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[ENTER THE MULTIVERSE]

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[ENTER THE MULTIVERSE]
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  • [IN HIATUS.]
    Competition at the country club; I must admit I haven't had the habit yet Of psyching out the competition But I haven't even had it yet I'm simply always better and ahead (especially in blind audiences and unpaid promotion numbers) Taking out the competition Everything is tailored custom made and never miss an invitation Simple stocks and bonds You've got more toxic numbers Groms, And undercrossed fingers Simple stocks and bongs You don't belong here But you're locked in as a blonde here James bond bandit And Jennifer Anniston's antics (only water and cucumber, Never salt or carbs I'm hardly even made of carbon, You know Ha Ha Ha.) Mr. Always. Mr. Present. Mr. Precise. Mr. Heaven Mr. Rampage Mr. Me, right? Mr. Yeah Right Mr. Maybe Mr. Mistake Mr. Thank You Mr. Please Me Mr. You're late But where's Mr. Headache? But where's the Kardashian? But where's Mr. Be Straight and On Time And Unconscious? And where's Mr. These Days? And where's Mr. Keep a blade in your pocket? Cause you're one to one with the whole lot of Obstacles So there you are again Throw you off your horse? There must be a room for this Or a template. L E G E N D S That leaving you have in your feeling as a heart… Don't want to watch to go but want Want Want Lost the for you wonder don't know Younger water but I Want Want Want Dealing with my broken parts Underground and in the storage room I don't know what's left of earth But last I heard of her The world was broken I want the window the closed But it won't minimize Left the top open Might as well have been the door I used to lock them, But not anymore The whole world is stolen V.o. You know that magic trick where you're bending a spoon with your mind? BLŪ pulls a BAKING SHEET out of the OVEN with a melted plastic spoon on it. This isn't like that at all. HANZEL Yu Vere Bazically Vurking Wit Nazis. Shh! Don't Say that! HANZEL CONT'D (Shrugging dismissively) Vhat. Jew Vere. {Enter The Multiverse} I got six press kits Costs a fee to book a gig Come with me you could get ditched Come to Vegas, Could get Hitched (Real Love!) I don't wanna take your time up, Cause that be some of mine, hun N if you're tryna find fun, Should probably bring the wine Techno but need a nine? No Ten, I am a diamond Stevie, I'm a blind ya Wonder if that's a low blow But none of that's below me Know you know I ain't your homie I'm the only on who know me Not a worry, I believe you— You don't need me,I don't need you Now you See me: No you don't—Hope to see me {Enter The Multiverse} The Complex Collective © [The Festival Project, Inc. ™ ] -Ū.
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  • Lounge Set #2
    Hi, I'm Blū (DJ Ū or simply -Ū.) (pronounced “you”) and you can access my music catalogue on YouTube at https://www.YouTube.com/@thefestival project and my new website www.iamu.guru has a little more information about my project. I am also on Spotify, Amazon, and Apple Music and Tidal as well and you can find the links to those platforms on my linktr.ee/codenameblu {Enter The Multiverse} The Complex Collective © [The Festival Project ™] -Ū.
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  • For Fear of Shadows.
