Scene and Heard

• Tropical Malady [2004]

  Jackie and Greg traipse through the jungle for Apichatpong Weerasethakul's TROPICAL MALADY from 2004. Topics of discussion include its style, elements of magical realism, slow cinema, and why Weerasethakul is a true original.#95 on Sight & Sound's 2022 "The Greatest Films of All Time" list.  https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeCheck us out on Instagram: instagram.com/sceneandheardpodCheck us out at our official website: sceneandheardpod.comGraphic Design: Molly PintoMusic: Andrew CoxEditing: Greg KleinschmidtGet in touch at [email protected] the showSupport the show on Patreon: patreon.com/SceneandHeardPodorSubscribe just to get access to our bonus episodes: buzzsprout.com/1905508/subscribe

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• Do the Right Thing [1989]

  Jackie and Greg swelter in the summer heat for Spike Lee's DO THE RIGHT THING from 1989. Topics of discussion include its ensemble cast, Lee's prodigious talent, and why it's one of the best and most important films of the 20th century.#24 on Sight & Sound's 2022 "The Greatest Films of All Time" list.  https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeCheck us out on Instagram: instagram.com/sceneandheardpodCheck us out at our official website: sceneandheardpod.comGraphic Design: Molly PintoMusic: Andrew CoxEditing: Greg KleinschmidtGet in touch at [email protected] the showSupport the show on Patreon: patreon.com/SceneandHeardPodorSubscribe just to get access to our bonus episodes: buzzsprout.com/1905508/subscribe

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• Black Girl [1966]

  Jackie and Greg talk Ousmane Sembène's masterpiece of French-Senegalese cinema, BLACK GIRL from 1966. Topics of discussion include M’Bissine Thérèse Diop's performance, the film's stylistic influences, how it packs a lot into 59 minutes, and why it remains even more relevant today than when it was made.#95 on Sight & Sound's 2022 "The Greatest Films of All Time" list.  https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeCheck us out on Instagram: instagram.com/sceneandheardpodCheck us out at our official website: sceneandheardpod.comGraphic Design: Molly PintoMusic: Andrew CoxEditing: Greg KleinschmidtGet in touch at [email protected] the showSupport the show on Patreon: patreon.com/SceneandHeardPodorSubscribe just to get access to our bonus episodes: buzzsprout.com/1905508/subscribe

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• Cléo from 5 to 7 [1962]

  Jackie and Greg wait for important test results for Agnès Varda's CLEO FROM 5 TO 7. Topics of discussion include Varda's style, how she compares to her Nouvelle Vague contemporaries, the film's mix of realism and fantasy, and its reverberating influence on cinema.#14 on Sight & Sound's 2022 "The Greatest Films of All Time" list.  https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeCheck us out on Instagram: instagram.com/sceneandheardpodCheck us out at our official website: sceneandheardpod.comGraphic Design: Molly PintoMusic: Andrew CoxEditing: Greg KleinschmidtGet in touch at [email protected] the showSupport the show on Patreon: patreon.com/SceneandHeardPodorSubscribe just to get access to our bonus episodes: buzzsprout.com/1905508/subscribe

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• Ugetsu [1953]

  Jackie and Greg start torrid affairs with ghosts to prep for Kenji Mizoguchi's UGETSU from 1953. Topics of discussion include the film as a tapestry of several short stories, Mizoguchi's unrelenting dourness, and how it ranks among the other jidaigeki films on the list.#50 on Sight & Sound's 2012 "The 100 Greatest Films of All Time" list.https://www.bfi.org.uk/sight-and-sound/polls/greatest-films-all-time-2012#90 on Sight & Sound's 2022 "The Greatest Films of All Time" list.  https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeCheck us out on Instagram: instagram.com/sceneandheardpodCheck us out at our official website: sceneandheardpod.comGraphic Design: Molly PintoMusic: Andrew CoxEditing: Greg KleinschmidtGet in touch at [email protected] the showSupport the show on Patreon: patreon.com/SceneandHeardPodorSubscribe just to get access to our bonus episodes: buzzsprout.com/1905508/subscribe

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