NBN Book of the Day

In Singapore, the financial center of Southeast Asia, hyperurbanization and commercial development exist alongside enduring belief in the economic power of ghosts: in their ability to control the flows of money and value and to determine the outcome of investments and wagers. Spectropolis: The Enchantment of Capital in Singapore (U Minnesota Press, 2025) explores the unlikely collusion of these two systems, demonstrating both the productive role of popular beliefs in the modern world and the surprising correlations between “late” capitalism and the workings of the spirit realm. Detailing the logic and practices of Singapore’s ghost economy—from performing exorcisms on real estate development sites to offering money and commodities to the dead as a hedge against precarious real-world transactions—Joshua Comaroff shows how speculative finance, largely governed by chance and volatility, is understood via its inherently spectral qualities. Based on detailed case studies and years of extensive fieldwork, Spectropolis argues for the power of popular belief systems to theorize contemporary socioeconomic conditions and to give form to collective affect as well as shared aspirations and anxieties, often in deeply hopeful, horizontal and empowering ways.

Joshua Comaroff is the assistant professor of architecture at the National University of Singapore. He is coauthor of Horror in Architecture: The Reanimated Edition (Minnesota, 2024).

Alyssa Kee recently finished graduate studies at the University of Vienna. Her research interests lie in urban geography, multispecies ecologies, and urban food assemblages. She is currently in the field of Geographical Education.
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The COVID-19 pandemic delivered its first and most devastating strike in the United States in New York City in the Spring of 2020. Closely connected to the world by air travel, with a virus able to circle the globe in a single flight, and with a population always living life largely in public spaces, sickness swept through the city, with the daily death toll reaching, at its worst point in April 2020, almost 800 persons per day.

In When the City Stopped: Stories from New York’s Essential Workers (Cornell UP, 2026) author Robert W. Snyder offers readers the voices of 45 New Yorkers, recorded in real time during the pandemic, people whose names we would likely not know or recognize. Snyder centers the “oral histories” of these 45 -- transit workers, ambulance drivers, grocery store clerks, firefighters, police officers, “deliveristas” of take-out food, nurses, and doctors. These 45 also speak for thousands of others, the people we came to know as “essential workers.” They could not work from home. They showed up to do their jobs every day during the most dangerous weeks of early Spring 2020, and beyond. Their dedication cost some of them their lives, but their courage, perseverance, and endurance ensured that the city and its people would be saved, in the author’s words, “from the bottom up.”

This interview was conducted by James Melchiorre, a journalist, documentary producer, and teacher of English as a Second Language. Melchiorre lives in New York City.
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In Rwanda's Genocide Heritage: Between Justice and Sovereignty (Duke UP, 2025), Delia Duong Ba Wendel contends with the forms of justice and sovereignty enacted through sites of violent memory. Drawing from oral histories and a visual archive of memory work after the 1994 genocide in Rwanda, she explores the human rights and government priorities that preserved killing sites and victims' remains for public display. Rwanda's genocide memorials exemplify a global phenomenon that Wendel terms trauma heritage, wherein hidden or unrecognized violence is spatialized--made visible in public space--to demand justice and recognition. She argues that trauma heritage innovates on the form histories take by "writing" them into landscapes, constituting a reparative historiography from the Global South. Among those sites, Rwanda's genocide heritage comprises exceptionally visceral sites of truth-telling that highlight the politics of a past made present. Wendel demonstrates that such sites of memory require reckoning with the ethical and political dilemmas that arise from viewing violence as forms of repair and control.
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From Pulitzer and National Book Award finalist Anand Gopal, an epic and enthralling account of six Syrians fighting for a better world, in the tradition of classic works by Philip Gourevitch and Katherine Boo.In 2011, in a northern Syrian city, a small group of men and women began a movement that overthrew a brutal dictatorship. For the next eighteen months, many of the citizens of Manbij carried out one of the most remarkable experiments in democracy in modern times.Days of Love and Rage (Viking, 2026) details the powerfully intimate narratives of the men and women who led this struggle, and who experienced the highs of camaraderie and the lows of betrayal. Among them: a pair of best friends torn apart by political polarization, a mother who stands up to male dominance, and a worker who risks everything for the dream of equality.Anand Gopal immerses you in the world of a single city in the throes of revolution, and lays bare the danger that inequality poses to democracy. But this book transcends the particulars of one terrible conflict to tell the broader story of rising authoritarianism in our times. Days of Love and Rage has the force, sweep, and artistry of a great novel, and is ultimately a story of our enduring human need for dignity and hope.

Anand Gopal is a writer for The New Yorker. He is the author of No Good Men Among the Living and writes about democracy, inequality, and conflict.

Recommended Books:

Loubna Mrie, Defiance

Walter Ang, Orality and Literacy

Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.
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You can stock your life with important work, relationships, activities, and art, and yet, you can still ask: what's the point of it all? Almost every thinking person has had that question—many more than once. Granted, you're more likely to worry about the point of life when things are not going well, but you're also likely to still ask this question when you've finally received that promotion, achieved a goal, or raised your children—exactly when it seems like the question shouldn't arise. 

In The Meaning of It All: Ultimate Meaning, Everyday Meaning, Cosmic Meaning, Death, and Time (Oxford University Press, 2026), Rivka Weinberg argues this is because there are different kinds of meaning, and some of them, sadly, are impossible to achieve. She explains what they are, illuminates which types of meaning are possible, which are impossible, and shows us how we might orient our lives in light of these bittersweet truths. Although we all die in the end, Weinberg explains why death doesn't make life more or less meaningful. Instead, it is time that is necessary for meaning, even as it also undermines it by wearing away the fruits of our efforts and commitments. Weinberg shows that most advice on how to reduce the agony of time's erosions cannot work. However, she also shows how we can tease out some insights from failed attempts to escape time's wounds and thereby make progress toward coping with things as they are. A meaningful life is one lived in the fullness of time, accepting suffering, acknowledging our tragic losses and limitations, and making the most of Everyday Meaning.
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