    I want to scream at you But even standing at my shoulder length My eye at your chest. You'd be a million miles away Look what I make of you. I have no mistakes left and still The fate of it is that, You have my gratitude, your gracious And yet they eat away At all the things I have And maybe there'll be more of me For now the morbid days are just as caving in as Any other making that we make of it Don't thank me, Just outrank them. Banking on your every moment Effervescent, tragic endings Waiting on your every scent and center Don't disintegrate just yet And now we enter impact Stand for circumstances Do work faster Horror horror Do you know the motive of her Former engines? Motive, motive Steer the plot or rear the message m Fritter fritter Audiences get disinterested So effing quickly. Would you mild or would you mold Or would you wake to fold the eggs into the bacon, Bread, and then tomato— Would you fear her message? Would you quick forget you're on her planet? Surely safe to know But know but knots And no but not again You bought it with your faux and auctions Hallmark cards And feathers fauxes Don't you know The faucet's only running water Oh you're hard predictable And chlorinated Oh the poison Dripping at your ways And wilting at your guilt The James The reckon gestures Reckon, Avery Severed by the check Or just the ever ending Never get there Message to a friend To just keep going When she ends it It is just another death You'll get on with it In the end Never friends. Never. Good I hate you Could you maybe Find me ugly? That's your money in my Every reaching corner Every angling cent And harsh presentations of Skin that's aging and Wages which haven't Coverage to front the Expenses, Crash diets Go broken Ugly cause you're course Everything fits But still empty on the inside I live in shredded Shambles of service But there's no gratitude My breath is only your own And this bread is my headache I haven't a sermon Or diamond Or unworthy Sex appeal And really only Ever off when Only ever on You're still demolishing the board You're still diminishing the severs Yet you neglected Each and every Crevice of this Never ending friendship— But did I ever mention there is a glass slipper For each and every person ever Just to wish one? Did it ever occur to you The circumstances you are under Live for it Or get lost There's really only porridge in her oven If the gas or turning off or over Don't turn over now The resin's covered in the Corvette. Only cause I had to Sense when is it Blood sense. Get laid Don't flinch Get paid Gold finch Get reckless I call spirits north for dinner South for lunch And up for porridge at breakfast I've passed on I've been awake You're mortal girl The one you're on is Really only such a small pond That I should think To cover up With dirt. Start over. —and Skrillex is just in the corner the whole time playing video games. Worst dream ever. But why's Seth Meyer's mad at me? I'm guessing he always was! He's people are just like that All conservative, conformed— Again, it's not your fault It's just uncomfortable! Again I only ever approached it wanting to know If the l broach l fits But even Lucille Ball won't come if I call her— Probably don't even got the right number Code of arms Or helm of awe, huh. Fuck, man. When's Tonight Show in hiatus Need you off the island, off In Prague And out my anus, Don't remind me I've been Jamie Lee Curtis Just recently enough That I miss it. Ugh. I know, I resent that. Find a line to draw Or fly a kite past I'm past my reckoning Just for tonight, The suffering ends Surely not enough to past the time Before my electrolytes fly in But tonight Just tonight I want to dine in my mind Or die alone Without trying to find the light— The neighbor simply seems to follow it. (At least I got her ought to not slam the door now, Police interventions, There really are cause for those.) What is a warfare! Buy me a checkmark! My question mark seems to go off a lot All for it God, You're remarkable I gift a heart or though I out all my crystals in the Rockerfeller plaza But still held on to an amethyst for Dillon Francis? There those eyes are again; I hate to hurt you North; But I'm no mother board Or mother ship Or Mother Earth Broke my focus long enough to call you up, But sure, I'm just short of even past conscious. Nothing's safe for us, you know. One one to call; No code of conduct– No safety in numbers, or color guard No home, and no love in our times For our kind– We're all here now And the wrong time Is all time. {Enter The Multiverse} Do you see me? I don't not see you. Well. Well. I thought there'd be more having to say. There's nothing to say. Not nothing… Nothing. Huh. —unless you say it. I've nothing to say. Then say nothing. The frog croaks, The oak leafs, The custard leaves its corridors The hark leaps The