The afikra Podcast

• Curator Hiba Abid | Niyū Yūrk at the New York Public Library

  Curator of "Niyū Yūrk: Middle Eastern and North African Lives in the City", Hiba Abid, joins us to talk about the exhibition, housed at the New York Public Library's iconic 42nd Street building, which challenges dominant narratives by presenting New York as a city deeply intertwined with Middle Eastern and North African history and culture. Abid delves into the diverse stories of immigration, the often-overlooked North African presence, and the revolution in Arabic publishing in New York. Through fascinating primary documents and personal stories, the discussion explores everything from the surprising origins of the Statue of Liberty to early 20th-century American citizenship guides published in Arabic, revealing the long, complex, and vibrant history of Arab and Middle Eastern communities in New York. The exhibition remains until March 8, 2026. On December 5, is a Middle Eastern/North African take over of the flagship building of the NYPL that's not to be missed 👉https://www.nypl.org/events/exhibitions/niyu-yurk 0:00 Introduction1:18 Meet Hiba Abid and the NYPL Exhibition Title2:16 The Exhibition's Core Idea and Historical Scope5:41 Is New York a Middle Eastern City?6:33 The Arab Roots of the Statue of Liberty9:15 The 1910 Portrait of Mohamed Juda and Early Exclusion12:34 Citizenship Guides for Early Arab Immigrants16:45 Amplifying North African Stories in New York20:47 Photography and a History of Arab Tattoos24:19 The Explosion of Arabic Publishing in New York28:27 Assimilation and Critique: Arab Views of America31:14 "America Ya Hilwa": An Arab Immigrant's Bid for the US National Anthem42:06 Salloum Mokarzel and the Arabic Linotype Revolution43:25 A 1917 Menu from a Syrian Restaurant in New York46:25 Confronting Anti-Arab Sentiment Through Archives51:53 Upcoming NYPL Middle Eastern/North African Takeover Event Hiba Abid oversees the New York Public Library’s collections of general and special materials produced in the Middle East, North Africa, South Asia, and diasporic communities in the United States. Before joining NYPL, she taught courses on Islamic manuscripts and material culture at New York University’s Department of Art History and Institute of Fine Arts. She has also served as an Associate Researcher at the National Library of France, and contributed to exhibitions at the Louvre Museum, the Musée des Augustins, and Le 32bis: Center for Contemporary Art in Tunis. Hiba Abid received her MA in Art History from the Sorbonne University in Paris and PhD in Islamic Art History, Codicology and Philology from the École Pratique des Hautes Études in Paris.Connect with Hiba Abid 👉 https://instagram.com/nypl_archives Hosted by: Mikey Muhanna 👉 https://www.instagram.com/mikey_mu/?hl=en-gbFOLLOW & RATE THE AFIKRA PODCAST:» Apple Podcasts: https://podcasts.apple.com/lb/podcast/the-afikra-podcast/id1529437743» Spotify: https://open.spotify.com/show/5nafoF1Zs7F48mGZjlhrze» Anghami: https://play.anghami.com/podcast/1014643869THIS SERIES IS PART OF THE AFIKRA PODCAST NETWORK Explore all episodes in this series: https://youtube.com/playlist?list=PLfYG40bwRKl5xaTkBDrUKLCulvoCE8ubX&feature=sharedABOUT AFIKRAafikra | عفكرة is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region – past, present and future – through conversations driven by curiosity.📍 Local events in 40+ locations worldwide http://afikra.com/chapters🎧 New podcasts + videos weekly http://afikra.com/podcasts⚡ Become a member: https://www.afikra.com/membership🔗 Instagram: https://www.instagram.com/afikra_🔗 Facebook: https://www.facebook.com/afikra.official🔗 Twitter: https://twitter.com/afikra Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

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• Bernard Khoury | On Karantina, Solidere & Practicing Architecture in Lebanon

