NBN Book of the Day

The consequences of U.S. border policies through the experiences of Honduran migrants. Hondurans have been at the heart of some of the most visible migration phenomena in the last few years, as well as the direct target of anti-immigrant rhetoric and policy. In Leave If You Can: Migration and Violence in Bordered Worlds (U California Press, 2026) Amelia Frank-Vitale offers a detailed portrait of the Honduran exodus and what it reveals about the broader consequences of changing US border enforcement policies. She highlights the stories of those who are often presented as unsympathetic: deported young men implicitly associated with the very violence they are trying to flee. In the process, she challenges underlying assumptions frequently held by policy makers and humanitarian agencies. Connecting overlapping regimes of mobility control, from the invisible gangland borders within San Pedro Sula to the growing expansiveness of the U.S. border's reach, this book shows how deportation does not deter migration but, in fact, keeps people moving, and how U.S. policies fuel the migration "crisis" they claim to address. Drawing from her own experiences accompanying migrant caravans over many years, Frank-Vitale also explores how caravans emerge as both protest movement and migration tactic in response to this expanding border regime.
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The Violence of Protection: Policing, Immigration Law, and Asian American Women (Duke UP, 2026) examines U.S. laws designed to rescue immigrant survivors from gender and sexual violence only if they agree to cooperate with policing. Drawing upon ethnographic stories with legal and social service advocates who work with Asian immigrant women, the book engages abolition feminisms and antiblackness to critique "victim" as a genre of the human in law and produced through racial configurations of the model minority myth and the good/bad immigrant paradigm.

Author Lee Ann S. Wang is an Assistant Professor of Asian American Studies. She is also a Co-PI on the research initiative, Anti-Asian Violence: Origins and Trajectories, housed at UC Berkeley’s Center for Race and Gender.
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A Home Away from Home: Mutual Aid, Political Activism, and Caribbean American Identity (U Pennsylvania Press, 2024) examines the significance of Caribbean American mutual aid societies and benevolent associations to the immigrant experience, particularly their implications for the formation of a Pan-Caribbean American identity and Black diasporic politics.At the turn of the twentieth century, New York City exploded with the establishment of mutual aid societies and benevolent associations. Caribbean immigrants, especially women, eager to find their place in a bustling new world, created these organizations, including the West Indian Benevolent Association of New York City, founded in 1884. They served as forums for discussions on Caribbean American affairs, hosted cultural activities, and provided newly arrived immigrants with various forms of support, including job and housing assistance, rotating lines of credit, help in the naturalization process, and its most popular function—sickness and burial assistance. In examining the number of these organizations, their membership, and the functions they served, Tyesha Maddox argues that mutual aid societies not only fostered a collective West Indian ethnic identity among immigrants from specific islands, but also strengthened kinship networks with those back home in the Caribbean. Especially important to these processes were Caribbean women such as Elizabeth Hendrickson, co-founder of the American West Indian Ladies’ Aid Society in 1915 and the Harlem Tenants’ League in 1928.Immigrant involvement in mutual aid societies also strengthened the belief that their own fate was closely intertwined with the social, economic, and political welfare of the Black international community. A Home Away from Home demonstrates how Caribbean American mutual aid societies and benevolent associations in many ways became proto-Pan-Africanist organizations.

Kiana M. Knight is a Postdoctoral Research Associate in Africana Studies at the University of Notre Dame.  Kiana’s Webpage
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Derek Krueger Monastic Desires: Homoeroticism, Homophobia, and Love of God in Medieval Constantinople (Cambridge UP, 2026)

The Byzantine Abbot Symeon the New Theologian (949–1022) transgressed the homophobic norms of medieval Orthodox society. His longing for God was distinctly homoerotic, and he depicted union with the divine as a queer sort of marriage. His Orthodox theology of theosis, the deification of the entire person, meant that Symeon taught the salvation of all the parts of the body. But monks also desired the eradication of lust and the punishment of those who fell prey to it. Sermons and biblical commentary defined men who had sex with men as sodomites; and saints' lives warned of the consequences of same-sex desires. Those who renounced sex redirected their desire rather than eliminating it. Symeon's queer erotics shed light on other devotions distinctive to medieval Orthodoxy, including the veneration of saints and worship with icons. Monastic Desires makes a groundbreaking contribution to the history of sexuality and the history of Christianity.

New Books in Late Antiquity is presented by Ancient Jew Review

Derek Krueger is emeritus professor of religious studies at UNC Greensboro, the author of multiple books including Liturgical Subjects: Biblical Narratives and the Formation of the Self in Byzantium, the editor of far more, and former editor of the book series Divinations: Rereading Late Antiquity.

Michael Motia teaches Classics and Religious Studies at UMass Boston
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Forests in fiction are often understood simply as settings, symbols, or remnants of a premodern past. Yet many African novelists have turned to the forest to experiment with worldbuilding and to imagine new futures. This groundbreaking book explores the life of the forest in African fiction, showing how writers have used it to reinvent the novel’s formal, aesthetic, and political possibilities.

 Ainehi Edoro argues in Forest Imaginaries: How African Novels Think (Columbia UP, 2026) that forests in African fiction are laboratories for unmaking and remaking the world, where writers break apart familiar forms to test alternate forms of life, knowledge, and power. Instead of treating the forest as a backdrop, these writers imagine it as a living structure: a space where politics, history, myth, violence, technology, the magical, and creativity animate fictional worlds. Spanning indigenous African narratives and contemporary science fiction, Forest Imaginaries traces the lineage of forest worlds in African literature: Chinua Achebe’s evil forest, the cosmic forest in Wọle Ṣóyínká’s mythic imagination, Thomas Mofolo’s forest of imperial dreams, Amos Tutuola’s endless fractal forest, and Nnedi Okorafor’s aquatic forest of new ecological futures. This book rethinks African literary history by showing how African writers draw on the forest—and the wealth of Indigenous ideas about time, space, and storytelling it conjures—to transform the novel’s aesthetic, political, and philosophical horizons.

Ainehi Edoro is a Mellon-Morgridge Assistant Professor of English and African cultural studies at the University of Wisconsin–Madison. She is the founding editor of Brittle Paper, a leading platform for African literary culture.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here
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