The Good Ship Illustration

"Why does promoting my own work feel so cringe?"
HIYA WELCOME BACK! We missed you!
Summer holidays are all done here in the UK. Hope you had a good rest too. 
This week our Katie's chatting to Mollie Balshaw, one half of Short Supply:
Short Supply is an artist-led creative practice founded by Mollie and Rebekah Balshaw. Since 2019, they have helped artists navigate creative careers through exhibitions, publishing, workshops, mentoring and public conversations. Their work makes the hidden structures of the art world more visible, while encouraging artists to take their ideas seriously without waiting for perfect conditions. Their current projects include 100 Ideas and Step One, a series of conversations taking place at Edinburgh Fringe.
Short Supply posed this cracker of a question over on Instagram: why is visibility treated like ego, when artists need it to survive? 
There's chat about snobbery re; wanting to earn money from your work, the bits of being visible online that you're not warned about, aaaand the boundaries Mollie and Rebekah have built to keep themselves safe.
Then there's the can-you-have-a-successful-creative-career-outside-London question, and why "it's local so it must be rubbish" can get into our heads.
Unfortunately, the Edinburgh Fringe is finished now 😭 but Step One was Short Supply's project and you can read all about it here: https://www.shortsupply.org/step-one 

Timestamps, for the timestamp fans:
00:00 – Intro to Mollie, Rebekah and Short Supply
 01:20 – Why is visibility treated like ego?
 02:30 – Being talented is admirable, wanting to be seen is embarrassing. Whyyy?
 03:30 – Starting Short Supply out of frustration (and wanting an excuse to collaborate)
 04:30 – Who the art world isn't built for
 05:30 – Snobbery about "commercial", snobbery about social media
 06:20 – "Do I have to show my face?"
 07:30 – Algorithms, platform politics, visibility
 09:20 – Energy and capacity
 10:20 – The flip side of a post going big
 11:20 – When visibility isn't safe: queer, disabled and racialised artists
 12:30 – Boundaries
 14:00 – Would you mind a stranger saving it?
 15:20 – You don't *need* to be on social media to promote your creative work
 16:00 – Edinburgh Fringe as the best word-of-mouth machine in the country
 16:40 – Step One: the Fringe show
 17:40 – "I'm not telling you my idea in case you nick it"
 18:20 – You can't benefit from an idea that stays in your head
 20:20 – Smooth peanut butter vs crunchy
 21:00 – Manchester
 23:00 – Building a creative career outside London.
 24:20 – proximity to London still counts for a lot
 25:40 – "Manchester's caught up" or has it?
 28:40 – Contradicting yourself out loud is just thinking. Allowed.
 30:40 – Who are the David Hockneys of Salford right now?
 33:00 – Local snobbery, and galleries that don't invite their neighbours
 35:00 – Growing up somewhere small and assuming everything local is rubbish
 36:30 – You have more choices than you think (a story about Mollie's nan)
 38:00 – The joy of a part-time job/everyone else's secret pile of money
 39:20 – AI, and being glad it didn't exist at uni
 40:40 – "They may have been rubbish, but they were mine"
Links mentioned:
Short Supply's website: https://www.shortsupply.org
Short Supply on Instagram: https://www.instagram.com/shortsupplymcr
The Scottish Storytelling Centre, home of Step One: https://www.scottishstorytellingcentre.com
Byeeee for now!
x The Good Ship Illustration (Helen, Katie & Tania)
p.s. If you'd like more options for being-visible-without-being-sick-in-your-mouth, that's exactly what we get stuck into in Illustration Business Club! Doors are opening in October and you can read up on it here: https://www.thegoodshipillustration.com/business
Come and say hello!

