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Arts Research Africa Dialogues

Arts Research Africa
Arts Research Africa Dialogues
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  • Russel Hlongwane: Reimagining Tradition and Modernity
    In this dialogue, Prof Christo Doherty, the Chair of Research in the Wits School of Arts, speaks to
 Russel Hlongwane, an artist whose work pushes boundaries, reshapes narratives, and bridges the often complex interplay between heritage and innovation. Russel is a visionary South African artist, cultural producer, and filmmaker from KwaZulu-Natal. Russel’s work, deeply rooted in Zulu tradition, examines how indigenous knowledge systems intersect with global modernity. Through his multidisciplinary approach, often interrogating and reimagining the tropes of Afro-futurism, he crafts performances, installations, and films that not only challenge conventional notions of art but also provoke reflection on cultural memory, displacement, and the future of African identity. In this episode, we explore Russel’s artistic journey, from his early years growing up in between Durban and rural Msinga, to his emergence as one of the most compelling voices in African contemporary art. A central aspect of Russel’s practice includes artistic research which informs his creative producing, design, and curatorship. Russel is a member of a number of collectives, working groups and programmes spread across the SADC region, the continent and internationally; and is on the International Advisory Board for the Prince Claus Fund. He is currently studying towards the Southern Urbanism MPhil at the African Centre for Cities at the University of Cape Town). Russel shares how his upbringing in a province steeped in Zulu history inspired his interest in exploring ancestral wisdom, storytelling, and ritual in his work. He reveals how he uses these elements to interrogate issues of colonial legacy, globalization, and the digitization of culture. One of the highlights of our conversation is Russel’s unique perspective on the role of performance art in society. He speaks candidly about how his live performances, often incorporating music, movement, and spoken word, aim to create communal experiences that resonate across generations. His work is a call to remember—to reconnect with histories that are often erased or misrepresented, while imagining technological futures that are deeply rooted in African cosmologies. We also delve into his filmmaking, a medium he describes as a “meeting point of time and space.” Russel’s films are known for their experimental narratives, blending documentary and fiction to explore themes of migration, urbanization, and identity. He discusses the challenges and joys of working within an African context, where resources may be limited but the stories and creative potential are boundless. Throughout our conversation, Russel emphasizes the importance of collaboration and community in his practice. Whether working with musicians, traditional healers, or fellow young creatives such as Lo-Def Film Factory, he views art as a collective effort to make sense of a rapidly changing world while holding onto the threads of what makes us human. Quiet Conversations · Ifu Elimnyama: The Dark Cloud Splitscreen HD · Books by Clapperton Mavhunga · Dzata: The Institute of Technological Consciousness
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  • Stephen Hobbs: Negotiating the complexities of Johannesburg with art practices
    In this dialogue, Prof Christo Doherty, the Chair of Research in the Wits School of Arts, speaks to Stephen Hobbs, a South African artist whose work spans a wide range of media, exploring themes of urban transformation, architecture, and social dynamics. Known for his thought-provoking installations and public art projects, Stephen has a distinctive approach that often examines the hidden infrastructures of cities, and the intersection of natural and built environments. Stephen has an exhibition, a survey of his career of almost thirty years, entitled “Man Shouting in Distance” which is running at the Wits Art Museum until 23 November. Stephen earned his Bachelor of Fine Arts from the University of the Witwatersrand in Johannesburg in 1993. From 1994 to 2000, he served as the curator of the Market Theatre Galleries, fostering a dynamic space for contemporary art in the city. In 2001, he co-founded The Trinity Session with fellow Wits fine arts graduates Kathryn Smith and Marcus Neustetter. Trinity was an artist collaborative and public art consultancy dedicated to integrating art into urban environments. Stephen’s own artistic practice often explored themes of city infrastructure and social dynamics, laying the groundwork for his later explorations into the intersections of art, architecture, and public space. Recently, Stephen has ventured into bio-art, working with mycelium—the root structure of fungi—to investigate natural systems that mirror urban networks. His innovative approach challenges us to reconsider the hidden connections that shape both our cities and our planet. In this podcast we discuss Stephen’s beginning as an artist, his family background, education and early influences, and how growing up in Johannesburg shaped his perspective as an