NBN Book of the Day

The violence that spread across Harlem on the night of March 19, 1935 was the first
large-scale racial disorder in the United States in more than a decade and the first
occurrence in the nation’s leading Black neighborhood. However, as many observers
pointed out, the events were “not a race riot” of the kind that had marked the decades
after the Civil War. Racial violence took a new form in 1935.

Through a granular analysis of those events and the mapping of their locations, Harlem
in Disorder: A Spatial History of How Racial Violence Changed in 1935 (Stanford University Press, 2024) reveals that Harlem’s residents participated in a complex new mix of
violence that was a multifaceted challenge to white economic and political power.
Tracing the legal and government investigations that followed, this project highlights
how that violence came to be distorted, diminished, and marginalized by the concern of
white authorities to maintain the racial order, and by the unwillingness of Harlem's Black
leaders and their white allies to embrace fully such direct forms of protest.

Focused on capturing rather than simplifying the complexity of the new form of racial
violence, Harlem in Disorder is a multi-layered, hyperlinked narrative that connects
different scales of analysis: individual events, aggregated patterns, and a chronological
narrative. Its structure foregrounds individual events to counter how data can
dehumanize the past, and to make transparent the interpretations involved in the
creation of data from uncertain and ambiguous sources.

Harlem in Disorder is an award-winning monograph earning recognition as a Finalist for
the 2026 ACLS Open Access Book Prize, Multimodal Category, sponsored by the
American Council of Learned Societies; winner of the 2025 Ángel David Nieves Book
Award for Best Monograph, sponsored by the American Studies Association Digital
Humanities Caucus; Honorable Mention for the 2025 Mary L. Dudziak Digital Legal
History Prize, sponsored by the American Society for Legal History, and Honorable
Mention for the 2025 Open Scholarship Award, sponsored by the Canadian Social
Knowledge Institute.

Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State
University. Her most recent writing appears in the edited collection: From Rights to
Lives: The Evolution of the Black Freedom Struggle.
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Ctrl+Alt+Doubt: Decoding the Language of Online Conspiracy Talk (Oxford UP, 2026) offers a new way to understand why conspiracy theories grow and persist. Rather than treating them as cognitive errors, psychological pathologies, or products of echo chambers, Rao and Greve analyze conspiracy theories as linguistic constructions, that is as stories built from recognizable semantic patterns. Drawing on cases from COVID-19 and the Black Lives Matter protests, Rao and Greve show that conspiracy theorizing is a form of bricolage. People tinker with cultural fragments to craft explanations that reduce uncertainty and threat. New conspiracy beliefs are most likely to take hold when they are linguistically close to beliefs people already hold. The book traces how conspiracy theories spread through superspreaders, fear-laden language, bots, and shared hashtags, revealing conspiracy theorizing as a form of proto-coordination that generates community, amplifies outrage, and enables collective sensemaking among opponents of social movements.
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Participation in official governmental institutions and activities
has declined dramatically. Americans are less inclined to express trust
in, or cooperate with, political leaders and each other to address
society's most pressing problems. In Neighborhoods Matter: How Place and People Affect Political Participation (NYU
Press, 2026), Carrie LeVan explores this growing crisis in civic
engagement, arguing that where we live—and the people who live around
us—may be to blame.

Drawing on national surveys, census data, and spatial analysis, LeVan demonstrates how neighborhood design can dramatically impact political participation, including people's desire and ability to vote in local, state, and national elections. She argues that the suburbs, which isolate residents, require driving, and are zoned for single-use, do not provide an effective infrastructure for civic engagement. However, cities, which are often designed to be walkable, more interactive, and are zoned for mixed-use, provide a supportive environment where people and politics can thrive.

Ultimately, LeVan underscores how neighborhoods that support interaction, competition, collective action—and even conflict—can support greater civic engagement and political participation. Neighborhoods Matter highlights the connection between politics, people, and place, calling for good suburban and urban design that can support a vibrant and engaging civic life.
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The
sense of smell is often linked to the dark, the antisocial, the
primitive—the very opposite of modernity and progress. Today we live
in an almost odorless world, where everything is reduced to images. Yet
smell plays a vital role in how we relate to others and our
surroundings, forming our experiences and our memories. Tracing a
history of smell from the first ancient cities, through medieval plagues
and the Industrial Revolution to the present day, Smell: The Tale of a Fading Sense (Reaktion,
2026) is a tribute to the sense of smell in all its beauty and disgust.
Along the way, Bjørn Berge introduces us to twenty iconic scents—from
blood and soil to the ocean—and invites readers to reflect on and
reawaken their senses.

This interview was conducted by Dr. Miranda Melcher whose book
focuses on post-conflict military integration, understanding treaty
negotiation and implementation in civil war contexts, with qualitative
analysis of the Angolan and Mozambican civil wars. You can find
Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. 
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Owning My Masters (Mastered) is a digital archive of original rap music and spoken word poetry containing two volumes of music, an annotated timeline, videos, and a digital book. In this project, A.D. Carson exposes the artificial boundaries imposed on understood ideas about knowledge production in academia by employing hip-hop creative and compositional practices to interrogate ideas of citizenship, history, historical imagination, race, home, and humanness. Using sampled and live instrumentation and repurposed music, film, and news clips, an introductory video, and original rap lyrics, heoffers a new examination of how to create theory through hip-hop.

The unmastered album was originally submitted to Clemson University in South Carolina as the author’s dissertation, composed against the backdrop of the growing unrest across the U.S. and the world in response to the public attention to the deaths of Black people, many at the hands of police and vigilantes. As such, the songs highlight outlooks on Black life in America—on campuses and in communities across the country—and how they fit with geographic and temporal place and space. For this publication, the tracks have been mastered, and Carson has written a new introduction to contextualize and reflect on the moment in which the songs were written. It is a 2026 ACLS Open Access Multimodal Book Prize Finalist.

Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle.
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