  We visited renowned architect Bernard Khoury in his studio in Karantina, who offered a critical, unvarnished look at the reality of practicing architecture in Lebanon, contrasting it with the sugarcoated story of the "Phoenix coming out of its ashes". He discusses his career beginnings, the 2020 Beirut port explosion, and how his first project—the infamous B018 nightclub—was a radically specific and necessary response to the city’s complex, macabre history and unstable political and economic context. Khoury shares his philosophical approach to architecture, which rejects stylistic gestures in favor of an obsession with specificity and a direct confrontation with Beirut's explosive nature, arguing for a practice that produces honest, if sometimes "sour" meaning in the present rather than succumbing to toxic simplifications. 00:00 The Sourness and Complexity of Beirut01:23 Bernard Khoury's Karantina Studio and the Beirut Explosion03:12 His First Project: B018 in Karantina04:01 The Illusion and Disillusion of the Post-War Era05:42 An Architect's Dilemma: Designing for an Expiry Date12:56 Solidere, Immaterial Ownership, and a New Urbanism15:44 The Cultural Significance of B01817:05 B018's Site: A Macabre History19:40 From Furniture Factory to Architecture Practice22:52 Khalil Khouri: Modern Architect with Certainties27:23 A Generational Difference in Practice28:57 Rejected Labels: What Bernard Khoury Hates to Be Called...31:41 Style vs. Specificity 36:00 Estrangement and Addiction to a Very Intense Environment42:00 Bernard Khoury's Criticism of Solidere's Historical Narrative Born in Beirut (1968), Bernard Khoury studied architecture at the Rhode Island school of Design (BFA 1990 / B.Arch 1991) and Harvard University (M.Arch 1993). He was awarded by the municipality of Rome, the Borromini Prize honorable mention given to architects under 40 years of age (2001), the Architecture + Award (2004), the CNBC Award (2008) and nominated for several awards including the Aga Khan award (2002 / 2004/ 2021), the Chernikov prize (2010) and the Mies van der Rohe Award (2021). He co-founded the Arab Center for Architecture (2008), was a visiting professor in several universities including the Ecole Polytechnique Fédérale de Lausanne and L’Ecole Spéciale d’Architecture in Paris. He has lectured and exhibited his work in over 150 institutions, including solo shows at the Aedes gallery in Berlin (2003), the Spazio per l’architecttura Milano (2016) and numerous group shows including YOU prison at the Fondazione Sandretto in Torino (2008), the opening show of the MAXXI museum in Roma (2010), the Frac Architecture Biennale in Orleans (2018), the Oris House of Architecture in Zagreb (2020) and the Architecture Biennale of Seoul (2021). He was the architect and co-curator of the Kingdom of Bahrain’s national pavilion at the Venice Architecture Biennale (2014). Over the years he has developed an international reputation and a diverse portfolio of projects in over fifteen countries. Khoury was nominated by the French Ministry of Culture Chevalier des Arts et des Lettres (2020) Connect with Bernard Khoury 👉 https://instagram.com/bernardkhourydw5 Hosted by: Mikey Muhanna 👉 https://www.instagram.com/mikey_mu/?hl=en-gbFOLLOW & RATE THE AFIKRA PODCAST:» Apple Podcasts: https://podcasts.apple.com/lb/podcast/the-afikra-podcast/id1529437743» Spotify: https://open.spotify.com/show/5nafoF1Zs7F48mGZjlhrze» Anghami: https://play.anghami.com/podcast/1014643869THIS SERIES IS PART OF THE AFIKRA PODCAST NETWORK Explore all episodes in this series: https://youtube.com/playlist?list=PLfYG40bwRKl5xaTkBDrUKLCulvoCE8ubX&feature=sharedABOUT AFIKRAafikra | عفكرة is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region – past, present and future – through conversations driven by curiosity.📍 Local events in 40+ locations worldwide http://afikra.com/chapters🎧 New podcasts + videos weekly http://afikra.com/podcasts⚡ Become a member: https://www.afikra.com/membership🔗 Instagram: https://www.instagram.com/afikra_🔗 Facebook: https://www.facebook.com/afikra.official🔗 Twitter: https://twitter.com/afikra Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

