NBN Book of the Day

Despite there being more than 16 million disabled people in the UK today, disability rarely features in mainstream accounts of our past. That absence is not down to a lack of evidence: it is a forgotten, suppressed history – the result of deliberate choices about whose histories matter. This remarkable book rectifies this.
Disability: A History of Resistance (Random House, 2026) is a story of resistance and ingenuity, full of people who refused to be silenced or pitied. We meet the labourer who fights accusations in court that he’s faking his disability, and wins; the painter who signs her royalty miniatures ‘without hands’; and the one-armed textile worker who turned his injury into reform. We see how disabled people have rallied together to demand equality – fighting for their right to lead ordinary lives like everybody else.
This is a story not of progress led by doctors or philanthropists, but an extraordinary ground-up history of ordinary people demanding dignity and justice. By putting disabled people back into our national story, David Turner reveals a fuller and richer history of modern Britain than ever before.

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Sandwiched between the long period of French colonization, and the brief return to the French empire before the Americans enter the scene, the Spanish period of Louisiana's history is often ignored by historians. Yet, according to University of North Alabama historian Frances Kolb Turnbell, scholars of Vast Early America and the American West ignore this three decade period at their own peril. In Spanish Louisiana: Contest for Borderlands, 1763-1803 (LSU Press, 2024), Turnbell argues that the Spanish period of Louisiana's history is a prime example of historical contingency. The people - Black, white, Indigenous, and the many who straddled such categories - assumed the colony would stay in Spanish hands indefinitely, and made choices based on that assumption. The actions of Native people or American traders only make sense through this specific and contextual lens. And although this Spanish period did come to a close, its legacy endured well into the American period of the region's history. An excellent example of borderlands history, Turnbell's book urges scholars to reevaluate the history of the American West during the revolutionary period to uncover what else may have been missed beneath the Mississippi's murky waters and lush bayous.

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Beneath the Wage: Tips, Tasks, and Gigs in the Age of Service Work (Princeton UP, 2026) retheorizes capitalism from the perspective of the service economy, challenging conventional assumptions about how work is waged, regulated, managed, and automated Today, 80 percent of U.S. workers do service work, from delivering takeout to mopping floors to teaching. Each time we are handed a bag of groceries or a cup of coffee, call for a cab or have our homework graded, we confront both the enormity and the intimacy of the contemporary service sector. Do these jobs have anything in common? Who is doing this work? And what kind of labor politics does it generate? If service work has often been treated as a footnote to modern capitalism, Beneath the Wage reveals it as crucial to understanding how exploitation functions today. Uncovering a history that runs from eighteenth-century servants to present-day gig workers, Annie McClanahan retheorizes capitalism from the perspective of the service economy, challenging conventional assumptions about how work is waged, regulated, managed, and automated. Assembling a diverse set of sources for understanding and reimagining service work—from reality television and conceptual poetry to novels and workers’ own descriptions of what they do—McClanahan explores three paradigmatic types of contemporary service labor: superexploited tipwork, deskilled clerical microwork, and informalized gigwork. She shows how work done “beneath the wage” depends on racialized and gendered forms of economic domination, is often excluded from labor organizing and regulation, and yet has begun to generate a new politics of social reproduction and solidarity.
Annie McClanahan is Associate Professor of English at UC Irvine. Her first book, Dead Pledges: Debt, Crisis, and 21st Century Culture explores how U.S. culture responded to the collapse of the financialized consumer credit economy in 2008. She has published on topics like the rise of microeconomics and methodological individualism, the cultural history of economic stagnation, so-called “neoliberalism” and the history of the university, and the politics and theory of sexwork.

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For as long as human societies have been telling stories, the patriarchy has felt threatened by women. In this book, Eleanor Johnson provides an engaging cultural history of a figure she calls the “monstrous bitch,” the notorious female who has haunted the patriarchal imagination for centuries, feared for her sexual promiscuity, her exercise of reproductive agency and control, and her outspoken way of contesting patriarchal power.

In a narrative brimming with insight, Johnson traces the origins of female monstrosity to the demoness Lamashtu of ancient Mesopotamia, showing how this infanticidal, hypersexual, loudmouthed monster appears in different guises throughout history. In classical Greece, she reemerges as the sorceress Medea, the child-devouring monster Lamia, and the vengeful Furies. In the medieval and early modern periods, she is an oversexed, baby-slaying, spellcasting witch; in the Romantic and Victorian eras, a vampiress; and in the modern age of psychoanalysis, a mental patient. After this longue durée history, Johnson shows how monstrous bitchery has been challenged and reinterpreted in contemporary cinematic popular culture, becoming an expression of heroism and resistance in films like Ginger Snaps, Jennifer’s Body, and The Witch. She demonstrates how deeply embedded the roots of misogyny have become, and why it is more critical today than ever that we expose and address them.

An irreverent look at a pervasive trope that runs through four thousand years of Western culture, Monstrous Bitch: A History of Terrifying Women (Princeton UP, 2026) reveals that while representations of the powerful woman have evolved over time, the fear and demonization of her remains the same.
Eleanor Johnson is professor of English and comparative literature at Columbia University. Her books include Scream with Me: Horror Films and the Rise of American Feminism (1968–1980); Waste and the Wasters: Poetry and Ecosystemic Thought in Medieval England; Staging Contemplation: Participatory Theology in Middle English Prose, Verse, and Drama; and Practicing Literary Theory in the Middle Ages: Ethics and the Mixed Form in Chaucer, Gower, Usk, and Hoccleve.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.

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How AI is rewiring our social fabric—and how we can better shape our future.

The age of AI is not what you think. Rather than ushering in a fourth Industrial Revolution, AI has become a crucial social infrastructure of everyday life. It's embedded in the tools, platforms, and systems that organize our most intimate lives and our interactions with the most fundamental institutions of society, from government agencies to banks and schools. In these linkages are embedded assumptions about who we are, what we can do, and where we belong.

In Predicted: How AI Is Restructuring Social Life (U California Press, 2026), Mona Sloane offers a pragmatic framework for understanding these transformations around prediction, classification, and linearity, proposing that we think about AI as a social arrangement that we coproduce. Drawing on over a decade of empirical research and real-world examples, this book invites us to see AI for what it is: deeply social, deeply political, and open to change. Clear-eyed and provocative, Predicted is a call to reclaim deliberations about progress and innovation as a public good and to ensure that the futures we chart are the ones we choose—together.

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