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Thin End of the Wedge

Jon Taylor
Thin End of the Wedge
Latest episode

86 episodes

  • Thin End of the Wedge

    84. Gioele Zisa: The plant world

    2026/06/19 | 45 mins.
    Gioele talks about the PlANET Project (Plants in the Ancient Near East Texts). How do texts and archaeobotanical evidence combine to explain the economic and functional roles of plants? And what symbolic values did they have? To what extent did they play active roles?
    3:27  the PlANET project
    5:23  what do we know about plants?
    7:57  combining sources
    11:13  project goals
    13:35  attitudes to environmental change
    15:18  interdisciplinary
    17:30  identifying plants
    21:07  environmental humanities
    26:15  plants as actors
    29:06  gender studies in plant studies
    32:59  BioANE project and PlANET project
    33:49  analogical thinking
    37:43  current research
    40:59  favourite plant
    PlANET at La Sapienza 
    Music by Ruba Hillawi

    Website: http://wedgepod.org
    YouTube: https://www.youtube.com/channel/UCSM7ZlAAgOXv4fbTDRyrWgw
    Email: wedgepod@gmail.com
    Patreon: http://Patreon.com/WedgePod
  • Thin End of the Wedge

    83. David Kertai: The palaces of Assyria

    2026/04/11 | 37 mins.
    David Kertai explains all about Neo-Assyrian palaces. What, and who, would we find there? How did they function? What do their design and decoration tell us about how they were used? How visible was the king? 

    David's museum page

    Music by Ruba Hillawi

    Website: http://wedgepod.org
    YouTube: https://www.youtube.com/channel/UCSM7ZlAAgOXv4fbTDRyrWgw
    Email: wedgepod@gmail.com
    Patreon: http://Patreon.com/WedgePod
  • Thin End of the Wedge

    82. IAA prize winners 2025

    2026/01/28 | 35 mins.
    International Association for Assyriology awards prizes to early career scholars annually. The for 2025 awards went to: 
    Best PhD dissertation in the field of Assyriology and Mesopotamian Archaeology: Adeline Reynaud, for “Les diagrammes mathématiques paléo-babyloniens : catalogue, propriétés matérielles, rôles dans les raisonnements”
    Best article in Assyriology and Mesopotamian Archaeology: 
    Laureate: Jon Beltz, for “Everyday Magic? Four Sumerian zi…pa₃ Incantations on Amulets,” in Journal of Cuneiform Studies 77: 97-121.
    Runner-up: Andrew Pottorf, for “un-il₂ (“Menials”) as a Serflike Social Stratum during the Ur III Period,” Journal of Ancient Near Eastern History 12/1: 83-113. 
    Jon and Andrew join us to talk about their prize-winning research. 
    2:00 What is a zipa incantation?
    2:54 amulets and tablets
    3:55 practical magic
    5:27 main argument
    6:29 structures
    8:13 place in research
    9:10 what's next
    11:42 status groups in Ur III
    15:52 state of research
    20:52 the "people"
    22:30 how to become UN.IL2
    26:59 social security?
    28:50 place in research
    30:43 what's next

    Music by Ruba Hillawi

    Website: http://wedgepod.org
    YouTube: https://www.youtube.com/channel/UCSM7ZlAAgOXv4fbTDRyrWgw
    Email: wedgepod@gmail.com
    Patreon: http://Patreon.com/WedgePod
  • Thin End of the Wedge

    81. Lisa Wilhelmi: Bronze Age Diplomacy

    2025/12/03 | 33 mins.
    Lisa Wilhelmi discusses the international system in the ancient Middlle East. The 14th century BC tablets from Amarna in Egypt, and tablets from the royal archives in Hattusa (Türkiye), reveal diplomatic exchanges between the great powers that ruled the region. What did they want from each other? Who and what moved around, and why?
    2:00 what does "international" mean?
    3:09 what sources our sources say?
    5:22 were the letters preserved or did they just survive?
    6:50 what language do they use?
    8:37 were they equal partners?
    10:34 do resources buy membership of the great powers club?
    12:15 how did they talk to each other?
    14:35 what messages are they sending each other?
    16:38 political theatre?
    18:32 how princesses were chosen
    19:40 did princesses take part in the correspondence?
    20:13 why was cuneiform the method of communication?
    23:51 cultural exchange
    26:52 lost in translation?

    Lisa's university page

    Music by Ruba Hillawi

    Website: http://wedgepod.org
    YouTube: https://www.youtube.com/channel/UCSM7ZlAAgOXv4fbTDRyrWgw
    Email: wedgepod@gmail.com
    Patreon: http://Patreon.com/WedgePod
  • Thin End of the Wedge

    80. Ea-nasir: everyone's favourite copper merchant

    2025/11/04 | 59 mins.
    Gina Konstantopoulos, Andrew Deloucas, Gabriel Moshenska, and Steven Garfinkle discuss internet favourite, Ea-nasir. What do we know about the Dilmun traders and their role in the supply of copper to the kingdoms of Babylonia? Who were his customers and what did they want his copper for? How did he become famous in the 21st century, and what jokes do people make about him? What possibilities does this offer assyriology?
    Andrew Deloucas's university page
    Gina Konstantopoulos's university page
    Gabriel Moshenska's university page
    Steven Garfinkle's university page

    Music by Ruba Hillawi

    Website: http://wedgepod.org
    YouTube: https://www.youtube.com/channel/UCSM7ZlAAgOXv4fbTDRyrWgw
    Email: wedgepod@gmail.com
    Patreon: http://Patreon.com/WedgePod
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About Thin End of the Wedge
Thin End of the Wedge explores life in the ancient Middle East. There are many wonderful stories we can tell about those people, their communities, the gritty reality of their lives, their hopes, fears and beliefs. We can do that through the objects they left behind and the cities where they once lived. Our focus is on the cultures that used cuneiform (“wedge-shaped”) writing, so mostly on ancient Iraq and nearby regions from about 3000 BC to about 100 AD. Thin End of the Wedge brings you expert insights and the latest research in clear and simple language. What do we know? How do we know anything? And why is what we know always changing? Why is any of this important today? We won’t talk to you like you’re stupid. But you won’t need any special training to understand what we’re talking about. This is an independent production by me as an individual. It is not supported by my employer or any other organisation I am involved with, and the views expressed here do not necessarily reflect theirs.
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