NBN Book of the Day

Rapa Nui, known to Western cultures as Easter Island for centuries, has long been a source of mystery. While the massive stone statues that populate the island’s landscape have loomed in the popular Western imagination since Europeans first set foot there in 1722, in recent years, the island has gained infamy as a cautionary tale of eco-destruction. The island’s history as it’s been written tells of Polynesians who carelessly farmed, plundered their natural resources, and battled each other, dooming their delicate ecosystem and becoming a warning to us all about the frailty of our natural world.

But what if that history is wrong?

In The Island at the Edge of the World: The Forgotten History of Easter Island (Bloomsbury, 2025), archeological writer and scholar Mike Pitts offers a direct challenge to the orthodoxy of Rapa Nui, bringing to light new research and documents that tell a dramatic and surprising story about what really led to the island’s downfall. Relying on the latest archaeological findings, he paints a vastly different portrait of what life was like on the island before the first Europeans arrived, investigating why a Polynesian people who succeeded for centuries throughout the South Pacific supposedly failed to thrive in Rapa Nui. Pitts also unearths the vital story of one of the first anthropologists to study Rapa Nui, an Oxford-trained iconoclast named Katherine Routledge, who was instrumental in collecting firsthand accounts from the Polynesians living on Rapa Nui in the late nineteenth and early twentieth centuries. But though Routledge’s impressive scholarship captured the oral traditions of what life had been like pre-1722, her work was widely dismissed because of her gender, her reliance on indigenous perspectives, and her conclusions which contradicted her historical peers.

A stunning work of revisionism, this book raises critical questions about who gets to write history and the stakes of ignoring that history’s true authors. Provocative and illuminating, The Island at the Edge of the World will change the way people think about Easter Island, its colonial legacy, and where the blame for its devastation truly lies.

Mike Pitts is a writer and broadcaster, archaeologist and former museum curator. His books include A Fairweather Eden: Excavations at Boxgrove, Hengeworld, Digging for Richard III, Digging up Britain, and How to Build Stonehenge. He has also written for almost all of the important British newspapers - the Guardian, Observer, Times, Sunday Times, Telegraph, New Scientist, BBC History Magazine, Spectator and other papers and magazines - and conduct original research and publish in peer-reviewed journals. He also edited British Archaeology magazine for 20 years and is a Fellow of the London Society of Antiquaries.

Sidney Michelini is a post-doctoral researcher working on Ecology, Climate, and Violence at the Peace Research Institute of Frankfurt (PRIF).
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Forging a Mexican People: Collective Subjectivities in Postrevolutionary Print Culture, 1917–1968 (University of Arizona Press, 2026) shows how illustrated print culture helped to construct and deconstruct versions of “a people” in postrevolutionary Mexico.

Through meticulous research, Dr. Pablo Zavala uncovers the ways photographers, graphic artists, writers, and activists used print culture to challenge hegemonic conceptions of state-guided narratives and forge alternative collective subjectivities. This book offers a fresh perspective on the sociopolitical landscape of postrevolutionary Mexico, revealing how cultural artifacts simultaneously crafted and reflected the people vis-à-vis different political and social categories. By examining print culture, editorial practices, and related processes such as the creation, consumption, and distribution of said culture, Dr. Zavala’s research contributes to scholarship that has recently reexamined the construction of nationalism by moving away from the focus on state formation and addressing the horizontal and aesthetic dimensions in products by cultural producers from nonstate and grassroots political sectors.

