Serge Gainsbourg: Brigitte Bardot, Bonnie & Clyde, and Orgasmic Pop Songs
2026/03/13 | 39 mins.
In the late 1960s, Serge Gainsbourg carried out an illicit affair with Brigitte Bardot, not only the world’s preeminent sex symbol at the time, but a sex symbol with a powerful millionaire for a husband. Her love inspired Serge to a creative breakthrough, transforming French pop music and the music of the world while their passionate fling was busy barreling toward a doomed ending - an ending as doomed and as shocking as the end of the two outlaws they modeled their romance and their music on.
To see the full list of contributors, see the show notes at www.disgracelandpod.com.
This episode was originally published on January 16, 2024.
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Bonus Episode: What Music Do Serial Killers and the Worst People In The World Listen to?
2026/03/12 | 42 mins.
Surprise! Jeffrey Epstein had predictable taste in music. But the Son of Sam? Gaddafi? John Wayne Gacy? We get into what the worst people in the world listened to along with your voicemails, texts, dms, emails and more.
For more great Disgraceland stories, check out our archive, including episodes like these:
Hank Williams
Talking Heads
Black Sabbath
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Townes Van Zandt: Dreaming Hit Songs, Detox, and Waiting Around to Die
2026/03/10 | 38 mins.
Country songwriter Townes Van Zandt was an incredible talent who toiled in obscurity. Most of his albums never sold more than a few thousand copies. Like his idol, Hank Williams, he was willing to push aside everything to chase the muse – everything but the bottle. And like Hank Williams, Townes Van Zandt's legend would only grow greater after his death.
This episode was originally published on January 23, 2025.
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Public Enemy: Revolution, Scandal, and a Message Louder than a Bomb
2026/03/06 | 39 mins.
Public Enemy were revolutionaries – both in their message and their music. In the 1980s and 1990s, they elevated hip-hop to an art form. They did this with Chuck D's booming voice, Flavor Flav's comic levity, and the auditory assault of the Bomb Squad's production. But with that revolution came scandal. Their hype man allegedly tried to shoot his neighbor while high on crack cocaine. Their so-called "Minister of Information" was so controversial that his words alone nearly derailed the group's success. They performed at a prison – after just releasing a song about a prison break. And in the summer of 1989, Public Enemy released a song that was so powerful, it put them in the middle of the cultural zeitgeist at the very moment that it seemed they were splintering apart.
To see the full list of contributors, see the show notes at www.disgracelandpod.com.
This episode was originally published on April 23, 2024.
To listen to Disgraceland ad free and get access to exclusive weekly bonus content and more, become a Disgraceland All Access member at disgracelandpod.com/membership.
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Bonus Episode: The Murder Mystery Hinted At in the New Elvis Concert Film
2026/03/05 | 41 mins.
We saw EPiC and it’s GREAT, but why didn’t Elvis perform outside the United States? Could an unsolved murder have been the reason?
For more great stories, check out our huge archive of episodes like these:
Episode 32 - Johnny Cash
Episode 68 - Gram Parsons
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You know the myths. You’ve seen the biopics. But if you’re the kind of music fan who craves the rest of the story—the stuff they buried or cleaned up for streaming and theaters—this is your podcast. DISGRACELAND is the award-winning show that reveals the deeply human, highly dramatic, true crime–fueled chaos behind legendary musicians like Amy Winehouse, Jerry Lee Lewis, Sean “Diddy” Combs, the Grateful Dead, Blondie, and more. While we dig into the dark side, we do so with reverence for the artists—and an understanding of the extreme highs, lows, and personal costs that come with fame and making great art. This is music history like you’ve never heard it—edge-of-your-seat stories exploding with drama and the kind of information that’ll make you dangerous at dinner parties.
New, fully scripted and sound-designed episodes drop every Tuesday. On Thursdays, we hand the mic to you—and feature listener voicemails, texts, and emails in our interactive bonus episodes. And on Fridays, we revisit the wildest stories from our 250+ episode archive with “Rewind” drops that’ll transport you back into music history’s most entertaining moments.
DISGRACELAND is not a journalistic podcast—it’s an entertainment podcast inspired by true events. Certain dialogue and scenes are occasionally fictionalized for dramatic effect, as is common in scripted entertainment based on real stories. Sources and credits for each episode are available at www.disgracelandpod.com.
To hear every episode ad-free––and get access to exclusive exclusive, bonus, and behind the scenes content––the stories they don't want you to hear—become a Disgraceland All Access member at www.disgracelandpod.com/membership.