Write Your Screenplay Podcast

Your reader isn't trying to read your script. They're trying to decide whether it's worth reading.

In Part 1 of this exploration of Liz Meriwether's Furious, Jacob Krueger breaks down how the creator of New Girl and Dying for Sex uses the opening minutes of a seemingly conventional serial-killer procedural to accomplish something extraordinary: disrupting our expectations, awakening our curiosity, and preparing us for a journey we never saw coming. Through a storytelling technique Jake calls signaling, Meriwether demonstrates how even the smallest, strangest details can convince an audience to stop predicting what comes next – and start paying attention.

From the mysterious juxtaposition of a dying man and a woman in a kitty-cat mask, to the unexpected sweetness of a serial killer revealed through a piece of candy corn, Jake explores how specificity, surprising character choices, and carefully constructed contradictions can create mystery and reveal hidden depths. You'll discover how signaling can transform familiar genre conventions into opportunities for surprise, why a great opening doesn't have to give away its biggest twists, and how disrupting habitual expectations can open a state of neuroplasticity – inviting both reader and writer to see familiar material in unexpected ways.

Because the secret to hooking your reader isn't simply to shock them or show them something they've never seen. It's to signal that there's more to your story – and your characters – than meets the eye. By remaining open to discoveries you couldn't have predicted, you invite your audience to do the same, transforming passive expectation into active curiosity. And sometimes, all it takes to begin that transformation is a single piece of candy corn.

Give your pilot everything it needs to take off like a rocket.

In Part 2 of this two-part exploration of Steven Conrad’s pilots, Jacob Krueger turns from the slow-burning DTF St. Louis to Conrad’s earlier series Patriot to explore the power of dramatic efficiency. Both pilots have the same fundamental needs. But where DTF St. Louis takes its time revealing the strange truths beneath its ordinary surface, Patriot wastes no time launching its characters into trouble – establishing genre, tone, conflict, and the engine of an entire series before we’ve even had time to buckle up.

From a disastrous job interview and an undercover agent who sings his darkest secrets, to a family of spectacularly dysfunctional spies trying to save the world, Jake breaks down how Conrad makes every image, action, and cut count. You'll discover why efficiency isn't simply about speed, how specificity and character choices generate momentum, and how a pilot can front-load a major dramatic turning point without sacrificing the emotional depth or structural surprises still to come.

For an emerging writer, every page is an opportunity to win – or lose – your audience's attention. You can't afford to wait for your story to get interesting. You need to make every moment count, building enough dramatic momentum to sustain not just your pilot, but your entire series. Because if you want to launch your career, you've got to launch your pilot first – and give it enough dramatic fuel to keep flying after takeoff.

In Part 1 of this two-part exploration of Steven Conrad’s pilots, Jacob Krueger breaks down DTF St. Louis to explore what a great TV pilot needs to accomplish – not just as a compelling story, but as a blueprint for an entire series.

You’ll discover:
• What your TV pilot needs to accomplish beyond telling a great story
• Why established writers have more latitude for a slow burn
• How specificity can give even a “normal” opening a little kink
• Why you can’t sacrifice what’s working now for a payoff that comes later
• How a strong hook establishes the engine of your TV series
• How recurring images and callbacks can accumulate meaning through recontextualization
• How a midpoint genre shift can deepen rather than derail your story
• How “form is function” can turn theme into structure
• Why the real mystery in a whodunnit is often the relationships

Christopher Nolan's The Odyssey becomes most powerful when its monsters reveal the film's hidden structure. Jacob Krueger explains Circe, Scylla, xenia, the Trojan Horse and why Odysseus must leave Ithaca after saving it.

Christopher Nolan's Odyssey keeps the monsters and loses the gods. Jake breaks down what the adaptation sacrifices, what it protects, and how to know which god your own adaptation is really serving.