oath melts, The sworn have sworn To never mark. To no remose, To no remark; The carrier, and carry her— The fierce need, For Vegabonds, For every caper read Amen. All is spoken; And all in thought also in words All is listened And all has heard not in her form Stiff. You're horrified. You're horrifying. Sure, but— Brother— Broken— Nothing that I've never heard before Capable. Half-friend. Northerner. Cape cod. Hamptons. Fair straights. Ancient. Sacred. R I T U A L S LEGENDS: R I T U A L S OH GOD. No! NO! NO! It just keeps going! Thank you! Thank God. I thought it was over. You were invoked. I was implicated. Fun fact: Here's the thing. You were murdered. Ah, gains. Why the fuck do I never get to just choose when this happens? Cause you don't. This isn't fair! I watch 2 segments of— STEPHEN COLBERT enters. *shattered. Shithead. STEPHEN COLBERT enters shattered. —I was shattered when I heard about it. What's that? Never you mind. I didn't— I just— asked. He finds his way to the round table in the center of the dark room. He seems twisted; it's as if he's been blindsided. Capable. And still there's nowhere In here The city we share I can go To make the sound Eager to leave my soul As how I know you. Awkward! Just wait. You've been betrayed! I— know that already. Is this your card? {Enter The Multiverse} GET OFF THE TRAIN. — Lil bitz Fool. Why every time I see you, you look guilty. Why. You never look innocent at all. If something went down — I know it was you. Hide a lie; Can't hide a lie Can't tell a tell Can't roll the ball Can't bowl the strike Can't run at all Can't fool the hare Can't skin the cat Can't dance a bit Don't row the boat Can't play the role Don't know the tune Can't trim the tree Can't hold the bowl Can't kill the fowl Don't tell the tale. Hide a lie. Run a mile Taste the bile Fill the basket Now you're moron Now you're mortal That's immoral Jimmy Fallon —that's a turtle. Tell the lie. Hide the fold. Kill the curse; Sail the ark Fill the void Hate the gap Kill the king Tell the tale Tell a lie Hide the [The Festival Project ™] knife. In for life, or what? Info wars at most. Live to tell the tale? Learn to spike the punch Learn to punch the wall Lean up on the door Learn to most of all Shut the fuck up Keep your mouth shut I love New York Give the bad news Put a smile on Oh you gotta love it I get close to nothing once a month And then come back To pull the puffer out the dragon Goddammit what you want me for I learned another lesson Don't devour her All I wanted was Just a sour odor Give the last call I go heroin blind For heroine times And by the time it all gets darker I will have pulled the plug and written on the wall in Permanent marker. ugh. Fuck you. Fuck The Doors. Fuck your chorus. Fuck your archer. Fuck, you found I. I all for her, Shoot the wombat; —But the door shuts on its own Without it getting harder, now. Don't it? Donut. i don't— Belt buckle. Belt buckle. Belt buckle. Belt buckle. I— Belt buckle. Belt buckle. Belt buckle. Belt buckle. I— Belt Buckle Belt buckle. Belt buckle. Belt buckle. I don't— Belt buckle— Belt buckle. Belt buckle. Okay. I— Belt buckle. Belt buckle. Belt buckle. Belt buckle. I— Belt Buckle Belt buckle. Belt buckle. Belt buckle. I don't— Belt buckle— Belt buckle. Belt buckle. Can I contour? Not even one episode Or epicenter Even for a lonely I got the warning For your magnitude before So what you want It's just a test Pacific coast Or night crawler Nightmare or Nightfall You swore you won't I do desire not a lover But a hand to hold And father for my own So. Shove it up your Probably want a I don't need disaster warning What you wanted Limoncello Light waves And light gave a damn I have a dance I cave to for And there you are Just a horrible oar, Now I row the boat But you don't disaster Nor could you decide to divorce her Even if I ever worked At Art gallery Organizers God, you wore her sweater Just to make it all seem rather backwards If perchance I ran my hand just over All the soft Love in the world Are you not a dozen roses? To far my flames I gave you my heart Flower Done moving Don't moon Did you really pay the neighbor Just to hate me Haven't you heard On our earth There's turf war? So far, white doves But no lost wolves, Poor pigeons, following Of course you were hard wired I hate not once But all times the hurt Each time I struck Sure I want for California And Equinox saunas And then no more do I run the tub! But for now as I soak and the roach prowls, I get my motion under the water, Sure form and no more fire till the moon comes up who rose at dusk? Likely or lite brawl Sire, You care to hard work But you desire awful I was right in all forms Now I die here Your knife and all you are Feels right as blood pours out I want but only suffer Your call could only burden My tie to fall a lark Cries Out In To