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• Nurturing Authentic Voices in Filmmaking in the Arab World | Rana Kazkaz

  We delve into the evolving landscape of filmmaking in the region, the importance of authentic, locally rooted narratives, and the critical role of institutions like the Doha Film Institute in fostering emerging talent. Award-winning filmmaker and associate professor at Northwestern Qatar, Rana Kazkaz, offers a glimpse into her current project "The Hakawati's Daughter," and provides recommendations for essential Arab cinema. She shares her experiences teaching film in the Arab world, highlighting the unique challenges and immense joys of mentoring a new generation of storytellers. This episode is in collaboration with Qatar Foundation. 0:00 Introduction0:23 The Joy of Mentoring Arab Students3:19 The "Why" of Storytelling: Finding Your Authentic Voice4:44 Navigating Censorship and Risk in Filmmaking7:24 How Technology is Shaping New Narratives10:47 Shifting Away from the "Other" Narrative14:55 Building the Filmmaking Pipeline: The Role of the Doha Film Institute19:39 The Critical Need for Producers in the Arab World21:39 The Impact of Non-Regional Producers on Arab Films26:12 Recommending Authentic Arab Films for Students29:28 Addressing Class Bias in the Film Industry31:19 Unlearning Self-Orientalism in Storytelling33:40 The Genesis of "The Hakawati's Daughter"41:26 Essential Films from the Arab World Rana Kazkaz is a filmmaker and associate professor in residence at Northwestern University Qatar. Her films have been recognized at the world’s leading festivals including Cannes, Sundance, Toronto, Tallinn, Tribeca, and Abu Dhabi. She received her MFA from Carnegie Mellon University/Moscow Art Theater and BA from Oberlin College. With a focus on Syrian stories, her producing, screenwriting, and directing portfolio includes The Translator (2020), Mare Nostrum (2016), Searching for the Translator (2016), Deaf Day (2011), and Kemo Sabe (2007). Her current film projects include The Hakawati’s Daughter and Honest Politics. She is a member of the Académie des César and was awarded fellowships with the Buffett Institute, MacDowell and the American Film Institute's Directing Workshop for Women.Connect with Rana Kazkaz 👉 https://www.instagram.com/ranakazkaz Hosted by: Mikey Muhanna 👉 https://www.instagram.com/mikey_mu/?hl=en-gbFOLLOW & RATE THE AFIKRA PODCAST:» Apple Podcasts: https://podcasts.apple.com/lb/podcast/the-afikra-podcast/id1529437743» Spotify: https://open.spotify.com/show/5nafoF1Zs7F48mGZjlhrze» Anghami: https://play.anghami.com/podcast/1014643869THIS SERIES IS PART OF THE AFIKRA PODCAST NETWORK Explore all episodes in this series: https://youtube.com/playlist?list=PLfYG40bwRKl5xaTkBDrUKLCulvoCE8ubX&feature=sharedABOUT AFIKRAafikra | عفكرة is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region – past, present and future – through conversations driven by curiosity.📍 Local events in 40+ locations worldwide http://afikra.com/chapters🎧 New podcasts + videos weekly http://afikra.com/podcasts⚡ Become a member: https://www.afikra.com/membership🔗 Instagram: https://www.instagram.com/afikra_🔗 Facebook: https://www.facebook.com/afikra.official🔗 Twitter: https://twitter.com/afikra Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

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• "The Future is Not a Grave" With the NYU Institutes | Masha Kirasirova & Tishani Doshi

