The Take

US federal immigration raids continue in Minnesota, and the operation has set the stage for a standoff between state officials and the federal government. Governor Tim Walz has readied Minnesota's national guard, while the Pentagon has ordered troops to be on standby. A 2024 University of Pennsylvania simulation warned that similar state-federal standoffs could escalate into broader armed conflict.
In this episode:
Claire Finkelstein (@COFinkelstein),  Center for Ethics and Rule of Law, University of Pennsylvania
Episode credits:
This episode was produced by Chloe K. Li and Melanie Marich, with Phillip Lanos, Spencer Cline, Tamara Khandaker, Sonia Bhagat and our guest host, Manuel Rapalo. It was edited by Kylene Kiang.
The Take production team is Marcos Bartolomé, Sonia Bhagat, Spencer Cline, Sarí el-Khalili, Tamara Khandaker, Kylene Kiang, Phillip Lanos, Chloe K. Li, Melanie Marich, and Noor Wazwaz. Our host is Malika Bilal.
Our engagement producers are Adam Abou-Gad and Vienna Maglio. Andrew Greiner is lead of audience engagement.
Our sound designer is Alex Roldan. Our video editors are Hisham Abu Salah and Mohannad al-Melhem. Alexandra Locke is The Take’s executive producer. Ney Alvarez is Al Jazeera’s head of audio.
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This week: 116 days into a ceasefire, Israel has killed at least 481 Palestinians in Gaza.
 Redevelopment plans for the Gaza Strip were met with skepticism by people there. Palestinians also questioned whether Israel intends to follow through with the next Phase of the US-brokered ceasefire plan in Gaza. Israel has killed more than 71,654 Palestinians in Gaza since October 7th, 2023.
In this episode:
Hind Khoudary, (@hindkhoudary), Al Jazeera Correspondent
Nida Ibrahim, (@nida_aljazeera) Al Jazeera Correspondent
Episode credits:
This episode was produced by David Enders. Our sound designer is Alex Roldan. Our lead of audience development and engagement is Andrew Greiner and Munera AlDosari is our engagement producer. Alexandra Locke is The Take’s executive producer. Ney Alvarez is Al Jazeera's head of audio.

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Every Saturday, we revisit a story from the archives. This originally aired on January 20, 2023. None of the dates, titles, or other references from that time have been changed.
The World Economic Forum is known for glitzy parties, exclusivity, and dealmaking – in addition to panels on topics ranging from climate change to ‘stakeholder capitalism’. The theme of this year’s annual meeting in Davos is “cooperation in a fragmented world,” and Davos mainstays are the world’s most powerful networkers. They wield an enormous amount of economic and political power. So who are they? What actually happens at Davos, and what do the people left off the invite list need to know about it?
In this episode:
Peter S. Goodman (@petersgoodman), global economics reporter at The New York Times and author of Davos Man: How the Billionaires Devoured the World
Max Lawson (@maxlawsontin), Head of Inequality Policy, Oxfam
Episode credits:
This episode was updated by Tamara Khandaker. The original production team was Negin Owliaei, Ashish Malhotra, Miranda Lin, and our host, Halla Mohieddeen.
Our sound designer is Alex Roldan. Our engagement producers are Adam Abou-Gad and Vienna Maglio. Andrew Greiner is lead of audience engagement. Alexandra Locke is The Take’s executive producer, and Ney Alvarez is Al Jazeera’s head of audio.

At the World Economic Forum in Davos, US President Donald Trump announced that a “framework” for a future deal on Greenland is taking shape. Tied to missile defense and mineral rights, the framework eases concerns about Trump's earlier threats of tariffs and military intervention. So, how would an eventual deal affect the future of Greenlanders and US-Europe relations?
In this episode:
Jonah Hull, Al Jazeera Correspondent
Episode credits:
This episode was produced by Sarí el-Khalili, Tamara Khandaker, Melanie Marich, Marcos Bartolomé, and our guest host, Kevin Hirten. It was edited by Kylene Kiang.
Our sound designer is Alex Roldan. Our video editors are Hisham Abu Salah and Mohannad al-Melhem. Alexandra Locke is The Take’s executive producer. Ney Alvarez is Al Jazeera’s head of audio.
Connect with us:
@AJEPodcasts on X, Instagram, Facebook, and YouTube

The Oscars are planning a move to YouTube, ending a decades-long run on broadcast television in 2029. Audiences are continuing to change how they watch even the biggest cultural events. But reports of ‘the death of live TV’ have been premature before – so how will it survive?
In this episode:
Angela Palumbo (@angelapalumbo98), Technology Reporter, Barron’s
Episode credits:
This episode was produced by Sarí el-Khalili and Fatima Shafiq, with Farhan Rafid, Tamara Khandaker, Tracie Hunte, and our guest host, Kevin Hirten. It was edited by Noor Wazwaz.
Our sound designer is Alex Roldan. Joe Plourde mixed this episode. Our video editors are Hisham Abu Salah and Mohannad al-Melhemm. Alexandra Locke is The Take’s executive producer. Ney Alvarez is Al Jazeera’s head of audio.
Connect with us:
@AJEPodcasts on X, Instagram, Facebook, and YouTube