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What's Contemporary Now?

What's Contemporary
What's Contemporary Now?
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  • Adam Selman Tells Us Victoria’s Secret
    The morning after his show debut as Victoria’s Secret’s new Creative Director, Adam Selman joined me to talk through the emotions still vibrating from the night before. The conversation moved from backstage calm to creative catharsis, touching on the full-circle moment of opening the show with Jasmine Tookes, who walked his first-ever presentation years ago. This isn’t a conversation about lingerie or spectacle, it’s more about connection, leadership, and the power of joy as a design principle. Adam spoke about collaboration as communion—how designing with rather than for transforms the room—and how lessons from Rihanna, his “School of Rihanna,” continue to inform how he leads and creates today. He also shared what it means to step away and return stronger, finding the space between Adam the man and Adam the brand, and discovering how quiet became his greatest teacher.  “I think joy is contemporary now. Feeling is contemporary now. Celebration is really what it’s all about.” — Adam Selman Episode Highlights: On The Morning After the Show — Recorded just hours after his Victoria’s Secret debut, Adam reflects on the calm, joy, and sense of unity that defined the show’s atmosphere. On Full-Circle Moments — Opening with Jasmine Tookes, who walked his first-ever show when he had his own brand, marked a personal and poetic return to where it all began. On Collaboration Over Command — Rather than dictating looks, Adam co-created them alongside the models, inviting input and feedback to build genuine creative connection. On Working with Carlyne Cerf — He calls their partnership effortless, built on laughter and instinct. “She finishes my sentences,” he says. On Diversity with Intention — Rejecting tokenism, he focused on authenticity: “We’re all sick of ticking boxes.” Casting was rooted in real conversation, relationships, and shared respect. On Joy as Practice — For Adam, joy isn’t decorative—it’s foundational. He sees joy as the most contemporary expression of creativity and leadership. On Learning from Rihanna — He calls his years designing with her “the School of Rihanna,” a masterclass in courage, collaboration, and cultural fluency. On Stepping Back to Move Forward — Time away from his brand gave him space to recalibrate. Through meditation and reflection, he found peace between Adam the man and Adam the brand. On The Maker’s Mindset — A lifelong builder, he’s never afraid to fix what breaks. “You can’t be afraid of it. You have to own it, make it, fix it.” On What’s Contemporary Now — For Adam, it’s joy, connection, and the courage to redefine beauty through authenticity rather than perfection. Learn more about your ad choices. Visit megaphone.fm/adchoices
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  • Observant and Optimistic, AREA’s Nicholas Aburn
    Nicholas Aburn’s path to AREA was never a straight line. He grew up watching CNN Style with his mother, worked full time at Prada while studying at Central Saint Martins, and famously failed under Louise Wilson before showing his collection anyway and becoming the first in his class to get a job when he was hired by Tom Ford. He now calls that failure a “delayed education,” one that taught him how to manage his own creative and emotional state — a lesson more valuable than any critique. From Ford, he learned the beauty of discipline and real clothes, and from Demna, during his time at Balenciaga couture, the importance of reduction and authenticity. In this episode he speaks about balancing fantasy with function, leadership through empathy, and optimism as a deliberate practice rather than an accident of temperament. To Aburn, what’s contemporary now is simple and human, defined by less ego, more honesty, and the courage to describe what you actually see. Episode Highlights: On Early Fascination with Fashion — Watching CNN Style with his mother shaped his early understanding of fashion as something serious, creative, and meaningful. On Working at Prada During School — Balancing full-time retail work at Prada with his studies at Central Saint Martins taught him discipline and grounded his creativity in reality. On Failure as a Delayed Education — His experience with Louise Wilson became what he now calls a “delayed education,” showing him that self-management is the foundation of all creative longevity. On Observation and Duality — Moving between Prada’s commercial world and St. Martins’ creative chaos made him both participant and observer, sharpening his sense of perspective. On Learning from Mentors — From Tom Ford he learned the beauty of discipline and real clothes, and from Demna the importance of reduction and authenticity. On Leadership and Empathy — As creative director at AREA, he sees leadership as both creative and emotional, centered on clarity, inspiration, and shared enthusiasm. On Wearability and Fantasy — He views AREA’s identity as a balance between product and performance, believing that real clothes and theatricality can coexist. On Introversion as Creative Strength — A self-professed introvert, he finds energy and perspective in solitude, designing through observation rather than noise. On Optimism as Practice — He treats optimism not as naivety but as a skill that fuels creativity, curiosity, and resilience. On What’s Contemporary Now — For Aburn, it’s simple and human — less ego, more honesty, and the courage to describe what you actually see. Learn more about your ad choices. Visit megaphone.fm/adchoices
