New Books in Anthropology

What role do microbes play in aquaponic farming and cultivated meat production, and how might such novel food technologies impact microbiomes? In this episode, Ishita Dey of Gastronomica hosts Lukáš Senft, Tereza Stöckelová, and Varvara Borisova in a conversation about their new article, “The Microbiopolitics of Novel Foods: The Pro- and Antibiotic Implications of Cultivated Meat and Aquaponic Farming.” In a discussion that connects food futures with environment, sustainability, health, and technology, the research team shares insights from their multisited ethnography of indoor vertical farms, bioreactors, and alternative food production in Czechia. They illuminate the emergence of new food technologies and the regulatory landscape, discuss the demand for protein and alternative protein sources, and reflect on the broader implications for microbial diversity and resilience-building in food systems.

“The Microbiopolitics of Novel Foods: The Pro- and Antibiotic Implications of Cultivated Meat and Aquaponic Farming” by Lukáš Senft, Tereza Stöckelová, and Varvara Borisova, appears in issue 26.1 of Gastronomica. Their article is one of eleven in a newly published special section on microbes in food and food systems. Learn more about the two-part special section and access the articles in the Spring 2026 and Summer 2026 issues of the journal.

Lukáš Senft has a PhD in sociology from Charles University and is currently a postdoctoral researcher at the Institute of Sociology of the Czech Academy of Sciences. His work on food systems has explored topics related to small-scale farming, mushroom foraging, precision agriculture, and the use of medicinal plants through multispecies ethnography and public scholarship.

Tereza Stöckelová is a senior researcher at the Institute of Sociology of the Czech Academy of Sciences and also an associate professor in the Department of Social and Cultural Anthropology at Charles University. An expert in social studies of science, her current research on food and health focuses on extended metabolism in relation to bodies, ecologies, and technologies.

Varvara Borisova recently completed her PhD in anthropology at Charles University and is now a postdoctoral researcher at the Institute of Sociology of the Czech Academy of Sciences where she is pursuing research on science and technology, obesity, metabolism, and alternative proteins.

Ishita Dey is an assistant professor of sociology at South Asian University and a member of Gastronomica’s Editorial Collective. Her new book, a multisited ethnography of sweet-making titled Sweet Excess: Crafting Mishti in Bengal, was published by Routledge in 2025.

Gastronomica: The Journal for Food Studies is published by the University of California Press. Quarterly issues are available in print and online.

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In the aftermath of the Soviet Union's collapse, Kazakhstan inherited the remnants of one of the world's most contaminated landscapes: the Semipalatinsk Test Site, known locally as the Polygon. Resigned to dispossession, residents have chosen to remain on the abandoned nuclear test site, despite the isolation and the radioactive environment, rather than face marginalization or the rigors of a neoliberal world. Atomic Collective: Radioactive Life in Kazakhstan (University of Toronto Press, 2025) examines this nuclear legacy through a decade-long ethnographic examination of the village of Koian, situated on the border of the test site. Facing residual radiation all around them and isolation, Koianers persist, reshaping their pastoral existence among the ruins and scientific debates surrounding genetic damage.

Drawing on first-hand accounts and archival research, this book explores the resilience and everyday survival strategies of a community left behind to fend for itself in the shadow of nuclear testing. It offers a unique perspective on life in a nuclear zone and poses fundamental questions about human resilience and the impact of historical events on a collective identity. Atomic Collective sheds light on a community overlooked in the larger Cold War histories of atomic testing.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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The Kiss: A History of Passion and Power (Reaktion, 2026) by Professor Katie Barclay tells the surprising history of our most intimate gesture: the kiss. Richly illustrated, it explores a millennium of kisses, asking how and why the kiss has retained its power over the centuries, and what it might mean today. From the furtive kisses of fated lovers Heloise and Abelard to The Godfather’s ‘kiss of death’, Professor Barclay shows how the kiss can be romantic, peaceful, transgressive, intimate, erotic and more. There are kisses that are bad ideas, dangerous kisses and funny ones. New kisses are invented and old ones fall out of favour. 