✏️ @thegoodshipillustration
🌏 www.thegoodshipillustration.com

p.s. We love answering your illustration questions. Click here to submit your question for The Good Ship Illustration Podcast 🎙

What're you doing this summer? Are you having a little rest?
This episode is all about taking breaks and we have a wee look at our plans:
Helen is in her illustrator hermit cave for July to get the next Salty Dog book finished before the deadline, with a nice August off as her reward.
Tania is working on a museum commission for a 'Gossip Wall' in Berwick Museum, with plans to experiment with texture and line for the first time in ages. (Phwoarrrrr.)
And Katie's about to have her first proper 6-week term-time break now that E's in school full time.
Whatever your plans are, have a good one! We'll be back in September.
Rough Timestamps, for you timestamp enthusiasts:
00:00 – Recording remotely, wheee
01:00 – Camping memories in France (TVs in tents)
03:00 – What does everyone's idea of a summer break look like?
04:00 – Helen's July hermit cave 
05:00 – Tania's loose-deadline project
06:00 – the Gossip Wall
09:00 – Working four-hour afternoons
10:00 – Berwick Open Studios, and the Pith Sketchbook Studios workshops on 3rd & 4th October
11:00 – Walk to See, Instagram's Add Yours feature
13:00 – Sketchbooking at the Alan Carr castle auction viewing day
14:00 – Katie's first proper term-time summer break now E's in school
15:00 – Freelance guilt, privilege, trying to "do it all" rarely works
17:00 – Trying and failing to switching your email off
20:00 – RIP David Hockney
24:00 – Planning a Hockney-themed summer party
27:00 – Good luck to Helen with the Salty Dog drawings, and a peek ahead Illustration Business Club returning this autumn!
Links mentioned:
Byeeee for now! 
x The Good Ship Illustration (Helen, Katie & Tania)
p.s. Illustration Business Club is coming back into the chat this autumn, join the waiting list here and keep an eye out.
https://www.thegoodshipillustration.com/business 
Come and say hello!

✏️ @thegoodshipillustration
🌏 www.thegoodshipillustration.com

p.s. We love answering your illustration questions. Click here to submit your question for The Good Ship Illustration Podcast 🎙

What's the point in making all this gorgeous work if you don't have the confidence to share it, eh? EH!?
Who better to grill on this subject than Lauren Currie, OBE.
Lets gooo:
Timestamps, for the timestamp fans:
00:00 – Intro 
01:00 – Confidence = the elephant in the room for creatives
02:00 – Lauren on why confidence matters so much, especially for women and marginalised people 
05:00 – The shite UN statistic 
07:00 – "What would a mediocre middle-aged man do?" 
09:00 – Confidence is a team sport, not a solo endeavour 
11:00 – Carrying responsibility for how everyone else feels 
12:00 – 10 people whose opinions actually matter (and why it's not Jeanie from school's mum's dentist) 
14:00 – Imposter syndrome
16:00 – The 1970s research that labelled women with a "syndrome" instead of looking at the system 
19:00 – Why self-doubt is healthy
21:00 – Confidence is a muscle 
22:00 – Lauren's art
25:00 – Old lady faces
27:00 – Should you have a separate art Instagram? 
28:00 – The Barcelona art show story
32:00 – Why 'just' 20 people seeing your work is a LOT of people 
33:00 – Lauren's advice for illustrators who are scared to share their work 
36:00 – On hiding
38:00 – We need your art!!
Links and books etc. mentioned:
Lauren's website: https://www.laurencurrie.co/art
Upfront: https://www.weareupfront.com
Be Upfront by Lauren Currie
We Need Your Art by Amy McNee https://www.amiemcnee.com/order-we-need-your-art-book-amie-mcnee
The Good Ship Illustration: https://www.thegoodshipillustration.com
Find Your Creative Voice, Fly Your Freak Flag course: https://www.thegoodshipillustration.com/freakflag
Come and say hello!

