The Resilient Writers Radio Show

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Your book can take longer than you hoped and still get finished. That’s one of the things I hope you’ll take away from my conversation with novelist Nadia Bozak.
When you’re writing around a job, parenting, and everything that keeps a household going, it’s easy to look at your progress and decide you’re falling behind. 
In this episode of The Resilient Writers Radio Show, we talk honestly about writing a novel when sustained time is hard to find, accepting feedback, and remembering what makes the work worthwhile.
Nadia is an Ottawa author, researcher, and creative writing teacher at Carleton University. Her novel, Fret, follows a single mother facing a family crisis and the public scrutiny that comes afterward. 
We explore how Nadia brought motherhood, isolation, and climate change into the story without losing sight of her characters’ emotional lives.
Nadia began Fret during the pandemic, while at home with two young children. Much of the writing happened during spring and summer, when her teaching schedule allowed more room for sustained work.
She tried to stay connected to the manuscript during busier months, but that didn’t always happen. There were interruptions, lost momentum, and stretches when other responsibilities had to come first.
I think many writers will recognize that experience. We talk about what it means to finish a book in the middle of an already full life, and why the length of the process doesn’t tell the whole story.
I hope hearing the realities behind a finished novel helps you look at your own manuscript with more patience, especially when the available writing time changes from week to week.
We also get into novel revision and the point when you can no longer see your own story clearly.
Nadia describes turning to friends, colleagues, and freelance editors for fresh perspectives. Her literary agent also played an important editorial role, sending the manuscript back for further work before submitting it to publishers.
That feedback included looking at the book’s length and how long it took for the story to get going. We discuss the value of an honest reader and our observations about opening a novel in a way that keeps readers turning pages.
For Nadia, parenting and her research on climate helped shape the questions behind Fret. What happens to everyday decisions under extreme heat? How do loneliness, responsibility, love, and joy exist together within a family?
Our conversation offers a thoughtful look at drawing on lived experience while creating complicated, individual characters.
Finally, we talk about book promotion, the nerves that can accompany public appearances, and Nadia’s experience of beginning another project while Fret still feels fresh.
Her new manuscript gives her somewhere to explore voice, structure, and the pleasure of making something. I loved that reminder. Publication matters, but so does the experience of being absorbed in a story you want to tell.
Listen to my conversation with Nadia Bozak for an honest look at finishing a novel, working through revision, and finding your way back to the writing itself.

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A character can want love and still struggle to let anyone close. Understanding that tension can help you write relationships that feel believable, give your scenes emotional weight, and create conflict that matters to your reader.
In this episode of The Resilient Writers Radio Show, I’m talking with contemporary romance author Francesca Frost about writing romance with emotional depth, learning the craft of fiction, and bringing an unfamiliar world to life without overwhelming your audience.
Her debut novel, The Crypto King’s Muse, brings together romance, mystery, fashion, and cryptocurrency. But what interested me most was the question underneath that unusual combination: how do two people with emotional wounds learn to trust each other?
Francesca’s heroine, Charlotte, has a clear picture of how her life should unfold. She expects to find an older man, settle down, and start a family. Her attraction to the younger Duane challenges that picture. Meanwhile, his difficult past has left him wary of trusting others. Their relationship asks both characters to reconsider what they believe will keep them safe.
For writers, there’s plenty to think about here. What does your character believe about love? Where did that belief come from? And what happens when the person they want brings those assumptions into question?
We also explore how Francesca prepared to write her first novel. Her five-year journey included two years studying fiction through craft books, webinars, and writing retreats. She also read roughly 500 romance novels, discovering how much the genre could teach her about structure, character, and emotional connection.
I especially appreciated our discussion of creative constraints. Francesca found that romance conventions gave her a framework for making decisions as a new novelist. That’s a useful idea when the possibilities for your own book start to feel overwhelming.
Her cryptocurrency setting brought another challenge: choosing which details readers needed. She wanted to share her fascination with the world while keeping the love story central. We talk about drawing readers into a specialized setting through danger, ambition, and the pressures characters face.
Our conversation also covers writing physical intimacy that deepens a relationship and serves the plot. Francesca explains how her characters’ emotional connection shaped her decisions about what belonged on the page.
And because finishing the manuscript is only part of publishing a book, we discuss her experience with self-publishing, choosing her cover and audiobook narrators, and finding creative enjoyment in book marketing through Instagram and a companion playlist.
We finish with a lovely detour into book clubs and contemporary poetry.
Whether you’re writing contemporary romance, developing a relationship subplot, or researching an unfamiliar setting, this episode offers questions you can bring straight to your manuscript.
Listen to my conversation with Francesca Frost, then choose one relationship in your story to revisit. Ask what each person wants, what makes trust difficult, and how their history affects the choices they make together. You might discover a source of tension you haven’t fully explored yet.
Find Francesca and learn more about The Crypto King’s Muse at francescafrost.com.

