NBN Book of the Day

The history of sports in Turkey is deeply contested. Over the
decades, journalists, pundits, non-professional historians, sports
scholars, and everyday people have offered competing narratives about
the origins of modern sports in the late Ottoman Empire. In The Ottoman World of Sports: Refashioning Bodies, Men, and Communities in Late Imperial Istanbul (University
of Texas Press, 2026), Murat Cihan Yıldız tells the story of how
Istanbul’s Muslims, Christians, and Jews—gymnastics teachers, football
coaches, weightlifters, journalists, athletes, and fans—created a
gendered and class-stratified civic project that promoted athletics as a
source of fun, beauty, and moral education. Influenced by the emerging
global vogue for organized sports, all boys from the expanding middle
class of the late nineteenth- and early twentieth-century imperial
capital were expected to exercise and compete on the playing field in
order to develop into moral men. Yet even as the embrace of modern
athletics transcended ethnoreligious divisions, it did not erase them.
Drawing on a wide range of archival research in multiple languages,
Yıldız shows that sportsmen created new communal boundaries in team
affiliations, fandom, and sports media. Adeptly reconstructing
Istanbul’s imperial culture as it was experienced more than a century
ago, The Ottoman World of Sports recovers a lived imperial
culture whose defining features were shaped by its multiethnic,
multireligious, and multilingual sportsmen.
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Kathleen W. Taylor Kollman has a new book out that focuses on the reality of women running for president in the United States, and the fictional representations of this idea that we have seen over the past hundred years. The Fictional Female Presidency in Film, Television, and Literature: Representations from 1932 to 2024 (Bloomsbury Academic, 2026) takes up a number of different and intriguing examples of this idea, a woman serving as president, and unpacks the various narratives to help us understand what popular culture may be communicating about this concept and what those narratives may be teaching the audience (viewers or readers). Taylor Kollman comes at her research from a variety of perspectives, including Media Studies, Women’s Studies, Feminist Studies, and American Studies. This makes the research particularly rich – since it explores these ideas from a host of analytical viewpoints, helping the reader to consider different genres (television, film, literature) and different approaches. Undergirding all of this is an interrogation of the idea of women and power, which is a controversial concept for many voters, even if it remains unacknowledged.

Taylor Kollman goes through the decades, with a focus on examples of female presidents in a variety of different cultural artifacts. In tracing this concept through almost a hundred years of different narratives, the research highlights some interesting themes, including the accidental way in which women become president within the fictional framework. One of the points Taylor Kollman makes is that, in all the different genres and contexts, there seems to be something wrong with this idea of a woman as president. Often the characters are presented as deceptive, evil, corrupt, illegitimate, or they are seen as incapable of doing the job and are often torn between work and homelife/family life. In tracing these examples, Taylor Kollman also provides the reader with an understanding of the different iterations (waves) of feminism and feminist thought, as well as noting the various backlashes to feminism. The Fictional Female Presidency in Film, Television, and Literature takes the reader through a host of different examples, fleshing out these feminist and backlash imaginary spaces that focus on women and power.

Another part of the equation, that is often overlooked in the research on this topic, is that there are fewer female film and television producers, directors, and showrunners, thus often constraining the opportunity to present these ideas of woman and power. This also influences the narratives that come before audiences, since women are not generally “trusted” in the same way that men are to helm major film releases with multi-million dollar budgets. This is another form of reality influencing the imaginary, but in a less expected way. The Fictional Female Presidency in Film, Television, and Literature: Representations from 1932 to 2024 takes the reader from Betty Boop for President to Allison Janney as President Grace Penn in The Diplomat and many other fascinating examples of fictional portrayals of women as president of the United States.

Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe Volume I: The Infinity Saga (University Press of Kansas, 2022), and of The Politics of the Marvel Cinematic Universe Volume II: Into the Multiverse (University Press of Kansas, 2025) as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social
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Today I'm speaking with Steven K. Green, Fred H. Paulus Professor of Law and Affiliated Professor of History and Religious Studies at Willamette University. We are discussing his book, American Infidelity: The Gilded Age Battle Over Freethought, Free Love, and Feminism (Oxford University Press, 2026). Since the first permanent Protestant settlement in Jamestown in 1607, Protestant Christianity has waxed and waned through a series of revivals, migrations, and challenges from alternative faiths like Catholicism and Mormonism. The Gilded Age, from roughly 1870 to 1900, was a unique period for Protestantism in American history. Most Americans still subscribed to a Protestant faith, though threats began to arise not from other confessions, but rather from philosophical and scientific challengers. The so-called freethinkers represented a broad range of beliefs and ideas, being united by a mutual skepticism of religious conservatism and traditional sexual and gender mores. American Infidelity tells the story of this tug-of-war for the soul of a nation, with Christianity on one side and the legacy of thinkers like Thomas Paine on the other.

Caleb Zakarin is CEO and Publisher of the New Books Network.
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How is finance changing in the contemporary world? In FinTech Capital: The Digital Transformation of Everyday Money and Finance (Princeton University Press, 2026), Paul Langley, a Professor of Economic Geography at Durham Universityand Andrew Leyshon, a Senior Fellow in the Centre for Economy, Policy and Place, Nottingham Trent University and Emeritus Professor of Economic Geography at the University of Nottingham,
chart the rise of a new form of capitalism in the digital age. Drawing
on detailed case studies from across the world, from familiar everyday
examples such as Klarna to continent-spanning institutions such as Standard Bank,
the book theorises the dynamics of this new moment in global
capitalism. Of interest across the social sciences, the book will be
essential reading for anyone seeking to understand money today.
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Since the inception of the Secret Service Bureau back in 1909, women have worked at the very heart of British secret intelligence - yet their contributions have been all but written out of history. Now, drawing on private and previously-classified documents, leading historian Claire Hubbard-Hall brings their gripping true stories to life in Her Secret Service: The Forgotten Women of British Intelligence (Weidenfeld & Nicolson, 2024).

From encoding orders and decrypting enemy messages to penning propaganda and infiltrating organisations, the women of British intelligence played a pivotal role in both the First and Second World Wars. Prepare to meet the true custodians of Britain's military secrets, from Kathleen Pettigrew, personal assistant to the Chief of MI6 Stewart Menzies, who late in life declared 'I was Miss Moneypenny, but with more power', to Jane Archer, the very first female MI5 officer who raised suspicions about the Soviet spy Kim Philby long before he was officially unmasked and Winifred Spink, the first female officer ever sent to Russia in 1916. In Her Secret Service, Hubbard-Hall rescues these silenced voices and those of many other fascinating women from obscurity to provide a definitive account of women's contributions to the history of the intelligence services.

The book, now in paperback, includes a postscript based on a new treasure trove of documents.

Her Secret Service won the 2025 Dr Polly Corrigan Book prize. The Prize aims to recognise scholarship within the realm of intelligence and security, written by female scholars and/or about women. It encourages scholars to go beyond traditional lines of inquiry and explore how women contributed to and participated in the making of the ‘Secret World’.
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