Step into the mysterious realm of Eugene Field's short story "The Werewolf." 🌕 This narrative unfolds a tale of love and lycanthropy, revolving around a haunting love triangle. The characters of Harold, Alfred, and the captivating Saxon maiden Yseult are entwined in a complex dance of emotions. Harold, cursed to carry the lineage of a werewolf, traces his ancestry back to the legendary Siegfried. With a unique twist on the traditional werewolf motif, Field's story takes us on a journey through love, curses, and the eerie legacy of lycanthropy.Meet the creative mind behind "The Werewolf," Eugene Field. 🖋️ Renowned as an American writer, Field's artistic journey flourished from his St. Louis roots. A master of children's poetry and humorous essays, he left an indelible mark on literature. Field's life led him through the realm of journalism, where his wit shone in his articles. His legacy extends beyond his words, with statues, parks, and institutions honoring his influence. Join us in exploring the life of Eugene Field and his captivating tale of "The Werewolf."#EugeneField #TheWerewolf #LoveTriangle #Lycanthropy #SiegfriedLegacy #AmericanWriter #LiteraryLegacy #CreativeMind #LiteraryTale #LoveAndCursesNew Patreon RequestBuzzsprout - Let's get your podcast launched! Start for FREESupport the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback

Subscriber-only episodeAlfred McLelland Burrage, often referred to as A. M. Burrage, was a British writer who made significant contributions to the literary world. Born in 1889, he began his writing career at a remarkably young age, even before turning 18. His initial focus was on crafting fiction aimed at a young male audience, and he displayed both prolificacy and skill in this endeavor.Burrage's life took a significant turn when he served in World War I. His firsthand experiences during the war left a lasting impact on him, prompting him to pen a bitter memoir titled "War is War." This poignant work offered an unfiltered portrayal of the harsh realities of wartime existence and was published under the pseudonym "Ex-Private X."In addition to his ventures in the realm of horror fiction, Burrage demonstrated his versatility by delving into humor literature. In 1925, he authored "Poor Dear Esme," a humorous novel showcasing his ability to navigate diverse literary genres.A. M. Burrage's writing career spanned various genres and themes, showcasing his adaptability and literary prowess. He initially gained recognition for his fiction tailored for boys, a genre he explored prolifically. His ability to captivate young readers earned him a reputation as a skilled storyteller.Following his service in World War I, Burrage authored the memoir "War is War" under the pseudonym "Ex-Private X." This memoir provided readers with an unvarnished glimpse into the hardships and traumas of wartime experiences, marking a departure from his earlier works.Notably, Burrage's literary repertoire extended beyond the serious and somber. He ventured into humor literature with "Poor Dear Esme," demonstrating his capacity to infuse levity into his writing.One of A. M. Burrage's enduring contributions to the world of literature is the chilling and timeless story titled "The Waxwork." This narrative is told in the third person and follows the journey of a journalist named Raymond Hewson. In the story, Hewson willingly volunteers to spend a night in the "Murderer's Den" of a wax museum, all in the pursuit of a news story.Initially, the task seems routine for the seasoned newspaperman. However, as the night progresses, and the silence of the museum envelops him, Hewson begins to sense an unsettling presence, something sinister lurking within the building.What sets "The Waxwork" apart is the introduction of a character, a psychotic killer, whose malevolence rivals even the infamous Hannibal Lecter. This character's diabolical nature adds a layer of horror to the story, making it a standout in the genre. Additionally, the story benefits from the evocative and captivating illustrations by Fred Banbery, known for his work in the Paddington Bear series of books.New Patreon RequestBuzzsprout - Let's get your podcast launched! Start for FREEVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback

Thank you to Jay Rothermel for suggesting I read these stories. You can read his take on them here:[https://jayrothermel.substack.com/p/two-stories-by-rose-macaulay-1881]Dame Emilie Rose Macaulay, born on August 1, 1881, in Rugby, Warwickshire, England, emerged as a distinctive figure in 20th-century literature. The daughter of George Campbell Macaulay, a classical scholar, and Grace Mary Conybeare, her upbringing was imbued with a scholarly aura that would lay the foundation for her intellectual pursuits. She attended Oxford High School for Girls before studying Modern History at Somerville College, Oxford University.Macaulay's literary journey was marked by a remarkable transformation. From her early struggles with depression, she transitioned into a prolific novelist known for her incisive commentary on society and relationships. This transition is especially fascinating when considered alongside her complex relationships, her private life, and her evolving religious and philosophical beliefs.Macaulay's religious journey was far from linear. Her exploration of faith went beyond the boundaries of traditional Christianity, reflecting a mystical sense of the Divine. While her spiritual convictions evolved, she did not return to the Anglican church until 1953. This complex relationship with religion is reflected in her works, where themes of Christianity often intertwined with skepticism and satire. Her novels, including "Potterism" (1920) and "Keeping Up Appearances," demonstrated her ability to dissect societal norms, often with a satirical edge.Her personal life was marked by a clandestine affair with Gerald O'Donovan, a lapsed Irish priest and fellow novelist. This intricate relationship spanned over two decades and remained a secret from many, even her closest friends. Macaulay's own ambivalence toward her sexuality added another layer of complexity to her identity, influencing her writing and the themes she explored.Macaulay's relationships within literary circles were equally captivating. She fostered connections with prominent writers such as Rupert Brooke and Elizabeth Bowen, often leaving her imprint on their narratives. Her role as a patron and supporter of emerging talents showcased her nurturing spirit, even as her own literary prowess continued to grow.Her impact extended to journalism, where she contributed to magazines like Time & Tide and the Spectator. Her engagement with contemporary issues, including her support for the League of Nations, underscored her commitment to global harmony.Macaulay's work often grappled with the tension between individual freedom and societal responsibilities. Her novel "The World My Wilderness" (1950) exemplified this theme, as it navigated war-torn landscapes and internal struggles. The contrast between private introspection and public involvement became a defining motif in her literary explorations.Dame Emilie Rose Macaulay's legacy is a testament to the interplay of faith, identity, and relationships in shaping artistic expression. Her intricate journey through religious and philosophical landscapes, her intricate relationships with other literary figures, and her prolific body of work continue to captivate readers and scholars alike. As a figure who wove threads of complexity into the fabric of literature, she sNew Patreon RequestBuzzsprout - Let's get your podcast launched! Start for FREESupport the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback