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A powerful secret can do more than create suspense. It can reveal what your characters value, what they fear, and how far they will go to protect the lives they have built.
In this episode of The Resilient Writers Radio Show, I’m speaking with Susan Shapiro Barash, the author of 14 nonfiction books and five novels. 
Susan writes fiction under the name Susannah Marren, and her latest novel, Palm Beach Confidential, explores wealth, privilege, family loyalty, female rivalry, and the lasting consequences of keeping a life-changing secret.
At the center of the novel is Lucinda Barrows, a prominent Palm Beach matriarch whose carefully constructed life is threatened when a secret from her past is about to be exposed. Lucinda also has three adult daughters, Maribelle, Caroline, and Raleigh, each navigating her own ambitions, relationships, and place within the family.
Our conversation offers a fascinating look at how writers can use secrets to create suspense while still developing emotionally believable characters. Susan explains why a secret cannot exist simply as a plot device. It must grow out of a character’s circumstances, desires, fears, and choices.
We also talk about Susan’s decades of research into women’s lives. For her nonfiction books, including Estranged: How Strained Female Friendships Are Mended or Ended, Tripping the Prom Queen, and A Passion for More, she has interviewed hundreds of women across generations and backgrounds. That research gives her fiction a rich understanding of female relationships, social expectations, judgment, betrayal, and survival.
Susan shares practical insights into her writing process, from beginning a novel with a clear sense of its opening and ending to discovering the middle as she writes. 
She keeps detailed notebooks about her characters, including their longings, clothing, food, relationships, and histories. Once the first draft is complete, she revises chapter by chapter, asking whether the writing is clear, sharp, well paced, and emotionally true.
We also discuss the publishing journey and why writers need both persistence and support. Susan reflects on working with publishers including St. Martin’s Press and Meridian Editions, studying with E. L. Doctorow, and returning to a novel she first began during her MFA. She also explains how a skilled freelance editor can help a writer identify structural or developmental problems that are difficult to see alone.
In this episode, you’ll discover:
How to use secrets to deepen character and strengthen suspense
Why wealth and privilege do not protect characters from conflict
How nonfiction research can inspire compelling fiction
A practical approach to drafting and revising a novel
Why outside editorial support can improve a manuscript
How to stay resilient through an unpredictable publishing career
If you’re writing a novel, revising a manuscript, or wondering how to make your characters more layered and emotionally convincing, I think you’ll find plenty of insight and encouragement in this conversation with Susan Shapiro Barash.

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Sometimes a whole novel begins with one sentence that refuses to leave you alone.
That is exactly how Of Pies and Men, the cozy fall romance by Melissa N. Wright, began. Melissa had one line circling in her mind, so she wrote it down. 
That sentence led to questions, the questions led to characters, and before long, she had created a story filled with baking, friendship, found family, kittens, and a love triangle.
In this episode of The Resilient Writers Radio Show, Melissa and I talk about what makes a story feel cozy and how writers can create a fictional world that feels like home.
For Melissa, coziness comes from familiarity and connection. It is the comfort of a small town, the predictability of seeing familiar faces, and the presence of friends who will tell you the truth and offer you a hug afterward. Baking also plays an important role in the novel. For Stewy, the main character, making pies gives her something to do with her hands when her anxiety takes over.
We also talk about writing a story without a traditional villain. In Of Pies and Men, much of the conflict comes from within Stewy herself. She overthinks, second-guesses her choices, and worries about hurting the people around her. It is a struggle many writers and readers will recognize.
Melissa shares how she completed her first draft in about a month, then spent several more months revising and editing it. We talk about her publishing journey, from researching agents through QueryTracker to choosing Rogue Wolf Publishing, an independent publisher that offered professional support while allowing her to keep creative control.
She also offers an honest look at fitting writing around a full-time job and other responsibilities. Melissa writes during evenings and weekends, but she also accepts that some days she is simply too tired. When that happens, she saves ideas in her phone so they will be waiting when she is ready to return to the page.
One of my favourite parts of our conversation is Melissa’s reminder to trust the reader. Writers do not need to explain every detail. Readers can notice clues, make connections, and understand more than we sometimes give them credit for.
We also talk about the discomfort of promoting your own book and why believing in your work matters. If you love the characters, the setting, or the feeling your book creates, there is another reader out there who will love it too.
In this episode, you’ll learn:
How to create a cozy atmosphere in fiction
Why internal conflict can be just as powerful as an external villain
How Melissa balanced writing with a full-time job
What she learned from choosing an independent publisher
How to trust your readers without overexplaining
How to talk about your book with greater confidence
Listen now for a warm, honest conversation about cozy romance, the writing process, publishing, and believing in the story you have created.

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An outline doesn’t have to limit your creativity. It can give you the freedom to explore your story without losing your way.
In this episode of The Resilient Writers Radio Show, I’m joined by award-winning Canadian author Gail Anderson-Dargatz to talk about her new novel, The Atlas Keeper, and the writing process behind this complex time travel romance.
Gail has written across genres, from literary fiction and domestic thrillers to hi-lo books and speculative fiction. Her novels include The Cure for Death by Lightning, A Recipe for Bees, The Spawning Grounds, The Almost Wife, and The Almost Widow. 
With The Atlas Keeper, she gave herself permission to follow a longtime love of time travel stories and simply play.
That sense of play is at the heart of our conversation.
Gail shares how the idea for the novel began with a question: What would a map of someone’s life look like? 
With help from her husband, a GIS analyst with an interest in astrology, she developed an intricate structure based on a lunar month, the twelve astrological houses, and a character who can visit different moments in her own life.
Writing a story with so many moving pieces required a clear map. Gail explains how she begins with a synopsis, moves into an outline, and then creates a chapter-by-chapter plan. At the same time, she writes snippets of scenes and allows room for discovery.
Her process offers a helpful reminder for writers who worry that outlining will take the magic out of writing. The outline is not a cage. It is a guide you can adjust as the story develops.
We also talk about what literary writers can learn from genre fiction. Whether you are writing literary fiction, romance, suspense, or fantasy, your character still needs a goal. Something must stand in their way. The reader needs a reason to keep turning the pages.
Gail also opens up about reaching a stage in her career where she is less concerned about awards and expectations and more interested in enjoying the act of creation. After experiencing burnout, she found her way back to the pleasure of writing by exploring new genres and remembering why she started.
This episode is a warm and honest conversation about outlining a novel, experimenting with genre, staying curious, and making writing feel playful again.
Listen now to discover how structure can support creativity, why writers benefit from trying new genres, and how finding the fun in your process can lead to a stronger book.