NBN Book of the Day

We use avatars to play video games. We use pseudonyms on social
media. We use VPNs to mask our identities and activities. In the digital
realm, anonymity is everywhere, a persistent option for those who wish
to hide, experiment, and deceive. But we are anonymous in more contexts
than the digital. In urban settings, we routinely experience the
anonymity of the crowd, and routinely use anonymity to participate in
political life and social protests. Anonymity matters. This book is a
wager that we can learn much about society, humanity, and power by
analyzing the structural tensions and possibilities of anonymity, and by
analyzing how the economy of anonymity is changing in a modernity
defined by computation.

While many have explored the connections between surveillance,
datafication, and privacy, relatively little has been done to theorize
anonymity and its critical role in our lives. The Economy of Anonymity: Power in the Age of Identification (Stanford University Press, 2026) rebalances
our intellectual investments by expanding our understandings of
anonymity. Putting the work of Gloria Anzaldúa and Bernhard Siegert into
conversation, Hector Amaya examines the contours of anonymity in
different social domains—in relationship to individuals, institutions,
and contexts; to epistemology and ontology; and to history and society.
As the book shows, anonymity entails paradoxical possibilities—sometimes
anonymity is experienced as freedom and other times as powerlessness,
or subjugation.
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Fakers: A Top-Secret Tale of Phantoms and Forgeries on the Disinformation Front Line (Oxford UP, 2026) reveals the rise and fall of the mavericks running Britain's Cold War forgery empire. Their secret mission was audacious: to disrupt and discredit adversaries across the world using phantom groups, fake sources, and counterfeit documents.

The leader was a remarkable character, wrestling with personal and professional dilemmas: Hans Welser. An Austrian refugee and one-time MI5 suspect interned behind barbed wire, Welser was a great survivor who rose to become special operations adviser to the Foreign Office, working hand in glove with MI6. His second in command was an eccentric, hard drinking, and high-flying journalist-turned-propagandist called John Rayner. Brought out of semi-retirement, for one final posting. Their team of bowler-hatted refugees, voluble ex-journalists, trailblazing women, and licentious literary sorts navigated loyalty and betrayal — both professionally and romantically — from the diplomats' attic, in the most sensitive part of the Foreign Office's secret propaganda department.

The newly declassified files expose an array of plots, some comically absurd and others dangerously controversial. The forgery empire impersonated everything from hippies and ghosts to Islamists and ballet composers in their campaign to smear hostile politicians, stir tensions among adversaries, and even stymie the career of a contentious British historian. All took place against a high stakes backdrop — both overseas as states competed beneath the looming threat of nuclear war and in the corridors of power at home where grey-suited bureaucrats circled, keen to shut down the team for good.

With timely insight into how propaganda works and how to respond to disinformation, Fakers is a thrilling journey into a secret world where nothing was as it seemed.

Rory Cormac is a Professor of International Relations at the University of Nottingham and a Fellow of the Royal Historical Society.

Caleb Zakarin is CEO and Publisher of the New Books Network.
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Political Scientists Christopher Federico, Stanley Feldman, and Christopher Weber have an important and fascinating new book from Oxford University Press focusing on understanding authoritarianism, especially in the American context. As experts in political psychology, the authors are keen to consider authoritarianism as a psychological concept, which is more about submitting to authority, as a kind of conformity, and less about a particular political regime structure. The Authoritarian Divide: Partisan Identity, Voting, and the Transformation of the American Electorate (Oxford UP, 2026) is about trying to understand voters and how some of them are attracted to this idea or concept, and how this attraction then works itself out within the electorate and within our contemporary political moment.

