NBN Book of the Day

What would the Enlightenment look like if we viewed it through the eyes of the philosophers as they were facing death? Joanna Stalnaker turns our usual perspective on the Enlightenment on its head, bringing to light a set of works written at the end of the Old Regime and at the end of their authors’ lives. These works, all written before the French Revolution, cast a retrospective glance over the intellectual movement their authors participated in, and over the authors’ own lives and works. Stalnaker shows that the beauty of these works stems from their authors’ efforts to give literary form to the materiality and fragility of their dying bodies. As they reflected on writing as a means of reaching posterity, Enlightenment philosophers embraced the possibility that neither their names nor their writings would survive long beyond the decomposition of their bodies. They inscribed the silence and nothingness of death into their last works.

Stalnaker’s book The Rest Is Silence: Enlightenment Philosophers Facing Death (Yale UP, 2025) unsettles reigning interpretations of the Enlightenment as a precursor to our modernity and shows its protagonists at their moments of fragility and doubt, capturing their sense of an ending rather than the confidence in a glowing future so often attributed to them.

Joanna Stalnaker is professor of French at Columbia University. She is the author of a prizewinning first book, The Unfinished Enlightenment: Description in the Age of the Encyclopedia. She lives in New York City.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

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Revolutionary New York: 250 Years of Social Change (SUNY Press, 2026), edited by Bruce Dearstyne and published by SUNY Press, examines what the volume calls the “unfinished revolutions” of the Empire State. In sixteen essays by a varied cast of authors, the book explores efforts to achieve what the editor describes as the full promise of the revolution. Central to the book are ordinary New Yorkers who faced great challenges, such as the Oneida who tried to maintain sovereignty in the era of the American Revolution, women winning the vote, and African American soldiers who served in the United States Army in World War I. Together, Dearstyne writes, they tell a story of “the two-and-a-half century struggle to realize the Revolution’s ideals and bring increased freedom and opportunities to marginalized populations.”

Dearstyne is the editor of this volume and the author of several books, including The Spirit of New York: Defining Events in the Empire State’s History and The Crucible of Public Policy: New York Courts in the Progressive Era.

Robert Snyder, interviewing for the New Books Network and the Gotham Center for New York Cit History, is professor emeritus of Journalism and American Studies at Rutgers University. He is the author of When the City Stopped: Stories from New York’s Essential Workers (Cornell, 2025), winner of the Fiorello LaGuardia Book Prize. rwsnyder@rutgers.edu
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In Singapore, the financial center of Southeast Asia, hyperurbanization and commercial development exist alongside enduring belief in the economic power of ghosts: in their ability to control the flows of money and value and to determine the outcome of investments and wagers. Spectropolis: The Enchantment of Capital in Singapore (U Minnesota Press, 2025) explores the unlikely collusion of these two systems, demonstrating both the productive role of popular beliefs in the modern world and the surprising correlations between “late” capitalism and the workings of the spirit realm. Detailing the logic and practices of Singapore’s ghost economy—from performing exorcisms on real estate development sites to offering money and commodities to the dead as a hedge against precarious real-world transactions—Joshua Comaroff shows how speculative finance, largely governed by chance and volatility, is understood via its inherently spectral qualities. Based on detailed case studies and years of extensive fieldwork, Spectropolis argues for the power of popular belief systems to theorize contemporary socioeconomic conditions and to give form to collective affect as well as shared aspirations and anxieties, often in deeply hopeful, horizontal and empowering ways.

Joshua Comaroff is the assistant professor of architecture at the National University of Singapore. He is coauthor of Horror in Architecture: The Reanimated Edition (Minnesota, 2024).

Alyssa Kee recently finished graduate studies at the University of Vienna. Her research interests lie in urban geography, multispecies ecologies, and urban food assemblages. She is currently in the field of Geographical Education.
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The COVID-19 pandemic delivered its first and most devastating strike in the United States in New York City in the Spring of 2020. Closely connected to the world by air travel, with a virus able to circle the globe in a single flight, and with a population always living life largely in public spaces, sickness swept through the city, with the daily death toll reaching, at its worst point in April 2020, almost 800 persons per day.

In When the City Stopped: Stories from New York’s Essential Workers (Cornell UP, 2026) author Robert W. Snyder offers readers the voices of 45 New Yorkers, recorded in real time during the pandemic, people whose names we would likely not know or recognize. Snyder centers the “oral histories” of these 45 -- transit workers, ambulance drivers, grocery store clerks, firefighters, police officers, “deliveristas” of take-out food, nurses, and doctors. These 45 also speak for thousands of others, the people we came to know as “essential workers.” They could not work from home. They showed up to do their jobs every day during the most dangerous weeks of early Spring 2020, and beyond. Their dedication cost some of them their lives, but their courage, perseverance, and endurance ensured that the city and its people would be saved, in the author’s words, “from the bottom up.”

This interview was conducted by James Melchiorre, a journalist, documentary producer, and teacher of English as a Second Language. Melchiorre lives in New York City.
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In Rwanda's Genocide Heritage: Between Justice and Sovereignty (Duke UP, 2025), Delia Duong Ba Wendel contends with the forms of justice and sovereignty enacted through sites of violent memory. Drawing from oral histories and a visual archive of memory work after the 1994 genocide in Rwanda, she explores the human rights and government priorities that preserved killing sites and victims' remains for public display. Rwanda's genocide memorials exemplify a global phenomenon that Wendel terms trauma heritage, wherein hidden or unrecognized violence is spatialized--made visible in public space--to demand justice and recognition. She argues that trauma heritage innovates on the form histories take by "writing" them into landscapes, constituting a reparative historiography from the Global South. Among those sites, Rwanda's genocide heritage comprises exceptionally visceral sites of truth-telling that highlight the politics of a past made present. Wendel demonstrates that such sites of memory require reckoning with the ethical and political dilemmas that arise from viewing violence as forms of repair and control.
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