The Boardroom Podcast

For most of surfing's history, surfboards weren't precious.
They were dragged across parking lots... repaired with whatever resin was on hand... ridden until they snapped... and then replaced.

But somewhere along the way, something changed.

This podcast series is about that moment—
when surfboards crossed the invisible line from wave-riding equipment into collectible artifacts

"I think Randy Rarick might be the best all-around surfer in the world," says Greg Noll. "I'm not bullshitting. He's definitely the most underrated. This guy ripped on shortboards for years. He's tremendous on a longboard. He's a master on a three-foot wave, then he'll go out at 15' Sunset and rip. Nobody's like this. Nobody! And why don't you hear about him? Because he's not a chest-thumper, man. He surfs because he's totally in love with riding waves, and he doesn't care who knows it."
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Born and raised in Hawaii, Eric was taught to surf by his father at the age of 10 in Waikiki on a 7'0 round-tailed Barry Kanaiaupuni mini-gun. At the age of 14, he'd shaped his first board, a 5'8 round pin out of his family's Pearl City home. Today with 40 years of experience and having shaped boards for over ten World Champions, Eric Arakawa is a designer dedicated to the innovation and advancement of performance surfboards.
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Chris Mauro and Scott talk about the most important surfboards of the 1970s. Surfboards that absolutely need to be on the historic timeline. Chris Mauro is the former editor at SURFER magazine and currently in a role at SHACC Surfing Heritage and Culture Center as a content and marketing specialist.
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A deep thinker. An intuitive surfboard designer. A man who can dream and imagine and then manifest. On this episode of The Boardroom Podcast -- Greg Webber.
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