✏️ @thegoodshipillustration
🌏 www.thegoodshipillustration.com

p.s. We love answering your illustration questions. Click here to submit your question for The Good Ship Illustration Podcast 🎙

This week's podcast is a sneaky peek into the live Q&A calls we do for our Find Your Creative Voice; Fly Your Freak Flag students. (They happen monthly at the moment.)
WHADDA CHAT.
In this episode, we talk about:
Pursuing boredom 
The Artists' Way
Why finding your style doesn’t always feel fun and easy and natural (Instagram's lying to yooou) 
What to do when you have hundreds of project ideas and no clue which one to choose 
How to handle agent/client feedback without immediately throwing your laptop into the sea 
Galleries are better when you don’t try to “eat all the paintings” 
Pens, colour, sketchbooks and abandoning black linework 
Quentin Blake, Mr Bingo and free flapjacks. Just a normal day, really.
If you'd like to join us, go for it! Enrolment is open right now, and our next live call is happening on Thursday the 16th of July at 7pm UK time.
Timestamps
00:00 Art block
00:55 Morning pages
02:00 Wide margins
04:30 Boredom
06:00 Creative sparks
08:15 Creative identity
10:20 Comparison
11:30 Constraints
13:30 Page layouts
15:15 Deadlines
17:15 Oblique Strategies
18:30 Slow looking
21:00 Drawing from home
22:30 Quentin Blake Centre
26:45 Too many ideas
31:10 Feedback
37:30 Coloured linework
39:45 Closing thoughts
Stuff we mentioned & links (so many this week, woah)
The Artist’s Way by Julia Cameron 
Make Every Day Creative by Marion Deuchars 
David Hockney (RIP)
Brian Eno’s Oblique Strategies
Quentin Blake Centre - Thank you for inviting us to the preview day, team QB!
Derwent Pencil Museum
Picture Hooks https://www.picturehooks.org.uk/
The Catchpole Agency http://www.thecatchpoleagency.co.uk/
Muji fine liners
Emma Carlisle / Sarah Dyer
https://www.emmacarlisle.com/ 
https://www.sarahdyer.com/
The Good Ship Illustration Art Club
https://www.instagram.com/thegoodshipillustration/?hl=en
Fly Your Freak Flag
https://www.thegoodshipillustration.com/freakflag
The Good Ship Illustration colour workshop
https://www.thegoodshipillustration.com/colour
Come and say hello!

✏️ @thegoodshipillustration
🌏 www.thegoodshipillustration.com

p.s. We love answering your illustration questions. Click here to submit your question for The Good Ship Illustration Podcast 🎙

This week our Katie is chatting to Alice Bowsher, who's work she would like to bite (In a good way. The same way you want to bite very cute babies. Is it called cuteness aggression?)
Anyways, there's chat about creative career paths, Glastonbury bags, cardboard bedrooms, Walker Books, baby board books, and the very very important role of biscuits. Mmmm.
Timestamps, for the timestamp fans:
00:00 – Intro to Alice
02:00 – From fine art to graphics to illustration
04:00 – The YCN internship, signing with an agent, and learning how the industry works
06:00 – Grand Matter, how commissions work "I'm definitely an agent person"
09:00 – Pricing and getting over the guilt of making it look easy
11:00 – Social media, Instagram vs Substack - Substack feels like old school Tumblr
14:00 – What happens when a brief comes in?
17:00 – Alice's cardboard bedroom
19:00 – Sketchbooking
21:00 – The Glastonbury Guardian bags and seeing your work out in the world
22:30 – Hobbies, exercise, biscuits, and the new-parent juggle
24:30 – Baby board books for Walker
Links mentioned:
Alice's website: https://www.alicebowsher.co.uk/
Alice on Instagram: https://www.instagram.com/alicebowsher
Alice's Substack, Easypeeler: https://alicebowsher.substack.com/
Grand Matter, Alice's illustration agency: https://grandmatter.com/
Fold out guinea pig birthday cards for Wrap: https://wrapmagazine.com/products/guinea-pig-surprise-fold-out-card
We briefly mentioned Find Your Creative Voice, Fly Your Freak Flag so here's the link to that too in case you want to bask in your weirdness and make your best work ever: https://www.thegoodshipillustration.com/freakflag
Come and say hello!

✏️ @thegoodshipillustration
🌏 www.thegoodshipillustration.com

p.s. We love answering your illustration questions. Click here to submit your question for The Good Ship Illustration Podcast 🎙