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I Don't Need an Acting Class

Milton Justice
I Don't Need an Acting Class
Latest episode

222 episodes

  • I Don't Need an Acting Class

    Fighting Clichés through Specificity and Events

    2026/2/03 | 16 mins.
    We have a tendency to leap to clichés because the dialogue seems to lead us there. There's a way to fight this.
  • I Don't Need an Acting Class

    An Encyclopedic Possibility of Choices

    2026/1/27 | 17 mins.
    It's very difficult to believe that there is not just one correct choice. As long as an actor is clear what the text is about, there are countless roads in to the experience of the world of the play.
  • I Don't Need an Acting Class

    Your choices must feed the text

    2026/1/20 | 14 mins.
    "Everything is something." It seems simple, but as actors we often skip over something that can give us the key we're looking for.
  • I Don't Need an Acting Class

    Everything is Something

    2026/1/13 | 15 mins.
    The craft of acting is there to give us confidence. If we're not confident it's easy to see, especially for people casting. One of our problems is that we often throw away lines, – or parts of lines, – or even entire phrases. We miss the opportunities for creative acting work because we rush so fast to performance.
  • I Don't Need an Acting Class

    There is no shortcut to learning to act

    2026/1/06 | 5 mins.
    There are all sorts of quick fix "schools" of acting, but it's an art form and it takes dedicated study to become confident in your technique.

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About I Don't Need an Acting Class

Become a Paid Subscriber: https://podcasters.spotify.com/pod/show/actingclass/subscribe Academy Award winner and celebrated acting teacher Milton Justice invites you into his weekly acting class, based on his years of study with the legendary Stella Adler. I Don’t Need an Acting Class delves deep into the craft of acting, breaks down concepts, tools and techniques, explores endless possibilities and offers you a foundation on which to build a solid, dependable process. Produced by Walker Vreeland.
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