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SAG-AFTRA

SAG-AFTRA
SAG-AFTRA
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184 episodes

  • SAG-AFTRA

    Labor Day 2026: Where the Union Movement Stands Now

    2026/09/03 | 53 mins.
    This Labor Day, we step back and ask a bigger question: what's the state of the unions in America right now? Not just SAG-AFTRA, but the whole movement. Where we've made real gains, where we're facing challenges and what it actually means to be a union member in 2026. To tackle these topics, we're joined by two prominent labor leaders who are at the center of that fight. Sean Astin is President of SAG-AFTRA and was recently elected a Vice President of the AFL-CIO. Liz Shuler is President of the AFL-CIO, representing nearly 15 million working people. The views expressed by guests are their own and do not necessarily reflect the views of their organization or SAG-AFTRA.
  • SAG-AFTRA

    Want More Union Commercial Work? Start Local.

    2026/08/20 | 19 mins.
    Not every commercial is a big-budget ad for a national brand. Local restaurants, car dealerships, state lotteries, to name a few, all need commercials too. But the terms of our national commercial contract don't always make sense for these regional advertisers. That's where Regional Commercial Codes come in. These agreements create opportunities for working actors in small to mid-size markets across the country by making it easier for local businesses to hire union talent. SAG-AFTRA Vice President, Mid-Size Locals, Nikki Izanec joins the show to walk us through what Regional Commercial Codes are, how they work and why they matter. The views expressed by guests are their own and do not necessarily reflect the views of their organization or SAG-AFTRA.
  • SAG-AFTRA

    A Conversation With Finneas

    2026/08/06 | 26 mins.
    Finneas O'Connell is a two-time Academy Award winner, an 11-time Grammy winner, and the creative force behind some of the biggest music of the last decade. He's also a lifelong SAG-AFTRA member who grew up watching his family navigate the industry. In this episode, Finneas talks about his path from child actor to multi-hyphenate creative, the craft behind his music, and why union membership has meant something to him his whole life. *The views expressed by guests are their own and do not necessarily reflect the views of their organization or SAG-AFTRA.
  • SAG-AFTRA

    Digging Into the Details of the TV/Theatrical Agreement

    2026/07/23 | 27 mins.
    Earlier this year, SAG-AFTRA ratified a new TV/Theatrical Agreement, and a previous episode covered the big wins: the pension merger, AI protections, scale increases, and more. But it's a 148-page contract, and some of the most meaningful gains for working performers may have flown under the radar. This episode goes deeper into the provisions that really add up on set and in members' paychecks. Deputy Chief Contracts Officer Jessica Johnson joins the show to discuss recurring performer escalators, series regular protections, meal penalties, per diems, and even a new pay provision for corsets. *The views expressed by guests are their own and do not necessarily reflect the views of their organization or SAG-AFTRA.
  • SAG-AFTRA

    A Conversation with 'Working Actor' Harrison Ford

    2026/07/09 | 23 mins.
    SAG-AFTRA member Harrison Ford has spent nearly seven decades as one of Hollywood's most beloved actors, but he'd still rather be called a working actor than an icon. This year, Ford was honored with the union's 61st Life Achievement Award at the 32nd Annual Actor Awards presented by SAG-AFTRA on March 1. In this episode, we listen back to an Actor to Actor conversation with Ford and SAG-AFTRA President Sean Astin. The two talk about Ford's early studio contract years at Columbia and Universal, his quiet standoff with Ridley Scott while shooting Blade Runner, and what's kept him showing up for the work all these years later. *The views expressed by guests are their own and do not necessarily reflect the views of their organization or SAG-AFTRA.
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About SAG-AFTRA
Hosted by National Executive Director & Chief Negotiator Duncan Crabtree-Ireland.
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