5.16 On a Train, Mystery, Love, and the Four Elements
Train — Substantial — The aims of this podcast — Monty Python’s Flying Circus — Village idiot sketch with John Cleese — Providing a useful service — An effect behind the surface effects — Writing sketches also for or featuring the others — Introducing the next topic — The themes of mystery, hope, and love — “Platitudes” — Shorthand for something less damning? — Troubling — A sickness of thought — Authentic realities — Love or not? — A creator who absolutely believes in love and mystery — David Lynch — Wild at Heart (1990) — Earlier mention of this film in season 4 — The Wikipedia article — Nicolas Cage and Laura Dern as Sailor Ripley and Lula — Mystery, love, hope — Barry Gifford’s novel Wild at Heart: The Story of Sailor and Lula (1990) — Hope and the ending of the story — Things work out — The love of Sailor and Lula — Their own world — In love, devoted to each other, and into each other — Important in any romantic love — Getting off on each other — Mr. Lynch’s clear belief all along — Twin Peaks (1990–1992) — Blue Velvet (1986) — Film critic Roger Ebert’s comments on Wild at Heart — Misunderstanding — He had taken the film to be parody and satire — No, presented without guile — Eraserhead (1977) — Leaving Dune (1984) out of the discussion — More Frank Herbert’s creation — No interest in seeing the new film — Plastic and oil — Side track, main track — Icons and iconography vs. living, conscious, evolving, human beings — Mr. Lynch was into all of it — No parody, no satire — It’s a love story — Humour also — No dishonest moments — Trilingual (Finnish, Swedish, English) announcement (Jämsä) — Twin Peaks season 3 (2017) — Twin Peaks: Fire Walk with Me (1992) — Evolving understanding of “mystery”, “mysticism”, “mystic” — Murder mystery — Mystification — Nature mysticism — Direct experience of something — Problem about talking about these things — Anecdote about speech and experience — Being taken out of the moment — Failed communication — Deflated moments — Beyond words — Words and deeper feelings — Language came after — Its limits — Experiences beyond language — Acknowledging my contradictions — Walt Whitman on contradicting oneself — “I contain multitudes.” — A matter of authenticity and of compatibility — Lifelines — Fresh air, water, wood, the sky… — Forgot to mention stone (earth) — Shoulder bag as pillow — Grounding element — My rock collection once upon a time — Eventually let go of it — Who owns rock? — Downsizing — Owning stuff as a mental and physical burden — Hoarders — Back into nature — The hippo stone — Playground sandbox — The four elements as a principle applicable to both art and life — Philip Glass — Koyaanisqatsi — Director Godfrey Reggio — The Qatsi trilogy — Koyaanisqatsi (1982), Powaqqatsi (1988), Naqoyqatsi (2002) — The basis or bases of all matter — Something missing? — Balancing the elements — Applies vastly — Differing ratios — An ideal balance — A matter for intuition — Many works these days try to be all earth and fire — None of the creative arts? — Water, fluidity — This understanding goes back to our earliest art — Prehistoric cave art — Discussions between Pierre Estève (much more knowledgeable than me on this) and me — Monolingual (Finnish) announcement (Orivesi) — Creative record — Already an understanding of the four elements — Elegance a very advanced quality — Pablo Picasso — Panoramas and layouts — Disclaimer about personal ignorance — Later in time — Not an expert — Philip Glass and Samuel Beckett — Letting go of things tiring or even nauseating — Burdens of the past — The elements applied to our own places of living — A tool for troubleshooting daily life — Balcony drenched with fresh air — Phone alarm — Bathing in fresh air — Bath tub — Perfecting the elements — Good sleep — Journey ending — Returning
South Africa