artist. We go on to examine his strategies as an artist exploring the urban landscape, and negotiating the complexities of post-apartheid transformations in the Johannesburg geography. We also discuss Stephen’s interest in strategies of deception and camouflage and how these have manifested in his practice. We then explore the range of mediums that Stephen has used to express his ideas and how his practice has evolved over his career. Finally we follow Stephen into a new terrain of practice - BioArt - in which he has been working with mycelia to explore the hidden connections between the structure of cities and the planetary environment. The opening of Stephen's mycelium based exhibition, The Visitors, at David Krut Projects · Stephen's 2019 exhibition Body Parts at David Krut Projects · Lesego Chepape's M&G review of The Visitors exhibition · The American
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  • Physics and the artistic imagination: Ariane Koek and Arts at CERN
    In this dialogue, Prof Christo Doherty, the Chair of Research in the Wits School of Arts, speaks to Ariane Koek, a prominent British independent producer, curator, and writer, recognized globally for her pioneering work at the intersection of art and science. With a career spanning several decades Ariane is particularly noted for founding the Arts at CERN program, which she designed and directed from 2009 to 2015. This initiative was the first official international arts program at CERN and aimed to foster collaboration between artists and scientists. Under her leadership, the program included various residency opportunities for artists, allowing them to explore and interpret scientific concepts through their creative practices. The project has just been awarded the Grand Prize - Innovative Collaboration at Ars Electronica 2024. The prize recognises innovative collaboration between industry or technology and the arts (and the cultural and creative sectors in general) that opens new pathways for innovation. In this podcast we focus on the Arts at CERN project, a curatorial and political challenge that Ariane launched single-handedly in 2010. CERN, the European Organization for Nuclear Research, is an intergovernmental organization comprising 24 member states, that operates the largest particle physics laboratory in the world situated in a vast complex based outside Geneva in Switzerland. CERN's main function is to provide particle accelerators and other infrastructure needed for high-energy physics research. The lab's most notable project is the Large Hadron Collider (LHC), the world's largest and highest-energy particle collider, consisting of a 27-kilometre ring of superconducting magnets. The Centre has approximately 2,660 scientific, technical, and administrative staff members, and in 2019 hosted about 12,400 users from institutions in more than 70 countries.  We do a deep dive into the experience of setting up the Arts at CERN programme and the lessons Ariane learnt from working with artists and scientists in such a challenging context. We then go on to unpack Ariane’s more recent insistence that we need to go beyond the acceptance of art-science collaborations as “de facto” positive and the implications of this insight for her current work as a producer and curator. Finally we touch on the continuing importance of aesthetics in both contemporary art and science while recognising the different meaning of the term "beauty" in artistic and scientific discourses. Ariane Koek's personal website with links to her writings and curatorial practice · The award citation for the 2024 Grand Prize - Innovation at Ars Electronica. · Troika at the Langen Foundation, September 2024 - Pink Noise · The website of Julius von Bismarck - the first artist in residence on the Arts at CERN programme
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  • Ale de la Puente: Bridging philosophy and science through artistic practice
    In this dialogue, Prof Christo Doherty, the Chair of Research in the Wits School of Arts, speaks Ale de la Puente, an independent artist-researcher from Mexico who is doing a residency in Johannesburg as part of the Goethe Institute’s international Studio Quantum programme. Ale has studied industrial design, goldsmithing, boatbuilding, navigation, astronomy, physics, and philosophy. She is known for her poetic and conceptual explorations of time and space across a wide field of mediums, ranging from installations and sculptures to drawings, photography, and video, including art science expeditions in search of symbolic natural phenomena, how we signify them, and how, very importantly, we relate to the given meanings in art and life. Ale is a fellow of the National System of Arts Creators in Mexico. She has exhibited her work both nationally in a wide range of international galleries from the Museum of Modern Art in Mexico to the Polytechnic Museum (Moscow) and the Bass Museum of Art, in Miami, Florida to name but a few. Her work is part of leading public and private collections. Ale first developed art-science projects in collaboration with the Astronomy Institute and Nuclear Science Institute of National Autonomous University of Mexico, UNAM, going on to work with the Schmidt Ocean Institute in California, the Roscosmos in