New Books in Art

The ravages of the Holocaust and post-World War II led to the theft and disappearance of art, archives, and personal assets. Join Jonathan Brent and Howard Spiegler for a discussion on the quest to recover and preserve these cultural treasures.

This discussion originally took place on March 23, 2021.
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Can art change the contemporary world? In Feminism, Art, Capitalism Angela Dimitrakaki, a Professor of Contemporary Art History and Theory at the university of Edinburgh, offers a Marxist Feminist perspective on a variety of issues in both society and the cultural sector. Engaging with a huge range of examples, as well as theorising key issues such as work and labour, the long modern, communing practices and technology, the book offers a global perspective on the contradictions that feminism faces under capitalist culture. A rich examination of the book will be of interest across the humanities, as well as for anyone interested in the importance of art today.
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Dangerous Creations: The Inventor Novel in Fin-de-siècle France (U Toronto Press, 2025) presents a master narrative of the inventor in fin-de-siècle French literature by analyzing the works of Jules Verne, Albert Robida, Émile Zola, and Villiers de l’Isle-Adam. Their writings challenge the role of science in shaping French national identity and aim to transform contemporary understandings of science and technology. The book reveals how Verne, Robida, Zola, and de l’Isle-Adam reimagine the figure of the inventor, reshaping the literary standards of their time. Universally male in these narratives, the inventor serves as a flawed exemplar of national heroism during the Age of Empire – a period marked by significant external threats and internal strife – while also embodying unrestrained creativity. Ultimately, the inventor novel reflects broader French anxieties surrounding scientific progress, empire, and gender. Ana Oancea explores the transmedia and transnational legacy of the fin-de-siècle inventor novel through vignettes that highlight similarly themed narratives in contemporary popular culture. These sections engage with films, television series, graphic narratives, and video games that reinterpret key aspects of the inventor narrative, shedding light on its power structures, racial and gender politics, and colonial aspirations.

Guest Ana Oancea is Associate Professor of French at the University of Delaware. Her research interests include the intersections of science and literature, adaptation studies, and visual culture. She has recently published articles in Forum for Modern Language Studies, Science Fiction Film and Television, and French Screen Studies.

Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript in progresson posthumanist ecological engagement in the surrealist movement.
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Peoples & Things host, Lee Vinsel, and special guest host, Melanie Kiechle (Associate Professor of History, Virginia Tech), chat with radio producers Chris Hoff and and Sam Harnett about their sound production project, The World According to Sound. Hoff and Harnett came to Virginia Tech to put on their octophonic sound show, Ways of Knowing. We recorded this special livestream edition of Peoples & Things in Virginia Tech's Athenaeum, and the conversation includes thoughts and questions from a live audience that gathered there.
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Waves Lost at Sea (Spector Books, 2026) traces the evolving practice of Cooking Sections, whose work spans visual arts, architecture, and ecology. Since 2013, they have been investigating anthropogenic infrastructures, industrial food systems, and human-made climates: from artificially colored farmed salmon and drained buffalo wetlands to ocean-filtering oysters and Sicilian tomatoes outlawed under EU regulations. Their research-based practice exposes the legal, environmental, and metabolic struggles behind what ends up on our plates, while simultaneously working to create prospects for the future. This monograph brings together six newly commissioned essays alongside an extensive series of images with detailed captions and reflective annotations. The book traverses legal fictions, queer ecologies, disappearing landscapes, multispecies entanglements, and speculative tastes. Through these layered investigations, Waves Lost at Sea invites readers to rethink food cultures and agricultural imaginaries, decentering humans at both microscopic and planetary scales.
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