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209 episodes

Narrative Poems: ‘Tam o’ Shanter’ by Robert Burns and ‘Peter Grimes’ by George Crabbe
2026/05/13 | 21 mins.
‘Tam o’ Shanter’ first appeared as a lengthy footnote in Francis Grose's Antiquities of Scotland (1791) after Robert Burns convinced Grose to include the ruined Alloway Kirk in his volume, and its supernatural associations (invented by Burns). Its story of the drunken Tam's encounter with witches in the stormy Ayrshire landscape has served as both a celebration and chastisement of Scottish masculinity ever since its publication, but the attitude of its narrator remains elusive throughout. In this episode, Seamus and Mark discuss the poem’s moral and stylistic turns, its influence on Wordsworth and Coleridge, and what it owes to the Augustan perfectionism of Pope.

They then turn to a much darker example of Romantic narrative poetry, George Crabbe’s ‘Peter Grimes’ (published in his collection The Borough in 1810), and explore the bracing realism and psychological insight in the story of a cruel Suffolk fisherman who destroys the apprentices placed in his care.

This episode also features a bonus conversation with Andrew O’Hagan, who reads extracts from 'Tam o’ Shanter' and explains why the poem’s reliably contradictory narrative voice is so useful for anyone learning to write stories.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, sign up:

Apple Podcasts: https://lrb.me/applesignupnp

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Read more in the LRB:

Karl Miller: Peeping Tam: ⁠https://lrb.me/npep501⁠

Neal Ascherson on Burns's life: ⁠https://lrb.me/npep502
Nature in Crisis: 'Gaia: A New Look at Life on Earth' by James Lovelock
2026/05/04 | 28 mins.
In ‘Gaia: A New Look at Life on Earth’ (1979), James Lovelock proposed that the Earth is something like a single living organism, capable of manipulating its circumstances and the environment to suit its needs. While many scientists reject the fullest formulation of this idea, it has nonetheless had a profound influence on our understanding of the ways in which animal and plant life interact with the non-living parts of the environment, to the extent that observations in biological and earth systems science are often assessed for which version of Gaia they might support.

In this episode, Meehan Crist and Peter Godfrey-Smith look at the origins of the Gaia hypothesis in the radical work of Lynn Margulis and the contributions of Lovelock’s academic collaborator Dian Hitchcock, and in the science of cybernetics. They then consider the degree to which any formulation of Gaia can explain certain processes, from the impact of the ecological competition between daisies on the reflection of solar radiation to the carbon-silicate cycle and its control of carbon dioxide levels, and consider some of Lovelock’s wilder theories, including his suggestion that humans should merge their minds with those of whales.

Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:

Directly in Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/applecrna⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ture⁠⁠

In other podcast apps: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/closereadingsna⁠⁠⁠ture

Read more in the LRB:

Meehan Crist on ‘Novocene’: https://lrb.me/natureep501

Peter Godfrey-Smith on Lovelock: https://lrb.me/natureep502
Who’s afraid of realism? ‘The Death of Ivan Ilyich’ by Leo Tolstoy
2026/04/27 | 23 mins.
In the late 1870s, shortly after the publication of Anna Karenina, Tolstoy experienced what might be described today as a midlife crisis. In his short autobiographical book A Confession, finished in 1880, he questioned what meaning there is in life that is not annihilated by the inevitability of death. His answer was to live according to God’s law, a realisation that shaped that rest of his life and writing, and guides the story of his late masterpiece, The Death of Ivan Ilyich (1886).

To discuss The Death of Ivan Ilyich and its place both in Tolstoy’s work and the development of realism, James is joined by the novelist Elif Batuman. They consider the way Tolstoy takes up Flaubert’s contempt for bourgeois life and strips it down to a spare fable of delusion and awakening, and why the unique authority of his style has proved so resistant to the critiques of realism in the 20th century.