Her Arms you fall and I desire I desire I now Have a heart to cry I died, sir. You won. How awful. Just a nugget of truth, This window of lies, A mask so broken And yet in the cracks there, my mirror My shadow My hard times Out to work And off to war And what you wanted No, not outside Inside love But nevermind that Now the blood pours out and sweet, I thank to this relief and finally Rest, I. No longer shall I mourn your love to not And know the guilt is slain in you anew, my heart Dear shadow, youth becomes my blood And dear far cry, Dear boy you, Wait to know me in again another There came and withered and your force Now knows mine, Never end and tethered, There I wait, then Now I blood and dreaming, sleeping in Your pure, Decency. I have strike and so wait my end; And you, go on, Now without my voice. A harp. Welcome to Ecuador. What are you doing here? I grow bananas. Every once in awhile I have you over For a cocktail Or five. Every night I tighten my eyes on you, Thoughts. Every space in time Is just a collar Dog A bark. Every time you call I still come over Though you do not want, I opposite. You see, You are time. I see you now, God. I feel your heart, I Can involve My lips quaking Your worried me My fall, right? Why— I belong in your eye, Why, Heart my home, I, Never go. Never not. Bullet to a gun For to wish I'm not awake And to dream though seek, I call And to worry Wishes swimming Thunder rolls and Hard I fall So wait and weather Weather storm And feather. You know I'm locked, and fault Too consumed by news cameras Noise tied around my, Neck your beck and call My battered back And there is she All I am not And movement, You controller Red and virtuous Are thy neither my friend, Nor foe, Nor narrow and the neck, dripping The feet, and defeated I am in my shallow Your wish is my make her I make thy for glory She the golden trophy, Truth, you will not with, These, you will decanter Encounter; or I slay you in my motion I say your name and sheild thy slain And there you are, a force And here she comes, a brain My greying matter; Your Tuesday, Wednesday She fears me not One, two, four blue eyes I'm nothing now Six blondes, four heartaches I rung, you wanted I eat, you shatter I starve, you know me Then in the waste My waist till not your honor And so, I go And she And she And she And she Eighty five and one divine But all are yours And yours are mine So then. We have killed her. And there, she lay slain, And ye, we rejoice And yet, we became To seize, none has not To breathe, yet remains— The truth comes our time, As body decays. Fuck. I don't think that was it. Nevermind. *fixed it . {Enter The Multiverse} The Complex Collective © [The Festival Project ™] -Ū.
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  • seeker. [EP]
    I don't want to feel you I don't want to know you I don't want to lay here By your side As you cry At night I don't want to feel you I don't want to love you I don't want to owe you a letter I don't want to decay you Don't you know That I have Already betrayed you You don't. You don't know anything Your pretty little words are just The fear in my heart [The Festival Project ™ ] Turns out, I only sing when I'm sad I feel bad when I'm in trouble Can't escape but have to smoothie it Stroke the engines But I tend to choke otherwise Nothing right now sounds better than chocolate I suppose I'll settle on Some Simple structure I suppose I'll get along With Why can't I be the girl in the songs that they sing about! Can't get it out of my head But still I sing along As if the skinny pretty Fragile porcelain things They need And sing about Could ever be me She could never be me So I'm evil But she's the straight up devil Yes I strain to smile But rarely do I sprain and ankle I've been praying for departure The city, country is just torture I should really comb my hair though I tend to cry my eyes out Then pretend I'm not But you're pretentious I can't even get a job. {Enter The Multiverse} The Complex Collective © [The Festival Project ™] -Ū.
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  • [0026.]
    Yesterday I jogged 3 miles watching 30 Rock. I don't know where I've gone besides deeper in my mind and somehow further from The Rock itself. Maybe I should turn my treadmill facing west. Running in the direction of Queens is bringing me extreme discomfort. This is at the level of functionality that everything seems impossible. I'm tired from the moment I wake up, and yet struggle to fall asleep, even in the earliest of morning when I know the only quiet in the day will come. Everything is upsetting, and I miss my mantras; But nothing comes but the silence of the brain When I'm not filling the void with sitcom antics and the subtle romance. Tales of a Superstar DJ The Complex Collective © Copyright 2019 [The Festival Project ™] -Ū.