In order to understand this theory of psychological authoritarianism, the authors trace the idea from origins in critical theory and pre-World War I European thinkers (Freud, Benjamin, etc.) who were examining the concepts of conformity vs. autonomy, and how these ideas functioned in political life. The authors also examined differing approaches to child-rearing, since this also reflects these same concepts of conformity and autonomy, but in how they are put into practice in bringing up children, either with more freedom or in a more rules bound approach. In using these measures, Federico, Feldman, and Weber also pulled together data from election surveys starting in the 1990s and moving forward that include questions that get at some of the same ideas. The authors also used experiments to test individual inclinations towards autonomy or uniformity. The thrust of voter’s choices was not about economics or specific public policy in these analyses, but around social issue differentiation and social context. The research for The Authoritarian Divide is complex and brings together a variety of different methodological approaches in order to examine this political divide, and to tease out the impact of psychological authoritarianism in American politics.

The Authoritarian Divide: Partisan Identity, Voting, and the Transformation of the American Electorate reveals that this inclination towards psychological authoritarianism is much more prevalent among white conservative voters than among other voting blocs in the United States. This has also led voters to sort themselves within the two parties accordingly, with far more of those who are inclined towards psychological authoritarianism moving into the Republican Party, and fewer moving into the Democratic Party. The result of this sorting has contributed to the rise in polarization within American politics over the past thirty years.

The Authoritarian Divide explains a lot about voter thinking and approaches to American politics over the past three decades. It helps to decipher the entrenched polarization because the examination is not about policy distinctions or issues, it is about how individual voters think and why they are inclined to think in particular ways about politics. The authors clearly assess the distinctions within the voting populace of the United States, and, in so doing, unpack different approaches to voting and vote choices in different sectors of the electorate. The Authoritarian Divide really helps us to understand our current political climate and to see how the rise of Donald Trump fits into a temporally longer era of American politics, partisan politics, racial politics, and the tensions between democracy and authoritarianism.

Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe Volume I: The Infinity Saga (University Press of Kansas, 2022), and of The Politics of the Marvel Cinematic Universe Volume II: Into the Multiverse (University Press of Kansas, 2025) as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social
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Ella Jenkins (1924–2024) was one of the most influential musicians of
the twentieth century, although many people have never heard of her. A
pioneer in children’s music and an innovative educator, Jenkins recorded
forty albums and influenced countless children and adults over a
sixty-year career. Gayle Wald places Jenkins’s life and work within the
larger contexts of the civil rights movement, the folk revival, and the
changing worlds of children’s education and entertainment in This is Rhythm: Ella Jenkins, Children’s Music, and the Long Civil Rights Movement (University
of Chicago Press, 2025). Committed to civil rights, Jenkins infused her
beliefs in social justice and our shared humanity into her work with
children and her compositions. She viewed music as a way for children to
come together and establish connections with each other rather than as a
gateway to musical achievement or literacy. Based on dozens of
interviews including with Jenkins and her life partner Bernadelle
Richter, Wald traces Jenkins’s life from her childhood in segregated
Chicago, her involvement with the integrated folk music scene, and her
successful career as a music educator. This is Rhythm was given special recognition by the 2026 Pattis Family Foundation Chicago Book Award.
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Technothriller: Film and the American Imagination
(MIT Press, 2026) is the first dedicated examination of popular movies
classified as “thrillers” that channel societal anxiety or dread about
advanced technologies like supercomputers, robotics, AI, biotech,
military weaponry, and surveillance culture. Technothriller is
about the changing imagination of technology within an American context
and its role in engineering some of the most profound ideologies of
modern life.

Soraya Murray
is a Professor in the Film and Digital Media Department at the
University of California, Santa Cruz. Her work explores the visual
culture of innovation, advanced computation, and its imaginaries as
imaged in popular American films, for which technology assumes a central
role. Murray’s first book, On Video Games: The Visual Politics of Race, Gender and Space (I.B. Tauris, 2018, paperback 2021), examines popular video games like Assassin’s Creed, Spec Ops: The Line, Metal Gear Solid, and Grand Theft Auto as visual culture. She currently serves as Provost of Porter College, UCSC.
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