Joseph Sheridan Le FanuJoseph Thomas Sheridan Le Fanu (1814-1873) was an Irish writer and one of the leading ghost story writers of the 19th century. Born into a literary family in Dublin, he studied law and became a journalist. Le Fanu's first published story appeared in 1838. In 1844, he married Susanna Bennett and had four children.Following his wife's death in 1858, Le Fanu withdrew from society for a period of time. However, during the 1860s and 1870s, he produced his most notable supernatural fiction, including the acclaimed short story collection "In a Glass Darkly" (1872) and the vampire novella "Carmilla" (1871).Le Fanu's ghost stories, such as "Green Tea," "The Familiar," and "Mr Justice Harbottle," earned him admiration from fellow writers like M.R. James. Although he also wrote novels, journalism, and poetry, Le Fanu's reputation predominantly rests on his chilling tales of the supernatural.He passed away in Dublin in 1873 at the age of 58. Today, Le Fanu is regarded as one of the pioneers and masters of supernatural horror fiction. His work greatly influenced subsequent writers, including Bram Stoker, who drew inspiration from Le Fanu's vampire story, "Carmilla."Schalken The Painter AnalysisIn "Schalken The Painter," Vanderhausen can be seen as a representation of the shadow archetype, embodying the dark, repressed, and sinister aspects of the characters Douw and Schalken. The shadow is a psychological concept in Jungian theory that represents the hidden, suppressed, and often undesirable aspects of the psyche. It holds the unacknowledged fears, desires, and weaknesses that individuals may project onto others.Full analysis and links herehttps://www.ghostpod.org/2023/07/15/schalken-the-painter-by-j-sheridan-le-fanu/New Patreon RequestBuzzsprout - Let's get your podcast launched! Start for FREESupport the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback

Edith Wharton was born Edith Newbold Jones on January 24, 1862, into a wealthy New York family. She was a prolific writer, known for her insightful and critical portrayal of the American upper class. Her most famous works include "The Age of Innocence," "Ethan Frome," and "The House of Mirth." Wharton was the first woman to win the Pulitzer Prize for Literature in 1921. She was also a keen designer, traveler, and a dedicated supporter of French efforts during World War I, for which she was awarded the French Legion of Honor.The Story and Its Context: "The House of the Dead Hand" was published in 1904, a time when Wharton was beginning to establish herself as a serious writer. This was a period of significant personal and social change for Wharton. She was beginning to question the constraints of her privileged New York society, and these themes of societal constraints and personal freedom are evident in the story. The story also reflects Wharton's love for Italy and her deep knowledge of art and culture."The House of the Dead Hand" by Edith Wharton is a compelling exploration of power dynamics, personal freedom, and the enduring influence of the past. The story centers around Miss Lombard, a woman trapped by her father's control and his obsession with a Leonardo da Vinci painting. Even after her father's death, she remains ensnared by his influence, symbolized by the painting she cannot sell. This narrative can be seen as a critique of patriarchal control, reflecting Wharton's own questioning of societal constraints. From a Freudian perspective, Miss Lombard's complex relationship with her father can be interpreted as a manifestation of the Elektra complex. The story also incorporates elements of Jungian psychology, with the painting serving as a powerful symbol of the unconscious. Wharton's narrative structure effectively builds tension, foreshadows dramatic events, and delivers a chilling twist, leaving a lasting impression of Miss Lombard's despair and entrapment.New Patreon RequestBuzzsprout - Let's get your podcast launched! Start for FREESupport the showVisit us here: www.ghostpod.orgBuy me a coffee if you're glad I do this: https://ko-fi.com/tonywalkerIf you really want to help me, become a Patreon: https://www.patreon.com/barcudMusic by The Heartwood Institute: https://bit.ly/somecomeback