Dr. Zavala examines the conceptual parameters of el pueblo by analyzing El Universal Ilustrado, El Machete, the Taller de Gráfica Popular, the protest graphic art used in Mexico City’s 1968 popular student movement, and graphic art used in California’s Chicano farmworkers’ struggle. Based on in-depth archival research, the work includes primary sources that have never been digitized, offering readers unique insights into the visual manifestations of Mexico’s postrevolutionary identity and their enduring significance.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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The introduction of the principle of women's reproductive liberty in France, tentatively by the family planning movement after 1960 and explicitly by the women's liberation movement after 1970, marked a deep shift, transforming public discourses. Yet this principle remained fiercely contested, and moderate and conservative actors responded by foregrounding notions of 'reproductive responsibility', or the expectation that individuals perform the 'right' sexual and family-making behaviour, benefiting not only themselves and their families, but the nation at large. Such responsibilisation underpinned the legal reforms of the 1960s-70s, framing a notion of reproductive citizenship based on a tension between individual rights and social norms. Reproductive Rights in Modern France: Feminism, Contraception, and Abortion, 1950-1980 (Oxford UP, 2025) breaks new ground by taking an intersectional approach to the defining moments of this period: the legalisation of contraception (the laws of 1967 and 1974) and the liberalisation of abortion (1975, 1979). Drawing on a wide range of sources and actors - including feminist and family planning movements, government actors, demographers, medical-professional organisations, disability rights groups, and key actors in the overseas departments - Maud Bracke demonstrates how the discourse of responsibilisation allowed actors to distinguish between citizens 'worthy' of reproductive rights and those seen as less worthy. Bracke analyses the distinct regulations regarding contraception in the overseas departments of Guadeloupe and Martinique, framed by racialised anti-natalism. The book also demonstrates that disability rights organisations contributed to the discrediting of the notion of 'eugenic abortion', used among experts and policy-makers until the early 1970s. Furthermore, Bracke goes on to highlight the silence in the feminist movement around both disability rights and race as part of its universalisation of women's conditions of oppression, and analyses the emergence of Black Feminism in late-1970s France. In so doing, the book offers a major contribution to the history of sex, gender, family life, healthcare, demography, and political debate in post-war France, and more generally.

Guest Dr. Maud Bracke is Professor of Modern European History at the University of Glasgow, and is also the author of Which Socialism? Whose Detente? West European Communism and the Czechoslovak Crisis of 1968 in 2007 and Women and the Reinvention of the Political: Feminism in Italy (1968-1983) in 2014, as well as the co-editor of Translating Feminism: Interdisciplinary Approaches to Text, Place and Agency in 2021. In addition to authoring numerous journal articles and book chapters and co-editing several special issues of academic journalsb she is also an editor at the Journal of Modern European History and sits on various other editorial boards. 

Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript in progress on posthumanist ecological engagement in the surrealist movement.
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What counts as China, and who counts as Chinese?

China became a capitalist superpower by investing in globalization. Now that it has established its credentials—and emerged as a major US competitor—its leaders are looking within, focused on suppressing dissent and fostering cohesion. The result has been an increasingly nationalist cultural agenda, celebrating a Chinese identity steeped in the mystique of the Middle Kingdom and nostalgia for heroic twentieth-century resistance. Yet Chinese nationalism, like nationalism everywhere, is fraught. Few Westerners, and even fewer Chinese, recognize that the very idea of China is up for grabs. 

Xu Guoqi is the founding director of the Institute of Transnational History of China at the University of Hong Kong, and author of The Idea of China: A Contested History (Harvard UP, 2026)

Lucas Tse is Examination Fellow at All Souls College, Oxford.
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Given the sometimes extraordinary politicization of culture, it is surprising that Sesame Street has gained acceptance and legitimacy in more than fifty countries. Sesame Street's global success raises two questions. First, how does a US icon like Sesame Street spread around the world, gaining acceptance as a local cultural product? Second, how does the nonprofit that created it, Sesame Workshop, and its partners around the world navigate cultural differences, manage conflicts, and construct shared collective representations to create Sesame Street programs that resonate with local audiences?

In Sesame Street Around the World: Culture, Politics, and Transnational Organizational Partnerships (Oxford UP, 2025), Dr. Tamara Kay answers these questions using data from seven years of intensive ethnographic fieldwork and 200 in-depth interviews with Sesame Workshop staff and international partners-including their real-time interactions-from seventeen countries within four regions around the world.

Dr. Kay argues that Sesame Workshop's secret is its engagement in coproduction, meaning it works with partners as a transnational team to create local Sesame Street programs together. Through coproduction, Sesame Workshop and its partners create new collective identities by constructing value to align their interests and exchanging complex cultural knowledge to both customize and build alliances. She traces the successive processes of coproduction, beginning with the imagination of the cultural product, to its disassembly, reconstitution, and dissemination. Coproduction privileges the creation of new knowledge that emerges from transnational interaction, and uses that new knowledge to create a hybrid cultural product. The Sesame Street case grapples with and illuminates culture in transnational interaction, providing insight into a range of other transnational organizational partnerships and different kinds of hybrid cultural products.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day