  "The Future Is Not a Grave" is a three-day workshop happening next week at NYUAD which explores futurisms and futurescapes across the MENA, Gulf, and Indian Ocean regions. In this collaborative episode with NYU Abu Dhabi Institute, conveners Tishani Doshi and Masha Kirasirova delve into challenging despair, fostering collective imagination, and integrating diverse perspectives from artists, scholars, and performers. Discover how this initiative seeks to redefine conversations about the future, moving beyond conventional narratives and embracing a more open-ended, tolerant, and inclusive approach.November 10-12, 2025 in Abu Dhabi 👉 https://publicprograms.nyuad.nyu.edu/en/the-institute/events/2025/november/the-future-is-not-a-grave.html 0:00 The Future Is Not A Grave: Provocative Title and Imagining Possibilities2:50 The Role of Imagination and Counteracting Despair4:01 Future-Oriented Projects Across the Middle East4:38 Comparing Futurescapes and Broadening the Academic Framework7:31 Imagining Different Outcomes: A Collective Task9:19 Futurisms: An Intellectual History of Future-Oriented Projects11:13 Contextualizing the Present and Artistic Currents12:31 Is Futurism Decidedly Optimistic?14:02 The Interconnectedness of Future and Past15:16 The Role of Language and Performance17:46 Imagining a Future Tolerant of Darkness20:00 Creating Space for Conversation, Not Just Conclusions21:11 Bringing Diverse Disciplines Together24:06 Gulf Futurism and Connecting Students26:19 Diverse Panels: From Graphic Novels to Environmental Law27:11 The Ancient Theater Tradition of Kutiyattam: Emperor Ashoka's Transformation29:40 The Radical Possibility of Performance and Nonviolence31:09 The Gulf, South Asia, and the Indian Ocean: A Unique Focus32:55 Rethinking Historical Space and Eurocentrism34:06 Prioritizing Local Perspectives and Interdisciplinarity36:46 Soviet Visions of the Arab World38:49 Development Schemes and Shifting Conversations39:56 The Academy's Value of Storytelling and Artists42:01 Breaking Down Formalized Barriers43:10 Rethinking Systems and Collective Support43:54 Fostering Interdisciplinary Collaboration44:50 Academic Conferences as Art Projects46:08 Untapped Topics and Intergenerational Knowledge48:58 Collective Power vs. National Identity52:42 Workshop Dates and Further Information Masha Kirasirova is a historian of exchanges between the Soviet Eurasia and the Middle East. Her work approaches modern Middle Eastern history from a “Second World” perspective. It brings together several hitherto separate scholarly domains: Soviet nationalities policy with regard to the USSR’s Muslim populations; social and cultural history of Stalinism in shaping the experience of Arab communists in the Soviet Union in the 1920s and 1930s; cultural exchange with Arab leftist intellectuals during the Cold War; and the impacts of these exchanges on artistic, bureaucratic, and political practices inside the USSR and on those exported to Syria, Lebanon, Israel/Palestine, and Egypt. Tishani Doshi FRSL is an Indian poet, journalist and dancer based in Chennai. In 2006 she won the Forward Prize for Best First Collection due to Countries of the Body. Her poetry book "A God at the Door" was later shortlisted for the 2021 Forward Prize for Best Collection. She is widely acclaimed as a creative writer; her first book of poetry, Countries of the Body (2006), won a Forward Prize for Best First Collection. Connect with Tishani Doshi 👉 https://instagram.com/tishanidoshi Hosted by: Mikey Muhanna 👉 https://www.instagram.com/mikey_mu/?hl=en-gbFOLLOW & RATE THE AFIKRA PODCAST:» Apple Podcasts: https://podcasts.apple.com/lb/podcast/the-afikra-podcast/id1529437743» Spotify: https://open.spotify.com/show/5nafoF1Zs7F48mGZjlhrze» Anghami: https://play.anghami.com/podcast/1014643869THIS SERIES IS PART OF THE AFIKRA PODCAST NETWORK Explore all episodes in this series: https://youtube.com/playlist?list=PLfYG40bwRKl5xaTkBDrUKLCulvoCE8ubX&feature=sharedABOUT AFIKRAafikra | عفكرة is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region – past, present and future – through conversations driven by curiosity.📍 Local events in 40+ locations worldwide http://afikra.com/chapters🎧 New podcasts + videos weekly http://afikra.com/podcasts⚡ Become a member: https://www.afikra.com/membership🔗 Instagram: https://www.instagram.com/afikra_🔗 Facebook: https://www.facebook.com/afikra.official🔗 Twitter: https://twitter.com/afikra Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

