which is in the collection of the Metropolitan Museum of Art, New York. The exhibition, which was curated by Laura Igoe, is up through January 10, 2027.
An exhibition of Gibson's recent work opens at Philadelphia's Fleisher/Ollman Gallery tomorrow, and remains on view through November 7.
Among the institutions that have presented solo shows of Gibson's work are the Museum of Fine Arts, Boston, The Library Company of Philadelphia, and the Museum of Contemporary Art Detroit.
Colman is the curator of "Georgia O'Keeffe: Architecture" at the Detroit Institute of Arts. Across about 35 paintings, the exhibition examines O'Keeffe's career-long interest in buildings and the built environment. It's on view through January 3, 2007. The DIA has published a catalogue that is available from Amazon and Bookshop for $32-34.
Instagram: Mark Thomas Gibson, Ben Colman, Tyler Green.
Air date: September 17, 2026.

Episode No. 775 of The Modern Art Notes Podcast features art historian Richard J. Powell and curator Danielle Canter.
Powell is the author of "Colorstruck! Painting, Pigment, Affect," which was just published by Princeton University Press. The book examines the historical and cultural work color does in the work of twentieth- and twenty-first-century artists such as Jacob Lawrence, Alma Thomas, Sam Gilliam, Hervé Télémaque, Jean-Michel Basquiat, Lynette Yiadom-Boakye, and Nina Chanel Abney. The book builds on Powell's 2022 National Gallery of Art Mellon Lectures of the same title. Bookshop and Amazon offer "Colorstruck!" from $46-61.
As discussed on the program:
Powell's Mellon Lectures may be viewed here;
The Amistad Research Center, Tulane University collection of Jacob Lawrence works, including the Toussaint L'Ouverture series;
Nina Chanel Abney, San Juan Heal (Lincoln Center wall); and
"Matisse Alive" at the Art Gallery of New South Wales, Sydney, Australia.
Powell, a professor at Duke University, is the author of numerous books, including "Going There: Black Visual Satire," "Cutting a Figure: Fashioning Black Portraiture," and "Homecoming: The Art and Life of William H. Johnson."
Canter is the curator of "Odilon Redon: Otherworldly Visions" at the J. Paul Getty Museum, Los Angeles. The exhibition spotlights Redon's works on paper, including charcoal drawings, lithographs, and pastels. It particularly focuses on Redon's fantastical world of tonal and psychological darkness, and also his luminous color. It's on view through October 18. A Getty-published catalogue is available from Bookshop and Amazon for $25.
Instagram: Richard J. Powell, Tyler Green.
Air date: September 10, 2026.

Episode No. 774 is a summer clips episode featuring curators Shawnya L. Harris and Jeffrey Richmond-Moll.
Harris and Richmond-Moll are the curators of "Edmonia Lewis: Said in Stone" at the Georgia Museum of Art at the University of Georgia. The exhibition presents the life and work of nineteenth-century Black and Indigenous sculptor Edmonia Lewis in the context of her contemporaries and artists she may have influenced. It is on view through January 3, 2027. A valuable catalogue was published by the Peabody Essex Museum and Georgia Museum of Art, University of Georgia. Amazon and Bookshop offer it for $50-55.
As discussed on the program:
Gisela Torres, Reverie and Slumber, 2020.
For images, please see Episode No. 748.

Episode No. 773 is a summer clips episode featuring artist Lotus L. Kang.
The Frye Art Museum, Seattle is showing "Lotus L. Kang: I hear the hollow boom of time" through September 27. The installation features large sheets of unfixed industrial film that have been exposed to light sources as part of a process Kang calls 'tanning,' a process that aligns film's surface to skin. Sculptures that include tatami mats as their base take up some of the space between the film sheets, which are suspended from above. The show also includes a kinetic sculpture that evokes the body. "I hear the hollow boom of time" was organized by Georgia Erger.
Kang's work often blends sculpture, photography and installation in address of bodies, memories, and histories that change over time. Kang has been featured in exhibitions at the MCA Chicago, the Venice Biennale, the Whitney Museum of American Art, New York, the Hessel Museum of Art, Bard College, and the 2021 triennial at New York's New Museum.
This conversation was recorded in 2023 on the occasion of Kang's presentation of a project in the MCA Chicago's atrium. For images, see Episode No. 604.
Instagram: Lotus L. Kang, Tyler Green.