Russia, and the Kosmica Institute in Berlin and Mexico City. Amongst her many collaborations with scientists are the projects "Desire", "Matters of Gravity" and "Finding the Centre" which we will discuss in this podcast, as well as the project she is beginning in Johannesburg as part of the Goethe Institut’s Studio Quantum initiative - an international events and artist-in-residence programme which is exploring emerging quantum technologies through the lens of art. In this podcast we discuss how Ale came to art practice, beginning with her accidental discovery of Industrial Design and her first art-science collaborations with the Institute of Astronomy at the National Autonomous University of Mexica. We then unpack what went into the public space art-intervention she called "Desire" where , working with artisan firework craftsmen, she built an artificial comet that flew in the evening sky above Mexico City in 2016. We explore how she navigates the challenges as an artist engaging with the scientific lab through her experience of working at the European Council for Nuclear Research (CERN) where she has had two residencies, We then look at her collaborative project with 6 other artists called Matters of Gravity (2012-14), where they elaborated the different implications of zero gravity using the facilities at Star City in the Yuri Gagarin Cosmosnaut Training Centre outside Moscow. Finally we discuss the lessons that Ale has drawn from her extensive engagement with scientists working in a wide variety of disciplines and how she is going about her work on her project, entitled "Is it going to rain" with the Quantum Studio project in Johannesburg. Useful links to Ale’s project website and other information and can be found in the show notes for this podcast. Ale de la Puente - artist's portfolio website · Schmidt Ocean Institute - Ale de la Puente · Studio Quantum: An international events and artist-in-residence programme from the Goethe-Institut, exploring emerging quantum technologies through the lens of art. · Matters Of Gravity.pdf — PDF (7.4 MB)
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  • Man makes flute from own bone: Ralph Borland artist researcher activist
    In this dialogue, Prof Christo Doherty, the Chair of Research in the Wits School of Arts, speaks to Dr Ralph Borland, an independent artist-researcher and curator based in Cape Town. Ralph has a degree in Fine Art from the University of Cape Town, a Masters in Interactive Telecommunications from New York University and a PhD in Electrical Engineering from Trinity College, Dublin, Ireland. His PhD was a critique of first world design interventions in the developing world. His subsequent post-doctoral work at UCT focused on the African city and North-South knowledge inequalities. He has continued to purse his interest in democratisation and the creative use of emerging technologies with projects such as African Robots, his collaboration with Southern African street artists where he helped them introduce electronics and mechanics to their practice. His art-design piece, Suited for Subversion, a protective and performance suit for street protest in the New York Museum of Modern Art’s permanent collection. He co-curated the exhibition Design and Violence at the Science Gallery in Dublin in 2016 and Future Present: Design in a Time of Urgency at the Science Gallery in Detroit. He has just completed a fellowship in the Institute for Humanities in Africa at UCT which he concluded with the exhibition Aesthetic Interventions in Artificial Intelligence in Africa which featured the remarkable collaborative work BoneFlute which we discuss in some detail in this podcast. In this podcast, we discuss how Ralph came to art practice and his first degree, majoring in sculpture, in Fine Art at Michaelis. We examine his lateral move into electrical engineering with his PhD at Trinity and the curatorial work he did at the Dublin Science Gallery. We then unpack in detail his most recent collaborative, and ongoing artistic research project, with the orthopaedic surgeon Dr Rudolph Venter, the flutist, Alessandro Gigli, and the film-maker Dara Kell. Finally we consider the relationship between artistic practice, research, and activism. Ralph Borland's artist's home page · information around Ralph's exhibition AIAIA – Aesthetic Interventions in Artificial Intelligence in Africa, which showed art-research work from my fellowship on the Future Hospitals project at HUMA, the Institute for Humanities in Africa at the University of Cape Town · Ralph's Boneflute project site · Bone Flute - Brief - 2024.pdf — PDF (5.4 MB)
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About Arts Research Africa Dialogues

These dialogues from the Wits School of Arts, Arts Research Africa project, are intended to stimulate practice, enable research, and inspire collective engagement around the question of Arts Research in Africa. Art lecturers and postgraduate students in the Wits School of Arts at the University of the Witwatersrand, Johannesburg, are grappling with the challenge of positioning arts research in an African context. These podcasts seek to develop a dialogue with both national and international practices and debates.
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