SEEING FACES IN MOVIES

Felicia is joined by Raf Stitt to discuss Fritz Lang’s exploration of the male psyche in The Woman in the Window (1944).

We chat about the impact of a twist ending, and how film noir is deeply rooted in German Expressionism.

Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: [email protected]

Find Raf here:
Website: https://screenagewasteland.com/tag/the-canon-podcast/
Spotify: @ScreenageWasteland
Apple:@ScreenageWasteland
Letterboxd: @rafstitt
IG: @rafstitt
Twitter: @rafstitt
Bluesky: @rafstitt

Sources:
Eisner, L. H. (1984). Fritz Lang. Cahiers du cinéma/Editions de l’étoile : Cinémathèque française.

https://www.sensesofcinema.com/2002/cteq/woman_window/

https://heartofnoir.com/film/the-woman-in-the-window-1944/

https://www.tcm.com/articles/176542/the-woman-in-the-window-joan-bennett-and-edward-g-robinson-in-fritz-langs-film-noir-the-woman-in-the-window

https://midwestfilmjournal.com/2024/01/05/fritz-on-fridays-the-woman-in-the-window-1944/

Felicia is joined by Martin Kessler to discuss Fritz Lang’s first foray into the world of sound in his film M (1931).

We chat about what led Lang to finally make his first talkie, and how he allows the audience to use their imagination in full by not showing the violence on screen.

This is the series opener and Fritz Lang is a director I have wanted to discuss on the show for a long time. I mainly focused on his career in America and I wanted to discuss the slightly lesser known films to show his great range.

Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: [email protected]

Find Martin here:
Twitter: @MovieKessler
Website: The Pink Smoke
Spotify: @ThePinkSmoke
Apple: @ThePinkSmoke
Soundcloud: @ThePinkSmoke

Deaf Crocodile Commentaries:
Website: https://deafcrocodile.com/
The Tragedy of Man (Marcell Jankovics 2011)
Song of the Miraculous Hind (Marcell Jankovics 2002)

Listen to our previous episodes here:
The Landlord (D.O.P. Gordon Willis 1970)
Opening Night (John Cassavetes 1977)

Sources:
Eisner, L. H. (1984). Fritz Lang. Cahiers du cinéma/Editions de l’étoile : Cinémathèque française.

https://mubi.com/en/notebook/posts/interview-with-fritz-lang-beverley-hills-august-12-1972

https://www.tcm.com/articles/38694/m-1931

https://www.criterion.com/current/posts/1457-my-film-m-a-factual-report

https://www.c-span.org/clip/public-affairs-event/peter-bogdanovich-on-fritz-langs-m/4994498

Felicia is joined by Jason Christian to discuss the lasting impact of Jean Renoir’s Grand Illusion (1937).

We chat about how the film focuses on the relationships between these men from different sides and classes. Along with how he’s less interested in the battles and more so in his characters mindsets.

This is the final episode of the Renoir series, thanks for joining along and as always I hope my guests and I have inspired you to discover more of his work.

Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: [email protected]

Find Jason here:
Website: https://jasonchristianwrites.com/
Letterboxd: @exilemagic
Twitter: @jasonachristian
Cold War Cinema Podcast on Spotify: @coldwarcinema
Cold War Cinema Podcast on Apple: @coldwarcinema

Listen to our previous episodes here:
Shoeshine (Vittorio De Sica 1946)

Sources:
Renoir, J., & Cardullo, B. (2005). Jean Renoir: Interviews. University Press of Mississippi.

Renoir, J., & Denny, N. (2004). My life and my films. Da Capo Press.

https://www.criterion.com/current/posts/15-grand-illusion

Felicia is joined by Geoff Thomas to discuss Jean Renoir’s first colour film as he ventures over to India in The River (1951).

We discuss his treatment and adoration of the characters in his films, along with his natural instinct to collaborate with other artists.

Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: [email protected]

Find Geoff here:
IG: @cinema_gnt
Letterboxd:@gnthomas
Website:https://cinemamemry.wordpress.com/
Spotify: @cinematicmeoriespodcast
Spotify: @dontdespisemepodcast
Apple Podcasts: @cinematicmemoriespodcast
Apple Podcasts: @dontdespisemepodcast

Listen to our previous episodes here:
Umberto D. (Vittorio De Sica 1952)
Diary of a Chambermaid (Luis Buñuel 1964)
The Silence (Ingmar Bergman 1963)

Sources:
Renoir, J., & Cardullo, B. (2005). Jean Renoir: Interviews. University Press of Mississippi.

Renoir, J., & Denny, N. (2004). My life and my films. Da Capo Press.

https://www.sensesofcinema.com/2003/great-directors/renoir/#36

https://www.criterion.com/current/top-10-lists/214-martin-scorsese-s-top-10

https://www.criterion.com/current/posts/357-the-river-a-new-authenticity

https://satyajitray.org/encounter-with-jean-renoir/

https://www.criterion.com/current/posts/924-the-river

https://www.film-foundation.org/rsr-february-2023

Felicia is joined by Ben Turnbull to discuss men behaving badly in Jean Renoir’s Boudu Saved From Drowning (1932).

We chat about how generous Renoir is as a director and artist, along with the empathy he has for members of varying social classes.

Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: [email protected]

Find Ben here:
Watch Ben in Cherub (Devin Shears 2025): https://www.cherubfilm.com/
IG: @The Franchisees
Podcast on Spotify: @TheFranchisees
Letterboxd: @ben_turnbull
Twitter: @FartonFink
IG: @benjamin.turnbull

Listen to our previous episodes here:
Written on the Wind (Douglas Sirk 1956)

Sources:
Renoir, J., & Cardullo, B. (2005). Jean Renoir: Interviews. University Press of Mississippi.

Renoir, J., & Denny, N. (2004). My life and my films. Da Capo Press.

https://r-emmetsweeney.com/2020/02/28/the-tramp-boudu-saved-from-drowning-1932/

https://www.tcm.com/articles/101890/boudu-saved-from-drowning

https://www.criterion.com/current/posts/380-boudu-saved-from-drowning-tramping-in-the-city

https://www.sensesofcinema.com/2003/great-directors/renoir/#36