Latitudes Podcast

In this episode, Refiloe Mpakanyane speaks to award-winning writer Milisuthando Bongela. While her career began in fashion, her creative spirit has carried her into music, art, media and now film. Bongela has written and directed her first film: the self-titled: Milisuthando. The artfully edited and scored documentary is a personal essay spanning 30 years and was eight years in the making. Written as a portrait of the filmmaker and her country, South Africa, both growing up (as it were) in parallel and in the aftermath of apartheid. Told in a non-linear fashion: Milisuthando calls the film an invitation to viewers to excavate forgotten parts of themselves, their history their family. The film takes a feminist lens to questions about power, fear, intimacy and love as it relates to race. The conversation traverses on Bongela's decades-long path to writing and directing her debut film, as well as what finding her voice and perspective means to her and how she imagines it will ground her work going forward.

In episode 10 of the Latitudes Podcast, host Refiloe Mpakanyane speaks with British-Ghanaian, curatorial powerhouse, Osei Bonsu. A sought-after curator of contemporary art, Osei’s work has taken him all over the world, advising museums, art fairs as well as private collections. Also a lecturer and writer, Osei has contributed to various arts publications and exhibition catalogues.Before joining the Tate Modern as Curator of International Art, he had established the digital platform, Creative Africa Network, where he drew upon his experience to mentor artists and re-imagine more meaningful ways to create value for and among African artists on the continent. Osei shares why this mission to effect change abides in his current work and why a more textured and nuanced art space that grows the western canon, benefits us all. Osei’s expansive view on the purpose and potential of art moves our conversation to the importance of family as well as his take on professional recognition.

In Episode 9 of the Latitudes Podcast, host Refiloe Mpakanyane talks to Ekow Eshun; a British writer, journalist, broadcaster and curator, about his abiding penchant for doing the difficult (and sometimes agonising) in order to spark meaningful conversations in audiences. A thoughtful and considered conversationalist, Ekow reflects on a multifaceted and impactful career that has spanned magazines, books, curating and broadcasting. He credits curiosity and a search for new ways of seeing and representation as the drive behind his work. We explore Ekow’s career highlights, his most recent offerings – think In The Black Fantastic - and look ahead to what's to come.Ekow Eshun is Chairman of the Fourth Plinth Commissioning Group, and the former Director of the ICA, London. He is the curator of exhibitions including the critically acclaimed In the Black Fantastic at the Hayward Gallery, London, and author of books including Africa State of Mind andBlack Gold of the Sun, shortlisted for the Orwell prize. He has contributed to books on artists including Mark Bradford, Chris Ofili, Kehinde Wiley, John Akomfrah and Wangechi Mutu.

In episode 8 of the Latitudes Podcast, host Refiloe Mpakanyane talks to the dynamic New York born, South African-based, multi-media artist Thenjiwe Niki Nkosi, who received the Tollman Award for the Visual Arts in 2019 and the Phillippe Wamba Prize in African Studies in 2004. Nkosi has collaborated, exhibited and studied globally and is popularly known for her pastel-hued paintings of triumphant Black gymnasts as well as her series of portraits of influential Black figures. In this conversation, Nkosi unpacks the genesis and process behind some of her pieces; she sheds light on her studio practice, as well as her emphatic belief that love can be a force for meaningful change. Nkosi explains how her vibrant heritage (South African father and Greek-American mother) and being born “in exile” have influenced much of the direction of her work. Be it synthesising the “disparate” elements of one’s identity; or looking critically at the seemingly benign conventions of our lives: Nkosi's art is deeply considered and grounded in thorough research that lays bare the workings and consequences of our shared imperial and colonial history, while also imagining an alternative and fascinating present.*A quick note that the poem alluded to in the conversation is called First Petition by Divya Victor