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Alexis Wolf, "Transnational Women Writers in the Wilmot Coterie, 1798-1840" (Boydell Press, 2024)
What were two Irish sisters doing in Russia during the early years of the nineteenth century, editing the French-language memoirs of a princess who had been a close confidante of Catherine the Great? Author Alexis Wolf is in conversation with Duncan McCargo about a remarkable transnational story she has unearthed through meticulous archival research. Transnational Women Writers in the Wilmot Coterie, 1798-1840 (Boydell Press, 2024) highlights the centrality of non-canonical, middle-ranking women writers to the production of literature and culture in Britain, Ireland, Europe and Russia in the late eighteenth century. The Irish writers and editors Katherine (1773-1824) and Martha Wilmot (1775-1873) left a unique record of middle-ranking women's literary practices and experiences of travel in the late eighteenth and early nineteenth century. Their manuscripts are notable for their vivid portrayal of the era's political conflicts, capturing a flight from Ireland during the Irish Rebellion (1798), time spent in Paris during the Peace of Amiens (1801-03), and extended residences in Russia during the Napoleonic Wars. However, in their accounts of these key European events, the Wilmots' manuscripts, and published work, showcase their participation in a startling range of self-educating activities, including travel writing, biography, antiquarianism, early ethnographic observation, language acquisition, translation practices and editorial work. Taking an interdisciplinary approach, this book explores the collaborative relationships formed by women participating in cosmopolitan networks beyond the typical locations of the Grand Tour. Across their travels, the sisters met, engaged with, and learned from numerous key women of the time, including Princess Ekaterina Dashkova, Margaret King, Lady Mount Cashell and Helen Maria Williams. In this first full-length study to focus on the literary and cultural exchanges surrounding the Wilmot sisters, Wolf showcases how manuscript circulation, coterie engagement and transnational travel provided avenues for women to engage with the intellectual discourses from which they were often excluded. Alexis Wolf is an independent scholar of eighteenth and nineteenth century literature. Duncan McCargo is President's Chair in Global Affairs and a Professor of English (by courtesy) at Nanyang Technological University, Singapore. Learn more about your ad choices. Visit megaphone.fm/adchoices
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Blessin Adams, "Thou Savage Woman: Female Killers in Early Modern Britain" (HarperCollins, 2025)
Early Modern Britain was awash with pamphlets, ballads, woodcuts broadcasting bloodthirsty tales of traitorous wives, greedy mistresses, cunning female poisoning lacing the supper with deadly substances; of child killers and spiteful witches, stories of women wholly and unnaturally wicked. These were printed or sung, tacked the walls of alehouses, sold in the streets for pennies and read voraciously to thrill all. But why? When the vast majority of murders then (and now) are committed by men. In this bold, page-turning new history Thou Savage Woman: Female Killers in Early Modern Britain (HarperCollins, 2025), former police officer and historian Dr. Blessin Adams tells stories of women whose violent crimes shattered the narrow confines of their gender – and whose notoriety revealed a society that was at once repulsed by and attracted to murderous female rebellion. Based on detailed research in court archives, each chapter explores murders that thrilled and terrified the British public; the crimes that caused the most concern and provoked the most debate. Women in this period killed rarely, and when they did it was usually within the context of extreme provocation or domestic violence. Adams has the ability of the best crime novelists in recreating the setting in which each case occurred as well as the motivations of each perpetrator. Thou Savage Woman reminds us that women in the past had voices, that they sought to control their bodies and their environments and that they also had the capacity for committing acts of unspeakable violence. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices
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32:24
About Spider-Mother: The Fiction and Politics of Rokeya Sakhawat Hossain
Today I talked to Ben Baer and Smaran Dayal about About Spider-Mother: The Fiction and Politics of Rokeya Sakhawat Hossain. Pioneering Indian Muslim feminist Rokeya Sakhawat Hossain wrote speculative fiction, manifestoes, radical reportage, and incisive essays that transformed her experience of enforced segregation into unique interventions against gender oppression everywhere. Her radical imagination links the realities of living in a British colony to the technological and scientific breakthroughs of her time, the effects of hauntingly pervasive systems of sexual domination, and collective dreams of the future, forging a visionary, experimental body of work. Alongside Rokeya’s pathbreaking feminist science fiction story “Sultana’s Dream,” this volume features fresh and exciting new translations of her key Bengali writings and a superbly informative introduction to her life and work. If her contemporary B. R. Ambedkar urged the “annihilation of caste,” Rokeya demands nothing less than the annihilation of sexism, with education as the primary instrument of this revolution. Her brilliant wit and creativity reflect profoundly on the complexities of undoing deep-seated gender supremacy and summon her readers to imagine hitherto undreamed freedoms. ROKEYA SAKHAWAT HOSSAIN (1880–1932) was born in present-day Bangladesh, then part of colonial India. Despite being deprived of formal education, she became a prominent writer, activist, and educator. The web of her life spanned from the minutiae of running a girls’ school in Kolkata to struggles for women’s emancipation on the national and world stage. Arnab Dutta Roy is Assistant Professor of World Literature and Postcolonial Theory at Florida Gulf Coast University. Learn more about your ad choices. Visit megaphone.fm/adchoices
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1:06:55
Monica A. Hershberger, "Women in American Operas of The 1950s: Undoing Gendered Archetypes" (U Rochester Press, 2023)
The 1950s looks placid from the outside, but underneath that calm post-war exterior roiled the intellectual and activist beginnings of the political movements that tore through the 1960s and 1970s. In Women in American Operas of the 1950s: Undoing Gendered Archetypes (University of Rochester Press, 2023), Monica A. Hershberger considers the main female characters in four operas written in the 1950s: The Ballad of Baby Doe, Lizzie Borden, The Tender Land, and Susannah. For each work, Hershberger analyzes the historical context and musical treatment of these four characters, who are all stereotyped as the virgin or the whore, or sometimes even both. In an unusual and productive analytical choice, Hershberger also includes the interpretive decisions and perspectives of the sopranos who originated or popularized these four roles, rather than focusing exclusively on the scores and the views of the male creative teams that wrote the works. Several of the operas include instances of emotional abuse as well as gendered and sexual violence that have long been ignored or downplayed by opera scholars, but Hershberger does not shy away from these disturbing subjects in the book. Learn more about your ad choices. Visit megaphone.fm/adchoices
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1:07:01
Carol Cleaveland and Michele Waslin. "Private Violence: Latin American Women and the Struggle for Asylum" (NYU Press, 2024)
How the US asylum process fails to protect against claims of gender-based violence. Through eyewitness accounts of closed-court proceedings and powerful testimony from women who have sought asylum in the United States because of severe assaults and death threats by intimate partners and/or gang members, Private Violence: Latin American Women and the Struggle for Asylum (NYU Press, 2024) examines how immigration laws and policies shape the lives of Latin American women who seek safety in the United States. Carol Cleaveland and Michele Waslin describe the women's histories prior to crossing the border, and the legal strategies they use to convince Immigration Judges that rape and other forms of "private violence" should merit asylum - despite laws built on Cold War era assumptions that persecution occurs in the public sphere by state actors. Private Violence provides much-needed recommendations for incorporating a gender-based lens in the asylum process. The authors demonstrate how policy changes across Presidential administrations have made it difficult for survivors of "private violence" to qualify for asylum. Private Violence paints a damning portrait of America's broken asylum system. This volume illustrates the difficulties experienced by Latin American women who rely on this broken system for protection in the United States. It also illuminates women's resilience and the determination of immigration attorneys to reshape asylum law. Learn more about your ad choices. Visit megaphone.fm/adchoices
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