we’re talking about american psycho by bret easton ellis. given that it’s almost the 4th of july, we’re also talking about american opulence, the connective tissue between this and the great gatsby, and the paradox of american exceptionalism. we discuss what happens when patrick bateman interacts with people outside his circle, the purposeful lack of a memorable ending, and the timothy price “fakeout.” shreds talks about what ellis’s writing means to him (and its inclusion in the pre-podcast module) and reads the novel’s manifesto (if such a thing exists).
we praise the successful film adaptation (and note where it falls short), talk about how bateman’s nihilism ultimately wins out, and discuss the possibility of whether patrick bateman is gay. we also talk about sean bateman, alison poole, and the intertextuality on display in american psycho. how much of this book actually happened? what’s up with the patty winters show? do people consider this a great american novel?