I Know Movies and You Don't w/ Kyle Bruehl

In the fourteenth episode of Season 12: On the Road, Kyle is joined for a one-on-one conversation with fellow cinephile and raconteur Ben Thelen to discuss the pop-art rabbit hole of political indictments, cultural critique, and the demolition of a personal manifesto and relationship that defined the new cinematic movement forward for Jean-Luc Godard in the absurdist road movie Pierrot Le Fou (1965).

In the thirteenth episode of Season 12: On the Road, Kyle is joined for a one-on-one conversation with editor Kristi Shimek to discuss the bloated and sensationalized satire of American materialism, avarice, and selfishness defined by its signature stunt casting, exaggerated production, and indulgent runtime in Stanley Kramer's "comedy to end all comedies" It's a Mad, Mad, Mad, Mad World (1962).

In the twelfth episode of Season 12: On the Road, Kyle is joined for a one-on-one conversation with screenwriter David Gutierrez to discuss the highly symbolic satire that pits two mismatched protagonists in a concentrated mosaic of Italian masculinity, materialism, and emerging post-war culture that is Dino Risi's Il Sorpasso (1962)

In the eleventh episode of Season 12: On the Road, Kyle is joined for a one-on-one conversation with editor Kristi Shimek to discuss the abstract and personal depiction of the road movie traversing the subconscious in Ingmar Bergman's meditative and probing deconstruction of legacy, love, and meaning in Wild Strawberries (1957).

In the tenth episode of Season 12: On the Road, Kyle is joined for a one-on-one conversation with screenwriter David Gutierrez to discuss the modernizing film language of Roberto Rossellini as he excavates his own deteriorating marriage through the lens of societal privilege, historical devastation, and personal isolation in the psychological road film Viaggio in Italia (1954).