While the kiss continues to change, Professor Barclay shows that we kiss fewer people, and less often, than we used to. The Kiss reveals a cultural inheritance transmitted in story and song, art and literature, and through the everyday kisses that we receive from our parents, or reserve for our lovers; when we kiss, we kiss with the weight of history.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. 
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

As part and parcel of China’s compressed modernization, processes of
state-led rural urbanization through land expropriation and
rural-to-urban relocation have been transforming rural Chinese people’s
lives in unprecedented ways. This has led to different, often adverse
outcomes for the affected populations – China’s “landless peasants” - as
well as to the construction of divergent narratives about the role of
the Chinese state’s measures for them. To provide a so-far missing
perspective to existing research, Isabel Heger-Laube reconstructs the
role of the experienced changes from landless peasants’ own narratives,
drawing on the “big” and “small” stories collected through fieldwork in
Huaming model town in Tianjin’s Dongli district. By focusing on ordinary
people’s subjective processes of meaning making, this book not only
puts into perspective objective assessments and persistent narrative
tendencies, but also sheds new light on the puzzle of social stability
in the wake of large-scale, state-led transformations in contemporary
China.

China’s Landless Peasants and the Role of State-led Rural Urbanization: Narratives, Meaning Making, and the Puzzle of Social Stability was published open access with Würzburg University Press in 2025. Free e-book version.

Dr. Isabel Heger-Laube (isabelheger@gmail.com)
is a sinologist and social scientist with an interdisciplinary footing
in social anthropology, sociology, and psychology. She earned her PhD in
Chinese Studies from Freie Universität Berlin in 2024 and currently
works as a scientific associate at the School of Social Work, University
of Applied Sciences and Arts Northwestern Switzerland (FHNW). Alongside
her work, she is pursuing a degree in psychosocial counseling. Her
research interests include urbanization and social change, higher and
adult education, aging and care, as well as narrative meaning making and
identity formation. ORCiD.

Yadong Li is an anthropologist-in-training. He is a PhD candidate of
Socio-cultural Anthropology at Tulane University. More details about his
scholarship and research interests can be found here.
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In this episode I discuss the book Understanding Social Images: Essays on Visual Methods and Teaching Anthropology (Berghahn, 2025) with co-editors David Zeitlyn and Chihab El Khachab, a posthumous collection of writings by the late anthropologist Marcus Banks. Banks was a key the figures in development of visual anthropology, but his work remains of continuing relevance. This volume brings together several of his essays on film, photography, archive work, as well as reflections of visual methods such as photo-elicitation and ways of teaching visual anthroplogy.

The conversation begins with Marcus Banks himself, his place within anthropology, his influence on visual anthropology, and the broader effort to preserve and extend his work through a set of posthumous collections. From there, the discussion turns to one of the central themes that emerge from across several essays, namely, that images are not simply illustrations or transparent representations, but socially and temporally situated objects with disctinct social lives. From there, we discuss Banks’s interest in the materiality of the visual and how the circulation and afterlives of images gather new meaning over time.

A substantial part of the interview focuses on Banks’s film Raju and His Friends (1988), which proved foundational to his later reflections on ethnographic filmmaking, and especially on the ethics and politics of representation. As well as providing an introduction to Marcus Banks’s work and serving as a tribute to a scholar whose influence continues to shape the field, many of the topics covered in the interview touches on many broader questions in anthropology itself, and as such will be of interest not only to students of visual anthropology, but to anthropology students and anthropologists more generally.

David Zeitlyn is Professor of Social Anthropology at the University of Oxford and a Fellow of Wolfson College. His work spans visual anthropology, photography and archives, religion and divination, and long-term fieldwork in Cameroon. He also collaborated with Marcus Banks on the second edition of Visual Methods in Social Research.

Chihab El Khachab is Associate Professor in Visual Anthropology at the University of Oxford and a Fellow of Wolfson College. He is a social anthropologist specializing in visual and media anthropology, especially Egyptian media production, and is the author of Making Film in Egypt: How Labor, Technology, and Mediation Shape the Industry.

Further reading and resources mentioned in the recording

Jainism as Social and Visual Practice: Anthropological PerspectivesMarcus Banks. Edited by John E. Cort, David Zeitlyn and Chihab El Khachab. New Delhi: Primus Books, 2026. This posthumous volume gathers Banks’s writings on Jain social organization and visual representation.

The revived HADDON catalogue of ethnographic filmsOriginally created by Marcus Banks in the 1990s, HADDON is an online catalogue of archival ethnographic film. The revived site presents a restored version of the database, now hosted through Paul Henley’s Silent Time Machine project.

Raju and His Friends (1988)The film discussed at length in this episode, and a key reference point for Banks’s later reflections on visual anthropology and ethnographic filmmaking.

Marcus Banks was Professor of Visual Anthropology at the Institute of Social and Cultural Anthropology (ISCA), University of Oxford until he passed away in 2020. He was a pioneer in integrating visual approaches into the mainstream of social and cultural anthropology. With Howard Morphy, he edited the influential volume Rethinking Visual Anthropology (Yale University Press, 1999).
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