The Partially Examined Life Philosophy Podcast

The golden-voiced son on Richard and Linda is more tied to '50s/'60s rock and country than he his to his parents' folk influences, and he's recorded ten albums of tuneful, straightforward but highly idiosyncratic rock and country tunes since 2000.
We discuss "Come Back" (and listen at the end to "So This Is Heartache") from Never Be the Same (2026), "Move At Speed" from Heartbreaker Please (2020), and "I Should Get Up" from Separate Ways (2006). Intro: "In My Arms" from A Piece of What You Need (2008). More at teddythompson.net.
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In light of The Mandalorian and Grogu (and the Disney+ Darth Maul cartoon), we (Mark, Lawrence, Sarahlyn, and Al) check back in with Star Wars. Is it now "just another franchise"? Does the movie meet expectations? What's the right volume of Star Wars media? Are the cartoons good? What variety of creators and genres is there room for? Should anyone bother with the books and comics?
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Continuing on Ch. 2 of Hegel's Faith and Knowledge (1802) , plus some of the material being critiqued from Kant's Critique of Judgment (1790), chiefly sec. 76 and 77.
Kant's third critique is not just about beauty but about apprehending nature, and he claims that as humans, we can only understand natural objects by seeing them as purposive (i.e. teleologically): An organism has a healthy state that it is designed to aim at. While Kant can't use the classical Design argument to thus argue that we know that God exists qua designer, he argues that as a practical matter, we must regard such a designer as present. Hegel argues that this is one of many points where Kant should stop dithering and just admit that his project involves Reason actually knowing theological facts.
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Mark and Mary are joined by Andrea, an Italian teacher with a broad performing background who's written a book of philosophical, poetic aphorisms called Think Town: self-help reflections and directives about fear, ego, happiness, etc.
There's a long history of aphorisms in philosophy, and philosophy invented the self-help genre, but how does philosophy work given the lack of argumentation?
We explore the monster under the bed, AI agents, making philosophy personally applicable, being receptive, DOT ego secretions, and more.
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We read part of The Dialectic of Enlightenment (1944), specifically the parts about Homer's epic as an allegory for the merely apparent triumph of modernism (capitalism, instrumental reason) over myth (savagery, magical thinking).
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