A Black History of Art Presents: A Shared Gaze

A conversation with Taiba Akhuetie, a multidisciplinary artist based in London. During lockdown, Taiba began exploring hair as a standalone material for creating sculptures, installations and clothing. Since then, her designs have been worn by the likes of Tems and Cate Blanchett, she has made a bag for Rihanna, collaborated with Fiorucci, and contributed to numerous fashion editorials. Her career now moves fluidly between hairstyling, art, and design, placing her in a unique creative space. She has also just been recognised as a new wave creative for 2025, by the British Fashion Council. To mark the occasion, we produced a shoot with photographer, Bernardo Ame, and sat down with Taiba to discuss her life and her practice.Watch on YouTube.Keep up with us:Taiba: @taibataiba Alayo: @alayoakinkugbe @ablackhistoryofart @asharedgazeBernardo: @bernardo__ame

A conversation with photographer, filmmaker, artist, and activist Misan Harriman. His work spans portraiture, film, and social documentary, capturing some of the most defining images of contemporary culture. The first Black man to photograph a September issue of British Vogue, Misan is known for his portraits of celebrities like Rihanna, Angelina Jolie, and the Duke and Duchess of Sussex, as well as his documentation of global protest movements. His directorial debut, The After, starring David Oyelowo, was nominated for an Oscar in 2024. In this episode, Alayo and Misan discuss his early life, rapid career development, and his latest protest photography exhibition at Hope 93 Gallery.Keep up with us:Misan Harriman: @misanharrimanAlayo Akinkugbe: @ablackhistoryofart @alayoakinkugbe

A conversation with Los Angeles-based artist Umar Rashid, who blends historical research with world-building. Umar’s practice -- which includes painting, sculpture and writing -- engages with colonial history, global interconnections, and alternative historical narratives, focusing on the period from 1648 to 1880. His work often incorporates elements of time travel and cosmic exploration. In this episode, Alayo and Umar discuss his upbringing on the South Side of Chicago in an artistic family, a recent exhibition he curated of Robert Colescott’s work at BLUM Gallery in LA, and the influence of figures such as Frantz Fanon and Federico Fellini on his practice.This special season focuses on the themes which are at the heart of Alayo’s upcoming book, 'Reframing Blackness: What’s Black About History of Art?', which unpacks the relationship between Blackness and “Western” art history through the lenses of: Museums, the curriculum, feminist art movements, muses and exhibitions. In this season Alayo will speak to artists who re-think, reposition and reframe Blackness and Black figures in this context.Pre-Order Reframing Blackness here.Keep up with us:Umar Rashid: @frohawktwofeathersAlayo Akinkugbe: @ablackhistoryofart @alayoakinkugbe

A conversation with Lagos-based artist Modupeola Fadugba, whose multidisciplinary practice spans installation, painting, film, and social engagement. Modupeola's work often explores subjects of race and pedagogy, as seen in her acclaimed 'Synchronized Swimmers' series and her Emmy-winning documentary on the all-Black senior synchronised swimming group, the Harlem Honeys and Bears. Modupeola's latest exhibition ‘Of Movement, Materials and Methods’ — on view at Gallery 1957 in London until June 29 — draws on her research into the Ojude Oba Festival in Ijebu Ode, Nigeria. The show marks a vibrant shift in her palette and incorporates intricate beading techniques she first encountered while interning with Maasai beadworkers in Tanzania during school holidays. Alayo and Modupeola discuss the Nigerian education system, the symbolic power of swimming in Modupeola's work and the influence of artists such as Nike Davies-Okundaye.This special season focuses on the themes which are at the heart of Alayo’s upcoming book, Reframing Blackness: What’s Black About History of Art?, which unpacks the relationship between Blackness and “Western” art history through the lenses of: Museums, the curriculum, feminist art movements, muses and exhibitions. In this season Alayo will speak to artists who re-think, reposition and reframe Blackness and Black figures in this context.Pre-Order Reframing Blackness here.Keep up with us:Modupeola Fadugba: @modupeola.fadugbaAlayo Akinkugbe: @ablackhistoryofart @alayoakinkugbe

A conversation with Philadelphia-based artist Qualeasha Wood, whose multidisciplinary practice spans textiles, digital media, and performance. Qualeasha’s work investigates Black femme identity, Catholic iconography, and the psychological effects of the internet, often rendered through intricately tufted and woven tapestries. Her recent solo exhibition Malware at Pippy Houldsworth Gallery in London presents a series of glitch-heavy, hyper-pixelated works that reflect on digital anxiety, image control, and online mediation. In this episode, Alayo and Qualeasha discuss art school at RISD, the politics of self-presentation in virtual spaces, and the development of her debut performance bedrot, staged during the opening night of Malware.This special season focuses on the themes which are at the heart of Alayo’s upcoming book, Reframing Blackness: What’s Black About History of Art?, which unpacks the relationship between Blackness and “Western” art history through the lenses of: Museums, the curriculum, feminist art movements, muses and exhibitions. In this season Alayo will speak to artists who re-think, reposition and reframe Blackness and Black figures in this context.Pre-Order Reframing Blackness here.Keep up with us:Qualeasha Wood: @qualeashaAlayo Akinkugbe: @ablackhistoryofart @alayoakinkugbe