NBN Book of the Day

Ella Jenkins (1924–2024) was one of the most influential musicians of
the twentieth century, although many people have never heard of her. A
pioneer in children’s music and an innovative educator, Jenkins recorded
forty albums and influenced countless children and adults over a
sixty-year career. Gayle Wald places Jenkins’s life and work within the
larger contexts of the civil rights movement, the folk revival, and the
changing worlds of children’s education and entertainment in This is Rhythm: Ella Jenkins, Children’s Music, and the Long Civil Rights Movement (University
of Chicago Press, 2025). Committed to civil rights, Jenkins infused her
beliefs in social justice and our shared humanity into her work with
children and her compositions. She viewed music as a way for children to
come together and establish connections with each other rather than as a
gateway to musical achievement or literacy. Based on dozens of
interviews including with Jenkins and her life partner Bernadelle
Richter, Wald traces Jenkins’s life from her childhood in segregated
Chicago, her involvement with the integrated folk music scene, and her
successful career as a music educator. This is Rhythm was given special recognition by the 2026 Pattis Family Foundation Chicago Book Award.
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Technothriller: Film and the American Imagination
(MIT Press, 2026) is the first dedicated examination of popular movies
classified as “thrillers” that channel societal anxiety or dread about
advanced technologies like supercomputers, robotics, AI, biotech,
military weaponry, and surveillance culture. Technothriller is
about the changing imagination of technology within an American context
and its role in engineering some of the most profound ideologies of
modern life.

Soraya Murray
is a Professor in the Film and Digital Media Department at the
University of California, Santa Cruz. Her work explores the visual
culture of innovation, advanced computation, and its imaginaries as
imaged in popular American films, for which technology assumes a central
role. Murray’s first book, On Video Games: The Visual Politics of Race, Gender and Space (I.B. Tauris, 2018, paperback 2021), examines popular video games like Assassin’s Creed, Spec Ops: The Line, Metal Gear Solid, and Grand Theft Auto as visual culture. She currently serves as Provost of Porter College, UCSC.
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For
more than 10,000 years, cats have prowled at the edges of human life.
But, starting only a few decades ago, hundreds of millions of them
became pets. In Cats: A History
(Johns Hopkins University Press, 2026), Professor Rod Phillips shares a
sweeping cultural and social history of felines, tracing their shifting
place across societies and centuries, from ancient Egypt's revered
hunters to Europe's suspected familiars of witches and from shipboard
rodent controllers to cherished internet icons.

Professor
Phillips illustrates how cats have always occupied spaces both familiar
and mysterious and how their perceived independence and disruptive
nature—and their associations with women, the supernatural, and
outsiders—have shaped humans' attitudes toward these fascinating
creatures. Cats have been lauded as companions and vermin-killers,
reviled as threats to moral and ecological order, and cherished for the
very qualities that make them hard to control. This richly textured
portrait of cats explores their significance in religion, politics,
gender, literature, warfare, and pop culture. It also provides profound
insights into our relationships with other animals, especially dogs and
rodents.

The many roles that cats have played throughout history
illuminate a variety of contradictions in humans' perceptions of them:
as affectionate yet aloof, adorable
and evil, ordinary and exceptional. This book is the definitive story
of the feline presence in human history—an elegant study of how we live
with animals whom we see as living by their own rules.

This interview was conducted by Dr. Miranda Melcher whose book
focuses on post-conflict military integration, understanding treaty
negotiation and implementation in civil war contexts, with qualitative
analysis of the Angolan and Mozambican civil wars. You can find
Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. 
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In this episode, Alisa interviews Dr. Diana Cucuz about her book, Winning Women’s Hearts and Minds: Selling Cold War Culture in the US and the USSR (University of Toronto Press, 2023) and also asks her for advice to beginner scholars studying gender and the Cold War. A bit about Dr. Cucuz’s book: throughout the Cold War, Soviet citizens had limited access to US life and culture. Amerika, a glossy Russian-language magazine similar to Life, provided a rare exception. Produced by the United States Information Agency (USIA), America’s first peacetime propaganda organization, Amerika was used to influence the Soviet public and convince women in particular that an American-style consumer culture and conservative gender norms could better their lives. Winning Women’s Hearts and Minds relies on USIA archives, issues of Amerika, and American women’s magazines such as the Ladies’ Home Journal to show how, during the postwar period, USIA officials deployed idealized images of American women as happy, fulfilled, and feminine wives, mothers, and homemakers.
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What does Blackness look like? In Forms of Blackness: Race and Visibility in the French-Speaking World (Duke University Press, 2026),
Cécile Bishop argues that this seemingly simple question has no
straightforward answer. Instead of treating race as something
immediately visible, she explores how Blackness emerges through the
interplay of perception, language, and history.

A central theme of the book is that visibility is never neutral.
Through examples ranging from photographs of the Liberation of Paris to
works of art such as Portrait of a Black Woman, Bishop shows that
Blackness cannot be reduced to what is seen. Instead, she introduces the
idea of Blackness as form, emphasizing the importance of representation, opacity, and aesthetic experience.

Engaging with thinkers such as Édouard Glissant and Frantz Fanon,
Bishop invites readers to rethink the assumption that seeing is the same
as knowing. Forms of Blackness offers a thoughtful and original account of how race is shaped not simply by appearance, but by the ways we learn to see.

Amisah Bakuri (PhD) is an
Assistant Professor in the Faculty of Social Sciences and Humanities at
Vrije Universiteit Amsterdam. Her work explores the intersections of
religion, sexuality, gender, and migration, especially within African
diasporic communities in the Netherlands.
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