New Books in Film

In this episode I discuss the book Understanding Social Images: Essays on Visual Methods and Teaching Anthropology (Berghahn, 2025) with co-editors David Zeitlyn and Chihab El Khachab, a posthumous collection of writings by the late anthropologist Marcus Banks. Banks was a key the figures in development of visual anthropology, but his work remains of continuing relevance. This volume brings together several of his essays on film, photography, archive work, as well as reflections of visual methods such as photo-elicitation and ways of teaching visual anthroplogy.

The conversation begins with Marcus Banks himself, his place within anthropology, his influence on visual anthropology, and the broader effort to preserve and extend his work through a set of posthumous collections. From there, the discussion turns to one of the central themes that emerge from across several essays, namely, that images are not simply illustrations or transparent representations, but socially and temporally situated objects with disctinct social lives. From there, we discuss Banks’s interest in the materiality of the visual and how the circulation and afterlives of images gather new meaning over time.

A substantial part of the interview focuses on Banks’s film Raju and His Friends (1988), which proved foundational to his later reflections on ethnographic filmmaking, and especially on the ethics and politics of representation. As well as providing an introduction to Marcus Banks’s work and serving as a tribute to a scholar whose influence continues to shape the field, many of the topics covered in the interview touches on many broader questions in anthropology itself, and as such will be of interest not only to students of visual anthropology, but to anthropology students and anthropologists more generally.

David Zeitlyn is Professor of Social Anthropology at the University of Oxford and a Fellow of Wolfson College. His work spans visual anthropology, photography and archives, religion and divination, and long-term fieldwork in Cameroon. He also collaborated with Marcus Banks on the second edition of Visual Methods in Social Research.

Chihab El Khachab is Associate Professor in Visual Anthropology at the University of Oxford and a Fellow of Wolfson College. He is a social anthropologist specializing in visual and media anthropology, especially Egyptian media production, and is the author of Making Film in Egypt: How Labor, Technology, and Mediation Shape the Industry.

Further reading and resources mentioned in the recording

Jainism as Social and Visual Practice: Anthropological PerspectivesMarcus Banks. Edited by John E. Cort, David Zeitlyn and Chihab El Khachab. New Delhi: Primus Books, 2026. This posthumous volume gathers Banks’s writings on Jain social organization and visual representation.

The revived HADDON catalogue of ethnographic filmsOriginally created by Marcus Banks in the 1990s, HADDON is an online catalogue of archival ethnographic film. The revived site presents a restored version of the database, now hosted through Paul Henley’s Silent Time Machine project.

Raju and His Friends (1988)The film discussed at length in this episode, and a key reference point for Banks’s later reflections on visual anthropology and ethnographic filmmaking.

Marcus Banks was Professor of Visual Anthropology at the Institute of Social and Cultural Anthropology (ISCA), University of Oxford until he passed away in 2020. He was a pioneer in integrating visual approaches into the mainstream of social and cultural anthropology. With Howard Morphy, he edited the influential volume Rethinking Visual Anthropology (Yale University Press, 1999).
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In Female Art and Agency in Yugoslavia, 1971–2001 (Bloomsbury, 2024), Anja Foerschner offers a compelling exploration of the women artists, curators, scholars, and activists who shaped the cultural landscape of Yugoslavia and its successor states. Drawing on both original research and existing scholarship, she traces the emergence of the New Art Practice of the late 1960s and 1970s, highlighting the pivotal role of Belgrade’s Student Cultural Centre, where women were instrumental in forging a progressive artistic and curatorial vision.

Through insightful examinations of performance art, video art, and the development of feminist thought in Yugoslavia, Foerschner reveals how the region carved out a distinctive place within the international postwar avant-garde. Situating Yugoslav feminism in dialogue with Western and neighbouring contexts, she sheds new light on the complex intersections of art, politics, and social change. By exploring artistic responses to the breakup of Yugoslavia in the 1990s, and the enduring political dimensions of cultural production, this book invites readers to reconsider the legacies of activist art and their resonance in our present time.
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NB: This episode contains a discussion of suicide and
may not be appropriate for all listeners. If you are thinking about
hurting yourself, help is always available at 988 in the United States.

Suicide in Popular Media and Culture: Studies in Framing a Social Catastrophe
(Bristol University Press, 2026) brings together scholars from across
disciplines to examine how suicide is mythologized, politicized, and
challenged across film, TV, young adult literature, digital platforms,
online communities, and more. From news coverage of celebrity suicide to
social media interventions with at-risk youth, this wide-ranging
collection explores suicide’s intersections with class, gender, chronic
illness, and cultural identity.

The book is co-edited by Mike F. Alvarez (Assistant
Professor of Communication at the University of New Hampshire), Warren
J. Bareiss (Professor of Communication at the University of South
Carolina Upstate), and Jolane Flanigan (Professor of Communication
Studies at Rocky Mountain College and a licensed mental health
counselor).

Some Crisis Resources

*Note: some of these may utilize emergency services or law
enforcement to conduct wellness/welfare checks or active rescues. Ask if
these are possibilities at any point during your conversation.

988 Suicide & Crisis Lifeline

Website

Dial 988

The Trevor Project

Website

Provides support for LGBTQ+ youth facing crisis

1-866-488-7386

Text: 678678

Chat: Here

Crisis Text Line

Text HOME to 741-741

Trans Lifeline

1-877-565-8860 (U.S.)

1-877-330-6366 (Canada)

Warmline.org

Website

Contains links to warmlines in every state

Provides peer support

Find a Helpline

Website

For those not in the U.S. Search for links to crisis centers worldwide
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Glasses are among the oldest and most commonplace prosthetics we have
invented. But what does it mean to wear glasses? There is more to the
answer than correcting vision. Glasses alter, enhance, and shield the
way that we view the world, and the way the world sees us.

Everyone has encounters with glasses, passively or actively, from
reading glasses to sunglasses. At times they are the main identifiers in
a face (think John Lennon), and they signify extremes from nerdy and
brainy to cool and sleazy. They are alternately the most mundane of
things on our bodies and potentially the most glamorous.

In this edition of the Object Lessons series, Glasses (Bloomsbury,
2026) by Adam Geczy explores this most pervasive and accessible
accessory and shows that it is both a conduit to and a barrier between
ourselves and the world outside.

This interview was conducted by Dr. Miranda Melcher whose book
focuses on post-conflict military integration, understanding treaty
negotiation and implementation in civil war contexts, with qualitative
analysis of the Angolan and Mozambican civil wars. You can find
Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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Technothriller: Film and the American Imagination
(MIT Press, 2026) is the first dedicated examination of popular movies
classified as “thrillers” that channel societal anxiety or dread about
advanced technologies like supercomputers, robotics, AI, biotech,
military weaponry, and surveillance culture. Technothriller is
about the changing imagination of technology within an American context
and its role in engineering some of the most profound ideologies of
modern life.

Soraya Murray
is a Professor in the Film and Digital Media Department at the
University of California, Santa Cruz. Her work explores the visual
culture of innovation, advanced computation, and its imaginaries as
imaged in popular American films, for which technology assumes a central
role. Murray’s first book, On Video Games: The Visual Politics of Race, Gender and Space (I.B. Tauris, 2018, paperback 2021), examines popular video games like Assassin’s Creed, Spec Ops: The Line, Metal Gear Solid, and Grand Theft Auto as visual culture. She currently serves as Provost of Porter College, UCSC.
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