NBN Book of the Day

There is no shortage of books on music and politics, but Anna Harwell Celenza explores an interesting premise in her book On the Record: Music that Changed America (Norton, 2026). Each of the twelve chapters discusses a different instance when music, as Celenza writes, “sparked debates in the halls of Congress.” Arranged basically chronologically, Celenza tackles some of the most powerful and contentious issues in twentieth and twenty-first century American politics. From censorship to copyright law; from the Civil Rights Movement, to foreign policy during Apartheid, Celenza traces the extraordinary moments when music moved Congress, challenged power, and united people around shared ideals. The stories Celenza tells are just as much about music including the intertwined histories of “The Star Spangled Banner” and “Lift Every Voice and Sing” or the making of Paul Simon’s album Graceland, as they are about US legislation or American politics. She offers readers a history of America heard through the songs and compositions that changed its course.
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From the mid-nineteenth century through the dust bowl years of the Great Depression, a new kind of migrant worker became a familiar sight in communities across America. The Hobo: A History of America's First Climate Migrants (Princeton UP, 2026) by Dr. Robert Suits traces the journeys of these homeless men and women, showing how hobo work was an adaptation to energy transitions and a harsh and unpredictable climate, and how the hobo played a central role in the histories of industrialization and westward expansion.Challenging common depictions of the hobo as a world-weary, bearded man in ragged clothes, Dr. Suits reveals how these wandering laborers were often fastidious and heartbreakingly young. Forever on the move due to economic hardship and climate disaster, they chased harvests and took seasonal jobs in industries like logging and mining. Too often they couldn’t find employment at all. Suits describes the difficult, dangerous, and highly unstable jobs they worked while shedding light on the hobo life and philosophy, from their techniques for stowing away on railroads to their unique blend of socialist, anarchist, and anti-work thought. He traces the emergence of the hobo to the advent of steam and the need for manual laborers in places where this new technology couldn’t reach and describes how a growing reliance on the internal combustion engine brought an end to hobo work.Drawing on oral histories, environmental data, and cutting-edge digital methods, The Hobo paints an unforgettable portrait of an eclectic group of wandering radicals, troublemakers, poets, and writers, demonstrating how their experiences upend some of our basic assumptions about how environments and technologies shape society.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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Exploring the work of established and emerging artists in Indonesia’s vibrant art world, Artists and the People: Ideologies of Art in Indonesia (NUS Press, 2022) examines why so many artists in the world’s largest archipelagic nation choose to work directly with people and in the studio. While the social dimension of Indonesian art makes it distinctive in the globalised world of contemporary art, Elly Kent is the first to explore this engagement in Indonesian terms. What are the historical, political and social conditions that lie beneath these polyvalent practices? How do formal and informal institutions, communities and artist-run-initiatives contribute to the practices and discourses behind socially-engaged art in Indonesia? What do artists do when they locate their practice in a broader social milieu, and what tensions arise when artists integrate communities, governments, politics, history and people into their practice?

Drawing on interviews with artists, translations of archival material, visual analyses and participation in artists’ projects, this book presents a unique, interdisciplinary examination of ideologies of art in Indonesia. It portrays the ways art practice and theory are understood within Indonesia and inside Indonesian-language discourse. Indonesia's artists have continued to explore, resist and draw on the methodologies and discourses of social responsibility and artistic autonomy generated by Indonesian arts practitioners through their early 20th-century encounters with modernity and the founding of the nation state. This book brings contemporary practice into conversation with art history in Indonesia.

Dr Elly Kent is a visual artist, translator, researcher and educator with 20 years of experience working in academia and the arts in Indonesia and Australia. Elly is Deputy Director of the ANU Indonesia Institute and Sub-dean of Languages in the College of Asia and the Pacific at the Australian National University. She convenes the Year in Asia program and is Treasurer of the Indonesia Council, Australia’s peak body for Indonesian studies.
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"Self-Made" success is now an American badge of honor that rewards individualist ambitions while it hammers against community obligations. Yet, four centuries ago, our foundational stories actually disparaged ambitious upstarts as dangerous and selfish threats to a healthy society. In Pamela Walker Laird's fascinating history of why and how storytellers forged this American myth, she reveals how the goals for self-improvement evolved from serving the community to supporting individualist dreams of wealth and esteem. Simplistic stories of self-made success and failure emerged that disregarded people's advantages and disadvantages and fostered inequality. Fortunately, Self-Made also recovers long-standing, alternative traditions of self-improvement to serve the common good. These challenges to the myth have offered inspiration, often coming, surprisingly, from Americans associated with self-made success, such as Benjamin Franklin, Frederick Douglass, and Horatio Alger. Here are real stories that show that no one lives – no one succeeds or fails – in a vacuum.

Pamela Walker Laird is Professor Emerita of History at the University of Colorado Denver. Laird’s publications include her newest book, Self-Made: The Stories that Forged an American Myth (Cambridge University Press, 2025); Pull: Networking and Success Since Benjamin Franklin (Harvard University Press, 2006), which won the 2006 Hagley Prize for the best book in business history and is available in Chinese; and Advertising Progress: American Business and the Rise of Consumer Marketing (Johns Hopkins University Press, 1998), a Choice Outstanding Academic Book.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: https://www.youtube.com/user/a48266/videos
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Curtis Dozier's The White Pedestal: How White Nationalists Use Ancient Greece and Rome to Justify Hate
(Yale University Press, 2026) explores how white nationalist thought
leaders use ancient Greece and Rome to claim historical precedent for
their violent and oppressive politics.It is difficult to ignore the resurgence of white nationalist
movements in the United States, many of which employ symbols and slogans
from Greco-Roman antiquity. A long-established neo-Nazi website
incorporates an image of the Parthenon into its logo, and rioters wore
Spartan helmets in the January 6, 2021, attack on the U.S. Capitol.
These juxtapositions may appear incongruous to people who associate the
ancient world with enlightened political ideals and sophisticated
philosophical inquiry. But, as Dozier points out in this
thought-provoking book, it’s hard to imagine a historical period better
suited to rhetorical use by white nationalists. Indeed, some of the most
widely admired voices from ancient literature and philosophy endorsed
ideas that modern white supremacists promote, and the social and
political realities of the ancient world provide models for political
systems that white supremacists would like to establish today.

Part
introduction to contemporary white nationalist thought, part
exploration of ancient racism and xenophobia, and part intellectual
history of the political entanglements of academic study of the past,
this book reveals that contemporary white nationalist intellectuals know
much more about history than many people assume—and they deploy this
knowledge with disturbing success.

Curtis Dozier is associate professor of Greek and Roman studies at
Vassar College. He is the director of the internationally recognized
website Pharos: Doing Justice to the Classics, which documents appropriations of Greco-Roman antiquity by hate groups. He lives in Poughkeepsie, NY.

Morteza Hajizadeh
is a Ph.D. graduate in English from the University of Auckland in New
Zealand. His research interests are Cultural Studies; Critical Theory;
Environmental History; Medieval (Intellectual) History; Gothic Studies;
18th
and 19th Century British Literature.
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