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• Sculpting Public Art | Najla El Zein

  Award-winning sculptor and artist Najla El Zein is most recently known for her work on a public commission by Qatar Museums for Doha's cultural district — a work titled "Us, her, him". She joins us to talk about her creative process, the evolution of her work, and the profound impact of personal experiences on her art. Based between Beirut and Amsterdam, Najla's work explores the relationship between space, object, and the human body, often challenging conventional perceptions of sculpture. She delves into the emotional depth behind her most significant projects, including her iconic spoons sculpture, the "Distortion" series, as well as her monumental public commission in Qatar, reflecting on themes of motherhood, female identity, and collective creation amidst challenging times. 0:00 Introduction1:21 The Artist's Studio and Creative Process2:46 From Childhood Curiosity to Sculptural Expression5:36 Embracing the Unromantic Side of Sculpture7:45 The Spoons Sculptures: A Defining Project8:42 Moving to Beirut and Accessing Craftsmanship10:18 Process and Meaning Behind the Spoons Sculture11:39 Capturing Movement and Life in Static Forms12:57 The Significance of Process and Durability14:10 "Distortion" Series: Motherhood and Identity18:50 "Fragmented Pillar": Fragility and Strength21:28 "Seduction" Series: The Journey of Connection23:17 A Deepening Relationship With Stone25:06 "Group of Five": Dynamics and Discovery27:49 The Qatar Museums Project: A Public Commission Amidst Crisis30:58 The Vision for Qatar's Cultural District34:12 Craftsmanship and the Human Element in Public Art37:16 The Collaborative Process: From Lebanon to Qatar40:34 Influences: Saloua Raouda Choucair, Noguchi, and Hockney Najla El Zein's work embodies an intuitive approach to art and design, where narrative, craft, and materiality are central to her creative process. Each piece offers a personal yet universal language that evokes curiosity and emotion. Born in Beirut in 1983, she is a Lebanese-French artist and designer based in Amsterdam. She graduated from the École Camondo in Paris with a degree in Product Design and Interior Architecture, Spatial Design. In 2024, she received the Dia Al-Azzawi Prize for Public Art for her monumental installation "Us, Her, Him" in Doha, Qatar. In 2025, she was honored as one of the AD100 most important influential figures in art and design. Her works are part of prestigious collections, including Dallas Museum of Art, Saint Louis Art Museum, Qatar Museums, and the Victoria & Albert Museum.Connect with Najla El Zein 👉 https://instagram.com/najlaelzein Hosted by: Mikey Muhanna 👉 https://www.instagram.com/mikey_mu/?hl=en-gbFOLLOW & RATE THE AFIKRA PODCAST:» Apple Podcasts: https://podcasts.apple.com/lb/podcast/the-afikra-podcast/id1529437743» Spotify: https://open.spotify.com/show/5nafoF1Zs7F48mGZjlhrze» Anghami: https://play.anghami.com/podcast/1014643869THIS SERIES IS PART OF THE AFIKRA PODCAST NETWORK Explore all episodes in this series: https://youtube.com/playlist?list=PLfYG40bwRKl5xaTkBDrUKLCulvoCE8ubX&feature=sharedABOUT AFIKRAafikra | عفكرة is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region – past, present and future – through conversations driven by curiosity.📍 Local events in 40+ locations worldwide http://afikra.com/chapters🎧 New podcasts + videos weekly http://afikra.com/podcasts⚡ Become a member: https://www.afikra.com/membership🔗 Instagram: https://www.instagram.com/afikra_🔗 Facebook: https://www.facebook.com/afikra.official🔗 Twitter: https://twitter.com/afikra Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

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