Ideas

Handel’s Messiah is one of the best-loved pieces of Christmas music. Only it was meant for Easter. But it draws on far more from the Old Testament than the New. There are more surprising facts about this 18th-century masterpiece that IDEAS explores with Ivars Taurins, founding director of the Tafelmusik Chamber Choir who has conducted Messiah over 200 times, and veteran CBC Radio broadcaster Robert Harris. In nine movements, they reveal the hidden treasures of Handel’s celebrated work. *This episode originally aired in 2015.

The nativity story that Christians believe is that God took the form of a baby named Jesus who was born to save the world and bring about an enduring peace. So what happened? Did we miss it? And what happens next? These are questions Trappist monk Thomas Merton grappled with in his own meditation on the Christmas story. His version "The Time of The End is the Time of No Room" was published in 1966. At the time he called it a sober statement about the climate of our time, a time of finality and fulfillment.

In an era of political polarization and fatigue from ongoing crises, hope is critical. But it's not something you have; it's something you do, argues education scholar Kari Grain. "Critical hope" in action is not just the belief that transformation is possible — it's necessary. In her book, she explores seven principles for practicing hope that confront toxic positivity, social injustices, and gives anger and grief a seat at the table.Kari Grain is a professor at the University of British Columbia in the Faculty of Education, where she leads the Masters program in Adult Learning and Global Change Program. She delivered the University of Prince Edward Island’s 2025 Shannon K Murray Lecture on Hope and the Academy.

Indigenous math isn't just about numbers and equations, it involves culture, spirituality and more. Math professor Edward Doolittle, a Mohawk from Six Nations in Ontario, sees math as something embedded in Creation itself. In his Hagey Lecture at the University of Waterloo, he describes Indigenous mathematics as being grounded in cognition, emotion, the physical world and community. Indigenizing math, Doolittle hopes, will make it more approachable and meaningful to Indigenous students — show them how entwined it is with everyday life and something much bigger than ourselves.

"We are the monsters" — that's the premise for the genre of film known as body horror — movies that fixate on monstrous and grotesque changes to the body. There have been good body horror films and bad ones, but "The Fly" starring Jeff Goldblum and Geena Davis was perhaps the most consequential. The movie captured anxieties around bodily autonomy and physical decay, just as the AIDS epidemic was becoming catastrophic. Forty years later, Body Horror is back with films like "The Substance" and "Together." Producer Matthew Lazin-Ryder examines what these films reveal about our bodies, our minds and our sense of who we are.