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  • The Shape of Reverence with Jerry Lorenzo
    When we first thought to sit down with Jerry Lorenzo, we planned to talk about culture, fashion, the first official womenswear collection from Fear of God, and the unique background that made his future feel wide open — though not necessarily destined for fashion. We did all of that, but the timely wisdom he shared reached far beyond the industry. Lorenzo speaks with the calm authority of someone who knows where he stands and why, and his reflections feel essential — filled with the kind of clarity we all need in an era when certainty is elusive and conviction, or belief in something greater than oneself, is a most valuable anchor. His belief in answering the call that is uniquely yours, above the noise of approval or criticism, is both admirable and a powerful reminder worth practicing in any life or vocation. Twelve years after founding the brand, his advice to himself is still to keep on going. Episode Highlights: On Early Lessons in Presentation — Growing up as a person of color in different communities taught him that how you present yourself carries weight, shaping both identity and access. On Faith as Foundation — He describes his father’s spiritual approach to leadership and how faith became the anchor of his own creative and business philosophy. On Purpose Over Product — For Lorenzo, design begins with intention — clothing as a means to help people feel grounded, confident, and closer to their best selves. On Fear and Freedom — He reframes “Fear of God” as reverence, explaining that true freedom begins where fear ends — a guiding principle for both life and brand. On Conviction and Calling — He believes success lies in answering the unique call on one’s life, rather than seeking approval or validation from the outside world. On Women’s Wear — The decision to expand into women’s fashion stemmed from a sense of absence — creating what he felt was missing for women just as he had for men. On Sobriety and Clarity — Sobriety gave him the ability to be fully himself in every space — a kind of freedom and constancy that fuels his creativity and peace. On Building a World, Not Just a Brand - Fear of God is less a label than a language. Its universe extends beyond clothes into values — presence, reverence, and belief. On Fashion’s State of Flux — Lorenzo sees fashion as a mirror of the times — reactive, often performative, and more about perception than truth. On Success and Stillness — Twelve years after founding Fear of God, he measures success not by scale or revenue, but by peace, integrity, and the ability to keep going. Learn more about your ad choices. Visit megaphone.fm/adchoices
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  • Season 6 Trailer
    What’s more contemporary than the pursuit of happiness? The restless task of creating it, sustaining it, sharing it. It’s a game not so far from that of the creative class, with its inevitable demand for the next turn, the next gesture, the next affirmation of relevance. Designers, editors, critics, even self-anointed new media mavens know it all too well. Exploring larger cultural truths in their microcosmic forms is a habit we’ve happily returned to this season, and one we look forward to sharing across the months ahead. Because happiness, like relevance, is never fixed. It slips just out of reach the moment it seems secured, requiring constant reexamination and reinvention. The same holds true for the people and industries we cover: what feels urgent today risks redundancy tomorrow. That cycle of fulfillment, exhaustion, and reinvention, is the rhythm of both creativity and life. And in that rhythm lies the story of what it means to be contemporary now. New episodes begin Monday, October 6th. Learn more about your ad choices. Visit megaphone.fm/adchoices
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  • A Season in Progress, A World in Flux
    While the world appears to have taken leave of anything resembling objective reality, and our feeds continue to oscillate between the surreal and the mundane in a choreography of dissonance, we have returned to the quiet act of making. Production on the new season is underway, and with it comes the opportunity to explore the role creativity holds within culture. More than ornament, it serves as reflection, as resistance, and occasionally, as remedy. Whether through personal narrative or collective observation, there is no shortage of terrain. The world, in all its instability and invention, continues to offer more questions than answers. That feels like the right place to begin. We will be back this fall with a new season! Learn more about your ad choices. Visit megaphone.fm/adchoices
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About What's Contemporary Now?

Designed for curious minds, "What's Contemporary Now?" engages various thought leaders across cultural industries taking in their broad, compelling perspectives and unveiling their common threads. Hosted by Christopher Michael Produced by Shayan Asadi
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