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About [ENTER THE MULTIVERSE]

The Festival Project, Inc.™ is a multidimensional multimedia platform which encompasses exploratory and artistic social personifications and expressions on cosmic theory, spirituality, growth, health & wellness, philosophy and theoretic dynamics in entertainment such as music, design, film, television, radio, dance and festival culture, art, fashion, literature, and science. The Festival Project™ and it's subsidiary Non-Profit, The Collective Complex © aims to challenge modern artistic and philosophical ideals, break commonplace barriers, forage new creative mediums, and provoke inspired and reformed thought and actions toward evolution and overall societal improvement and ecological sustenance through a new-wave and post-modern, avant-garde and philanthropic hyperawareness driven by a unique culture of global values mediating global respect and preservation via open consciousness, multi-sensory and synesthetic (multi-preceptory) expansions of sound, language, vibration, movement, color, emotion, and ritual governed conceptually by the aspect(s) of love, truth, unity, understanding, and peace. Thank you graciously for your time, consideration, understanding, and support. ^.^ To Donate Please Visit,please visit gofundme.com/thecomplexcolletive TRIGGER WARNING! ⚠️ VIEWER, LISTENER, and READER DISCRETION IS ADVISED. ⚠️ This series contains adult content not suitable for children or under the legal age of majority. Listener and reader discretion is advised as this publication and / or broadcast and its selected readings and projected writings may contain explicit language, provocative wordplay, profanity, open expression of suicidal ideation, discussion of evolved/ de-institutionalized theories concerning depression and, psycology mental health, race relations and colorism, socio-economic inequality, political injustice and media politicism/ mass media manipulation, unresearched/undocumented scientific hypothesis , modern philosophical ideals and spiritual explorations, crude/ adult humor and may also include and contain pornographic content, references to fictionalized interpretations of celebrities and/or public figures (fan-fiction), caricatures or references to pop culture, modern art, music, science and other entertainment references which may evoke biased emotion, inspire adverse reactions, contemplative thought, discontentment, or discomfort. The views and opinions expressed by this series and its subsequent editions, additions, chapters, broadcasts, and publications are solely the writers' interpretations as expressed with artistic and entertainment purposes only. The artist reserves all rights to intellectual property maintained and produced by any and all publications of this series and is thereby protected under any applicable copyright law and/or trademark. All fictionalizations of persons living or dead are meant to be perceived as characterized and/or fictional (fan-fiction) are for entertainment purposes only, and are not to be perceived as real re-enactments, dramatizations of events past or present, media dialogues or agendas, or factual exchanges pertaining to and surrounding real-life circumstances. The dialogues and entires expressed in this project are in no way liable for any action, expression, disagreements, entitlements held by the reader at his or her/ their own discretion. [The Festival Project ™] The Complex Collective © {Enter The Multiverse} Origins: The Festival Project™ is a multi-genre, multi-dimensionally mystifying and magical multimedia series, set against the backdrop of modern dance music-- i.e.” rave” culture-- combined with historical and futuristic elements of science fiction and folklore-- across expansions of space-and-time, unifying with The Universal Consciousness in a multidimensional and explorative ensemble of Films, Episodic Series, Music Videos, Extended Playlists, and Concept Albums. A perpetual symphony of artistic storytelling though a cavalcade of wonderful and whimsical characters along high-intensity, off-the-map adventures--showcased through Music, Film & Interactive Art Explorations--set upon the dreamlike actual reality of an unravelling fabric of time-and-space. This explosive and expansive wave of enigmatic, chaos-colliding, charismatic [ and often comedic] kinetic energy, reflects a shared experience throughout all time in human connection; Journey beyond the unknown, to Worlds Within--and Without. El Festival Project™ es una serie multimedia multigénero, multidimensionalmente desconcertante y mágica, ambientada en el contexto de la música dance moderna, es decir.” cultura rave”, combinada con elementos históricos y futuristas de la ciencia ficción y el folclore, a lo largo de expansiones de espacio y tiempo, unificándose con la Conciencia Universal en un conjunto multidimensional y exploratorio de películas, series episódicas, videos musicales, listas de reproducción extendidas, y álbumes conceptuales. Una sinfonía perpetua de narraciones artísticas a través de una cabalgata de personajes maravillosos y caprichosos a lo largo de aventuras fuera del mapa de alta intensidad, exhibidas a través de exploraciones de música, cine y arte interactivo, ambientadas en la realidad real de ensueño de un tejido del tiempo que se deshace. -y-espacio. Esta ola explosiva y expansiva de energía cinética enigmática, que choca con el caos, carismática [ya menudo cómica], refleja una experiencia compartida a lo largo de todos los tiempos en la conexión humana; Viaje más allá de lo desconocido, a los mundos internos y externos.
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