NBN Book of the Day

For over a century, Alfred Hitchcock has remained one of cinema's
most influential directors. Known as the Master of Suspense, this
visionary filmmaker directed more than fifty films over six decades. His thriller The Lodger (1927) marked the start of his signature style, which was later exemplified in classic films like Vertigo (1958), North by Northwest (1959), Psycho (1960), and The Birds (1963).

Hitchcock's work received tremendous success and critical acclaim. While he never won the competitive Academy Award for Best Director, he received five Oscar nominations, two Golden Globes, the Irving G. Thalberg Memorial Award, a BAFTA Fellowship, multiple lifetime achievement awards, and two stars on the Hollywood Walk of Fame. Nine of his films are preserved in the United States National Film Registry. His mastery of tension, innovative camera techniques, and psychological depth continue to inspire and influence modern filmmakers such as Christopher Nolan, Jordan Peele, and Bong Joon Ho.

Drawing on new archival research, previously unpublished interviews, and a rigorous examination of key biographies, A Century of Hitchcock: The Man, the Myths, the Legacy (University Press of Kentucky, 2026) challenges the long-standing narratives that have shaped Hitchcock's legacy. Author Tony Lee Moral revisits controversial claims regarding Hitchcock's alleged abuses, scrutinizing biographer Donald Spoto's interpretations—particularly Spoto's portrayal of the director's relationship with actress Tippi Hedren. With his analysis of Spoto's 1980 interview of Hedren, Moral reveals for the first time how one key document contradicts decades of exaggeration.

In this comprehensive reappraisal of Hitchcock's career, Moral encourages readers to explore the complexities of creative collaboration and the risks of relying on a single biographical narrative. Marking one hundred years since Hitchcock's first film, The Pleasure Garden, and fifty years since his last film, Family Plot,
Moral reexamines the director's cinematic brilliance, storytelling
mastery, creative partnerships, and controversies, offering a fresh
perspective on Hitchcock's legacy in the post-#MeToo era.

Tony Lee Moral is a British filmmaker and author who specializes in film history, especially the work of Alfred Hitchcock. He is the author of Hitchcock and the Making of Marnie, The Making of Hitchcock's The Birds, The Young Alfred Hitchcock's Moviemaking Master Class, and Alfred Hitchcock Storyboards.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th- and 19th-century British Literature. 
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Erica Bornstein, Professor of Anthropology at the University of Oregon (and Divisional Associate Dean), has a new book that delves into the regulatory reforms within the nonprofit sector in India. These reforms transpired over more than a decade, and Bornstein spent extended time developing this ethnographic study of not only the changes, but the institutional structures that manage nonprofit organizations and how the various regulatory decisions are made. The research explores the ways in which these changes happened, exploring the various actors within the discussions, and evaluating the process of change within the nonprofit sector in India. A Revolution of Rules: The Regulatory Reform of India’s Nonprofit Sector (Stanford UP, 2025) is a deeply researched undertaking, paying attention not only to the shifts and changes that were happening in New Delhi, at the seat of the national government, but also in towns and communities in other parts of India, where similar dialogue and processes were also happening, and where the results of so many of these changes could be seen as they moved into implementation. In order to think through the analysis in A Revolution of Rules we must also think about the nonprofit sector as a significant part of political structure in India (and elsewhere). As we discuss in our conversation, there are essentially three sectors, the government or the public sector, the private sector, and the nonprofit sector. Each sector is managed differently and operates towards different ends. But part of the role of the nonprofit sector is to provide capacity where the public sector may not be able to or is not able to fulfill demands.

This space, where the rules and regulations are being revised, reformed, and rewritten is where, in a very interesting way, democracy is happening. These are civil society organizations, embedded within the structure of political and economic outcomes, but distinct from both sectors. Since these groups are not aiming at making a profit, the regulatory regime is in a kind of counterpoint to capitalism, and thus in need of different kinds of rules regimes. This is where various stakeholders are coming together to negotiate with each as to how best to manage nonprofits, which are not all the same by any measure, and have different goals, different funding streams, different processes, and different policy formats. This makes the process of regulation complex, since there are constellations of parts that fall under differing kinds of management.

This undertaking, designing modes of regulation and policy processes, is not an exercise in creating red tape as much as it is designing processes to achieve important goals and capacities. Bornstein explains that writing policy of this kind, that writing laws is actually writing the future, or as she notes in the book, “writing the horizon”—writing what will happen. With this in mind, A Revolution of Rules: The Regulatory Reform of India’s Nonprofit Sector provides the reader with a fascinating exploration of how these organizations operate and how they can best be managed, especially with the aim of achieving benefits for individuals and society as a whole.

Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe Volume I: The Infinity Saga (University Press of Kansas, 2022), and of The Politics of the Marvel Cinematic Universe Volume II: Into the Multiverse (University Press of Kansas, 2025) as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social
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From Ghostbusters to Will & Grace, One Day at a Time to Jurassic Park, the past decade has seen Hollywood reach a new peak in its obsession with reboots, remakes, and revivals. Spearheaded by media giants like Disney and Netflix, these projects promise progress—more diverse casts, “timely” social commentary, and redemptive nostalgia—yet they often reproduce the very inequalities they claim to address.Rebooting Inequality: Critical Takes on Film and Television Remakes (NYU Press, 2026) brings together twelve concise, theoretically rich essays that interrogate how Hollywood’s recycling of intellectual property sustains entrenched systems of racial, gender, and sexual inequality. Across genres and platforms, contributors explore how the industry’s nostalgic return to familiar stories masks an ongoing reliance on white, patriarchal, and heteronormative frameworks of storytelling and production.Blending critical race, feminist, and media studies, the collection analyzes dozens of recent film and television revivals, remakes, and reboots from Roseanne to Charlie’s Angels to ask what it means when entertainment markets strive for diversity while leaving the structures of inequality intact.Accessible yet deeply analytical, Rebooting Inequality exposes how nostalgia has become both a marketing strategy and a political tool, revealing how the “new” Hollywood continues to reanimate the past—profitably, repeatedly, and unequally.
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Kate Brown, Distinguished Professor in the History of Science at MIT joins Michael Stauch to discuss her new book Tiny Gardens Everywhere: The Past, Present and Future of the Self-Provisioning City (W. W. Norton, 2026) on the 300-year history of urban gardening, from feudal England to the Paris Commune, to Berlin’s green shantytowns, to contemporary Amsterdam, Chicago, and beyond. Equal parts history, memoir, and manifesto, Brown’s book weaves in her own gardening experience while exploring the political and practical, painting a picture of the necessity of self-provisioning in an increasingly chaotic world.

Highlights include:

How “tiny gardens” grew as a social practice among English peasants following the enclosure of the commons;

The politics of “tiny gardens,” including the difference between a “gardening” state and a gardeners state;

How Black “tiny gardeners” in DC’s East of the River neighborhood transformed structural racism into vegetable-powered wealth;

A short-but-scathing review of Yuvel Harari’s Sapiens;

How small changes to local ordinances in cities might allow us to reimagine a world of abundance amid contemporary fears of scarcity and instability.

Guest: Kate Brown is Distinguished Professor in the History of Science at MIT and author of four previous prize-winning books, including A Manual for Survival: A Chernobyl Guide to the Future, a finalist for the National Book Critics Circle award. She currently plants her gardens in Cambridge, Massachusetts, and in Vermont.

Host: Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025.
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Most of us today would assume that morality and ethics, being value propositions, are questions for inspired leaders, religious creeds, poets—in other words, for the humanities. But what if I told you that we can construct a system of ethics and morality by studying math—more specifically: the laws of thermodynamics? That’s what Professor Drew M Dalton argues in his latest book. Dalton traces a line of metaphysical inquiry from Kant through Spinoza, Nietzsche, and others up to today to show how we get from E=mc2 to a full-throated call to resist evil and alleviate suffering to our very last breath.

By overturning our assumptions about the nature and value of reality, The Matter of Evil: From Speculative Realism to Ethical Pessimism (Northwestern UP, 2024) presents a provocative new model of ethical responsibility that is both logically justifiable and scientifically sound. Dalton argues for “ethical pessimism,” a position previously marginalized in the West, as a means to cultivate an account of ethical responsibility and political activism that takes seriously the unbecoming of being and the moral horror of existence.

Drew M. Dalton is a professor of English at Indiana University, having received his Ph.D. in Philosophy from the University of Leuven in Belgium. His research focuses on the normative implications of different metaphysical systems and, specifically, he’s interested in how questions of right and wrong, good and evil, beauty and pleasure are framed within aesthetics, literary theory, ethics, and political philosophy. He is the author of Longing for the Other: Levinas and Metaphysical Desire (Duquesne University Press, 2009), The Ethics of Resistance: Tyranny of the Absolute (Bloomsbury, 2018), and The Matter of Evil: From Speculative Realism to Ethical Pessimism (Northwestern University Press, 2023).
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