The Partially Examined Life Philosophy Podcast

On The Concept of Mind (1949), Ch. 6, "Self-Knowledge." Ryle is arguing against a Cartesian take on mind that he sees as over-intellectualizing. In this case, it is not the case that every conscious act is itself an object of an act of consciousness: Not all consciousness is self-conscious, and introspection itself must involve a layer of mentality (the act of self-consciousness) that is not itself the object of an act of consciousness.
Read along with us, starting on p. 136 (PDF p. 199).
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The new official crew of Mark Linsenmayer, Mary Hynes, and "Jus' Jenny" Hansen kicks off our new endeavor to explore ancient self-help/psychologically therapeutic philosophical traditions via Martha Nussbaum's book "The Therapy of Desire," which we've read the intro of. We talk and/or act about preconceptions about philosophy, AA, a single-celled support group, a foul-mouthed poetry slam, and more.
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Finishing up U.T. Place's "Is Consciousness a Brain Process?" (1956) and starting on J.J.C. Smart's "Sensations and Brain Processes" (1959).
Place argues against the "phenomenological fallacy," i.e. the reality of the contents of one's inner life. Then Smart considers objects against mind/brain identity: Must qualities of sensations be something over and above qualities of brain processes? Finally, is mind/brain identity a scientific hypothesis at all?
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Joan Wasser started as violinist/support member in the 90s for The Dambuilders and then for Mind Science of the Mind and Antony and the Johnsons. In the mid-90s, she co-led a band called Black Beetle that released nothing, but taught her songwriting. She's had 13 solo releases, as she has continued to guest and tour with major artists including Iggy Pop, and Gorillaz.
We discuss "Eternal Flame" from Real Life Evolution (2026), "I Defy" from Real Life (2006), and "Full-Time Heist" from Lemons, Limes and Orchids (2024). Intro: "The Magic" from The Deep Field (2011). End song: "Valid Jagger" from Damned Devotion (2018). More at joanaspolicewoman.com.
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We discuss high school drama TV shows and films in light of the genre-breaking, star-birthing teen drama Euphoria. Mark, Lawrence, Sarahlyn and Al touch on Riverdale, Skins, Degrassi, John Hughes films, Buffy, Saved By the Bell, 90210, and many others.
How much of the plots are driven by "affluenza?" What do they have to say about friendship? Is there something very white about even shows like Euphoria that have plenty of POC characters? Do the "genre" shows (e.g. The Craft) count? What about anime?
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