New Books in Film

Fast and Furious Franchising charts the transformation of Hollywood through the story of one of its most successful cinematic universes. Released in 2001, The Fast and the Furious became an unexpected hit, developing into a seven-billion-dollar media franchise with nine direct sequels (so far), one “sidequel,” copious spin-offs, and licensing deals from board games to theme park rides.

In Fast and Furious Franchising: How the Serialized Blockbuster Remade Hollywood (U Minnesota Press, 2026), Dr. Dan Hassler-Forest shows how Fast and Furious paved the way for a new form of serialized storytelling that balanced new distribution practices and expansion into international markets with a savvy awareness of representational politics. By following the series’s development over the past twenty-five years, Fast and Furious Franchising reveals distinct phases that reflect larger media-industrial trends: the postclassical blockbuster era of the early 2000s; the emergence of the megafranchise between 2008 and 2014; the franchise’s “imperial” era, from 2015 through 2019; and the postpandemic crisis era of media saturation and franchise fatigue.

While examining this rapidly changing media landscape, Dr. Hassler-Forest offers lively, insightful analyses of the films as they have embraced ever-more-ludicrous plots and unlikely character turns while always maintaining their signature faith in the power of family. As he illuminates the role of the Fast and Furious movies in the global entertainment industry, Dr. Hassler-Forest shows how the films’ improbable success proves Dominic Toretto’s adage that, whether “you win by an inch or a mile . . . winning’s winning.”

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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Postcolonialism Now: Literature, Reading, Decolonising (Orient BlackSwan, 2024) by Sourit Bhattacharya introduces a new method of decolonial reading and criticism. It critically examines the history and ongoing influence of colonialism and imperialism in postcolonial cultures and texts. The volume seeks to address the crucial question of how to read postcolonial literatures closely and comparatively, particularly through the lenses of decolonisation and anticolonialism. Through rubrics such as migration, ecology, trauma, minorities and futurity, Postcolonialism Now engages with close readings of films, graphic novels, fiction, theatre and poetry from across the globe.
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“When I set out to write this book, I decided to approach it like a biography. After all, the Method had parents, obscure beginnings, fumbling toward its purpose, a spectacular rise, struggles as it reached the top, and an eventual decline.” This is how Isaac Butler articulates his project in The Method: How the Twentieth Century Learned to Act (Bloomsbury, February 2022). The Method tracks the origins of this transcontinental school of naturalistic acting and its many contradictions, including its emphasis on individualist achievement within communitarian organizations and the actorly tension between psychological interiority and external action when building a character. In following the life of this concept, Butler reveals the impossibly charming, ambitious, questionable cast of characters that have defined the terms of Western acting in the twentieth century. In the process, he clears up many of the public misunderstandings around Method as an approach and as a style.
In this discussion, Butler details his first career in the theater as a professional actor, explores how Constantin Stanislavski’s “system” of acting was the farthest thing from systematic, explains the difference between method and Method, and divulges the many rivalries and hostilities between American M/method practitioners and instructors at mid-century.
Isaac Butler is the coauthor (with Dan Kois) of The World Only Spins Forward: The Ascent of Angels in America, which NPR named one of the best books of 2018. Butler’s writing has appeared in New York magazine, Slate, the Guardian, American Theatre, and other publications. For Slate, he created and hosted Lend Me Your Ears, a podcast about Shakespeare and politics, and currently co-hosts Working, a podcast about the creative process. His work as a director has been seen on stages throughout the United States. He is the co-creator, with Darcy James Argue and Peter Nigrini, of Real Enemies, a multimedia exploration of conspiracy theories in the American psyche, which was named one of the best live events of 2015 by the New York Times and has been adapted into a feature-length film. Butler holds an MFA in creative nonfiction from the University of Minnesota and teaches theater history and performance at the New School and elsewhere. He lives in Brooklyn.
Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her writing has been published in the Washington Post, Public Books, Literary Hub, The Forward, and Camera Obscura.
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Welcome to the hard streets: working-class London in the late nineteenth and early twentieth centuries, in Hard Streets: Working-Class Lives in Charlie Chaplin’s London (Profile, 2026) by Dr. Jacqueline Riding.

Charlie Chaplin rose from the hard streets of Edwardian London to worldwide fame. But his work and outlook were always shaped by the world he came from, a place of cheap entertainments and the threat of the workhouse, radical politics and desperate poverty.

Framed through the life of this iconic success story, acclaimed historian Jacqueline Riding reveals working-class London in the late nineteenth and early twentieth centuries. Breathing life into forgotten stories of mothers and sons, labourers and actors, vagrants and sex workers, of suffering, survival and success against the odds, this compelling social history paints a striking portrait of a vanished city.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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In Hollywood Haunts the World: An Investigation into the Cinema of Occulted Taboos (Headpress, 2026), Robert Guffey deconstructs the most powerful taboos of the twentieth century (and the initial decades of the twenty-first century) by analyzing how disturbing and transgressive ideas involving Theosophy, Gnosticism, Freemasonry, Darwinian Evolution, Surrealism, Freudian and Jungian psychology, race relations, paranoia, UFOs, xenophobia, political conspiracies, the JFK assassination, virtual reality, and alternate dimensions have been reflected in films — both American and foreign — throughout the past one hundred years.

Popular films and TV shows that fall under cutting-edge scrutiny include Guillermo del Toro’s Nightmare Alley, Larry Wade Carell’s Girl Next, Matt Shakman’s WandaVision, Anthony and Joe Russo’s Avengers: Infinity War, Scott Derrickson’s Dr. Strange, Steven Spielberg’s Ready Player One, Jennifer Kent’s The Babadook, Christopher Nolan’s Inception, Stanley Kubrick’s Eyes Wide Shut, Vince Gilligan’s Breaking Bad, Oliver Stone’s JFK, Mark Frost and David Lynch’s Twin Peaks, John Carpenter’s They Live, Alan Pakula’s The Parallax View, John Frankenheimer’s The Manchurian Candidate, Jack Arnold’s It Came from Outer Space, Edgar G. Ulmer’s The Man from Planet X, Robert Florey’s Murders in the Rue Morgue, Buster Keaton’s Sherlock Jr., and Victor Sjöström’s The Phantom Carriage.
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