Non-subscribers will only hear an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:

Apple Podcasts: https://lrb.me/applecrwaor

Other podcast apps: https://lrb.me/closereadingswaor

Read more in the LRB:

Michael Wood on War and Peace: https://lrb.me/realismep501

James Meek on the death of Tolstoy: https://lrb.me/realismep502

John Bayley on Tolstoy's diaries: https://lrb.me/realismep503
The Man Behind the Curtain: ‘Frankenstein’ by Mary Shelley
2026/04/24 | 35 mins.
Mary Shelley signed off her introduction to the 1831 edition of Frankenstein by bidding her ‘hideous progeny go forth and prosper’. In this episode of The Man Behind the Curtain, Tom McCarthy and Thomas Jones look at the machinery that Shelley used to assemble her immortal creature and bring it to life. As well as its origins and afterlives, they consider the many systems that the novel draws on, challenges, reproduces and mutates – the laws of nature, philosophy, science, the human body, the traditional family – and ask whether the real horror at the heart of Frankenstein is not the creature so much as incest.

The Man Behind the Curtain is a bonus Close Readings series running this year. The next episode will be on ‘Middlemarch’, released in a couple of months.

This is an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:

Directly in Apple Podcasts: https://lrb.me/closereadingsmbtc

For Spotify and other apps: https://lrb.me/applecrmbtc

Read more in the LRB:

Anne Barton on Mary Shelley: ⁠https://lrb.me/frankensteincr01⁠

Caroline Gonda on the original Frankenstein: ⁠https://lrb.me/frankensteincr02
London Revisited: Plague, Rebellion and Guilds
2026/04/20 | 27 mins.
If historians of medieval London had a patron saint, it might well be Edward I. While many English monarchs chose to leave London to its own devices, Edward decided from the start of his reign in 1272 to put pressure on the city to justify its liberties. The result was a profusion of bureaucracy, most notably in the Letter Books, that describe the life of London and its people in vivid detail, from disputes, petitions and regulations to the names of all the city’s apprentices. This record-keeping was good for the city too, reinforcing a powerful system of guilds supporting hundreds of trades and a flourishing merchant and consumer culture.

But when the Black Death arrived in England in 1348, London’s population was devastated, and its social and economic life transformed. In this episode, Rosemary is joined again by Matthew Davies, professor of urban history at Birkbeck, to continue the story of England’s capital through its rapid rise in the first half of the 14th century and a long period turmoil thereafter, including the Hundred Years’ War, the revolts of Wat Tyler and Jack Cade, and the Wars of the Roses.

Reading by Duncan Wilkins

Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:

Apple Podcasts: https://lrb.me/applesignuplr

Other podcast apps: https://lrb.me/scsignuplr

Read more in the LRB:

Tom Johnson: No More Baubles: ⁠https://lrb.me/lrep401⁠

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About Close Readings

Close Readings is a new multi-series podcast subscription from the London Review of Books. Two contributors explore areas of literature through a selection of key works, providing an introductory grounding like no other. Listen to some episodes for free here, and extracts from our ongoing subscriber-only series. How To Subscribe In Apple Podcasts, click 'subscribe' at the top of this podcast feed to unlock the full episodes. Or for other podcast apps, sign up here: https://lrb.me/closereadings RUNNING IN 2026 'Who's afraid of realism?' with James Wood and guests 'Nature in Crisis' with Meehan Crist and Peter Godfrey-Smith 'Narrative Poems' with Seamus Perry and Mark Ford 'London Revisited' with Rosemary Hill and guests Bonus Series: 'The Man Behind the Curtain' with Tom McCarthy and Thomas Jones ALSO INCLUDED IN THE CLOSE READINGS SUBSCRIPTION: 'Conversations in Philosophy' with Jonathan Rée and James Wood 'Fiction and the Fantastic' with Marina Warner, Anna Della Subin, Adam Thirlwell and Chloe Aridjis 'Love and Death' with Seamus Perry and Mark Ford 'Novel Approaches' with Clare Bucknell, Thomas Jones and other guests 'Among the Ancients' with Emily Wilson and Thomas Jones 'Medieval Beginnings' with Irina Dumitrescu and Mary Wellesley 'The Long and Short' with Mark Ford and Seamus Perry 'Modern-ish Poets: Series 1' with Mark Ford and Seamus Perry 'Among the Ancients II' with Emily Wilson and Thomas Jones 'On Satire' with Colin Burrow and Clare Bucknell 'Human Conditions' with Adam Shatz, Judith Butler, Pankaj Mishra and Brent Hayes Edwards 'Political Poems' with Mark Ford and Seamus Perry 'Medieval LOLs' with Irina Dumitrescu and Mary Wellesley Get in touch: [email protected]

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