Close Readings

‘The Rise of Ecofascism: Climate Change and the Far Right’ is a different kind of book from the others Meehan and Peter have discussed so far in their series, even as their focus has shifted from biology to society. Its authors, Sam Moore and Alex Roberts, are both anti-fascist researchers writing explicitly from the activist left. Unlike commentators such as Mark Lilla, who worry about ‘vilification inflation’, Moore and Roberts make the case for the continuing salience of the word fascism.

They argue that a direct line can be traced between early fascist ideology in Italy and Germany and the ‘reharmonising’ green nationalism of Marine Le Pen’s Rassemblement National in France and Georgia Meloni’s Fratelli d’Italia. Mystical and dangerous ideas claiming to be environmentalist, once the preserve of fringe online groups, have entered the political mainstream through these successful disrupter parties, and understanding the connection between past and present is the only way to speculate meaningfully about the future of far-right ecological thought and action. Meehan and Peter consider the plausibility of the three future scenarios sketched in the book: ‘Fossilised Reaction’, ‘Batteries, Bombs and Borders’ and ‘Climate Collapse Cultists’.

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Directly in Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/applecrna⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ture⁠⁠

In other podcast apps: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/closereadingsna⁠⁠⁠ture

Read more in the LRB:

Daniel Trilling: Is this fascism? ⁠https://lrb.me/nicep1001⁠

Alan Ryan: Fascism in the Plural ⁠https://lrb.me/nicep404⁠

Edward Luttwak: Why fascism is the wave of the future: ⁠https://lrb.me/c6350c ⁠
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When Muriel Spark describes the art teacher, Mr Lloyd, in The Prime of Miss Jean Brodie, she writes that ‘most wonderful of all, he had only one arm, the right, with which he painted’. The loss of an arm was hardly wonderful for Mr Lloyd, but for the girls at the centre of the novel it is a rich source of fascination, and Spark’s description exemplifies her use of one of the classic realist tools, free indirect style, to fill her short book with the life and character of adolescent girlhood at an Edinburgh school in the 1930s.

In this episode, James Wood considers the ways in which Spark, like Nabokov, gave the grammar of realism a post-modernist treatment to interrogate what it means to tell the story of a life. He considers the influence of Miss Brodie’s tyrannical, charismatic personality on the structure of the book itself, with its use of flash-forwards to suggest a Calvinistic, omniscient narrator, and the effect of Spark’s Dickensian leitmotif that sets the novelistic desire for knowability against the relentless change of youth.

Non-subscribers will only hear an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:

Apple Podcasts: https://lrb.me/applecrwaor

Other podcast apps: https://lrb.me/closereadingswaor

Read more in the LRB:

Frank Kermode on Spark's life: https://lrb.me/realismep1001

Colin Burrow on Spark's letters: https://lrb.me/realismep1002

Susan Eilenberg on Spark's poems: https://lrb.me/realismep1003

More Spark in Close Readings:

Listen to Clare Bucknell and Colin Burrow on Spark's novel A Far Cry from Kensington in their Close Readings series On Satire.
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The coffee served in London in the 1690s was notoriously unappetising, likened at the time to ‘burnt shoes and charcoal’. Nonetheless it was extremely popular, not least for the energy and locations it provided for two great booms in London life: financial speculation and a genuinely public print culture. For this episode, Rosemary is joined by Markman Ellis, professor of 18th-century studies at Queen Mary University of London, to look at the architecture, literature and culture of ‘politeness’ that emerged after the so-called Glorious Revolution of 1688, and the stories spun out of it by Daniel Defoe and John Gay. They discuss the coffee houses where London’s stock exchange and marine insurance market were created, the front rooms where women enjoyed the new ‘visiting system’ and the increasingly hazardous streets where Moll Flanders and others sought their fortune.

Reading by Fiona Sheehan

Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:

Apple Podcasts: ⁠⁠https://lrb.me/applesignuplr⁠⁠

Other podcast apps: ⁠⁠https://lrb.me/scsignuplr⁠

Read more in the LRB:

Steven Shapin on coffee: https://lrb.me/lrep901

Tom Paulin on Defoe: https://lrb.me/lrep902

Michael Ledger-Lomas on the South Sea Company: https://lrb.me/lrep903
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‘Childe Roland to the Dark Tower Came’ has baffled readers and critics ever since it was published in Men and Women in 1855. It baffled its author, too. It ‘came upon me as a kind of dream’, Browning recalled. ‘I had to write it then and there, and I finished it the same day.’ The result, inspired by a line spoken by Edgar (as Poor Tom) in Act III of King Lear, is a grim, hallucinatory quest poem that exemplifies Browning’s talent for what G.K. Chesterton called ‘the poetry of mean landscapes’.

In this episode, Seamus and Mark read Browning’s mysterious poem as a rejection of the resources and consolations established by the Romantics. They then turn to an earlier narrative poem, ‘The Pied Piper of Hamelin’ (1843), in which Browning uses a comical, Byronic tone to tell the story of another prophetic figure.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, sign up:

Apple Podcasts: ⁠https://lrb.me/applesignupnp⁠

Other podcast apps: ⁠https://lrb.me/scsignupnp

Read more in the LRB:

Barbara Everett: https://lrb.me/npep901

Matthew Reynolds: https://lrb.me/npep902

Donald Davie: https://lrb.me/npep903
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Over the past twelve years, the walls and shop shutters of Upper Manhattan have been gradually filled by giant paintings of climate-threatened birds, inspired by the species depicted by the artist John James Audubon, who lived in the area. Emily Raboteau’s ‘Lessons for Survival’ (2024) takes these murals, along with Raboteau’s own photographs of local birds, as a way into exploring the challenges faced by a mother of two Black sons in New York City living through Hurricane Sandy, the first Trump presidency, Covid and mounting climate breakdown.

In this episode, Meehan and Peter talk through the different aspects of Raboteau’s project of survival, from experiences of gentrification and medical racism to the models it offers for dealing with existential threat and ‘justifiable rage’, and Raboteau’s stylistic achievement of bringing together the urban and natural environment.

Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:

Directly in Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/applecrna⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ture⁠⁠

In other podcast apps: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/closereadingsna⁠⁠⁠ture

Further reading in the LRB:

Meehan Crist: When the ice melts: ⁠https://lrb.me/nicep901⁠

Liam Shaw: Great Auks: ⁠https://lrb.me/nicep902⁠

Richard Fortey: Sea Slugs, Wombats, Microbes: ⁠https://lrb.me/nicep903⁠
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