The Offset Podcast EP035: 10(ish) DaVinci Resolve Feature Requests
It’s widely known that the Blackmagic Design development team for Resolve is one of the best in the business. - coming up with great new features and squashing bugs quickly. But that doesn’t mean there isn’t room for improvement!In this episode we take a list of 50+ feature requests and cull that down to 10 (ish), touching on things like groups, potential interface improvements, and what AI could (should) be doing in Resolve. Of course, anytime a list of 50+ things is paired down considerably there are good feature requests that get left behind so we might have to do a part 2 on this later in the year. In this episode some of the feature requests/improvements we take a look at include:Complete revision of groups in ResolveMore AI driven utility tools - auto conform, dead pixel analysis, auto grouping etcUI improvements - UI to dock/save presets, settings, DCTLS, favorite effects, momentary full screen panelsTracking & Stabilization workflow improvements including axis weighting, predictive tracking, depth based trackingGestural support for pen and trackpad usersColor management for saved/exported stills + contact sheet/webpage exportClosed caption, & Dolby Vision/Atmos support for DCPs. DCP validationInfo pallet improvements - shot stats, corrections list, more items available for smart filteringHow to make good feature requests and bug reportsBe sure to checkout offsetpodcast.com to check out our growing library of shows as well as to submit an idea for a future episode. If you liked this or other episodes please consider buying us a cup of coffee to support the show: coff.ee/theoffsetpodcastThanks as always to our amazing sponsor @flandersscientific for the support!
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The Offset Podcast EP034: Is HDR Really Taking Off?
In this episode of The Offset Podcast we’re asking & discussing the question - Is HDR really taking off?At first blush, the answer is yes, but the really, the answer is decidedly more nuanced. Specifics discussed in this episode include:HDR seems to be everywhere - streaming platforms, consumer electronics, professional gear with billions made in investmentWhile wildly available, access to HDR content is still often based on ‘level’ of plan. Disconnect for consumers between HDR capable hardware and plansThe role the iPhone has played in helping spread HDRAlthough available & accessible, HDR is still widely weighted to the ‘higher end’. Mid and entry level productions aren’t utilizing HDR. Why? And how can that change?The language of HDR has become conservative and very similar to SDR versions making differentiation harderA safe approach to HDR may be tied to derived downstream HDR and SDR performance. Investment in expensive gear (reference monitoring) for what many see as niche is also a contributing factorHow to sell and consistency in selling HDR content is importantMany feel that HDR is something that is being dictated to them…but for technical not creative reasonsImportant to remember HDR technology and workflows are still relatively newStunning HDR content does exist and shows what can be done (Ian Vertovec examples)Given artists space and time to work on HDR can produce amazing resultsIf you like the show be sure to like and subscribe where ever you find The Offset Podcast
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The Offset Podcast EP033: Is A Career In Post Production Still Worth It?
It’s no secret that the post production (and production) industry is in a bit of tumultuous period resulting in a lot of people wondering if they should stay in the industry and for young people who are drawn to postproduction, if they’re making the right move trying to pursue editing, color, mixing etc.In this episode, we’ll explore these issues and more. While we don’t have the fixes for the macro issues at play in our industry, we discus many ways to battle the current downturn in post including:The current challenges in post production are multi-faceted and no single way to solve themPost production requires a massive amount of effort other industries can be more appealing (and more lucrative)Jobs at post facilities are few and far between but its hard to recommend to young folks starting out to just start their own business or go freelance - there are significant challenges in doing soMedium and small size post production companies can be doing a better job with training, mentorship and recruitment.Better understanding were postproduction work has gone - social content, corporate communications etcDeveloping adjacent stills are absolute necessity for the modern post worker - programing, AI , IT workflowsUnderstanding not all work is art, but all work is commerceThe product of ‘production companies’ has changed drastically and leverages more than just traditional post skillsContent creation really only works with a purpose and a goalMoving from an operator role to other roles in the industry - even ones you might think of like software creation/managementSkills learned in post are highly desirable and portable in a wide swath of industriesIf you liked this show, checkout our library of past episodes and please like and subscribe to the show where ever you find it!
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The Offset Podcast EP032: When Is A Grade Done?
In this episode we’re exploring a audience member submitted question about how to know when a grade is done and ready to present to a client. It’s a more nuanced and complex question than you’d think! Specific topics discussed in this episode include:Color is very subjective thing - how to balance your ‘done’ vs a client’s doneThe importance of pre-grade goalsHow initial project evaluation is a vital part of the grading processGetting to know a client’s preferences, aesthetic, and things they focus onThe immense value of working in passesFocusing first on ‘tone’, white/black point, and overall shot to shot contrastMoving to large feature matchingDetailed work - beauty, clothing, small features shot to shotShowing the client for the first time - balancing confidence and accepting constructive criticism Putting the project back in front of client again after addressing notes and gauging successEvaluating ‘translatability’ on consumer devicesPreparing for big changes, disasters etc with project backups, duplicated timelines, and versionsBalancing perfectionism with staying on schedule and deliveringThe long term value of being committed to your workIf you liked this episode be sure to check out our growing library of shows. Also be sure to like and subscribe to The Offset Podcast where ever you find it!
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The Offset Podcast EP031: Discussing Monitors Part 2
In this episode, we’re continuing our discussion with monitoring experts Bram Desmet from Flanders Scientific, Nate McFarlin from Dolby, and David Abrams from Avical/Portrait DisplaysSome of the specific topics we cover in this episode include:How are panels actually made? And why does it cost billions?The role of material science in panel manufacturing Understanding the split between panel manufacturers and consumer brands of the same nameThe importance of viewing environment in regards to display performanceUnderstanding preference vs accuracyThe shift to consumer-sized panels as reference monitors and the ongoing challenges of using multiple monitorsBuilding meter matrices with the four color method, and are there better approaches, like the Bodner method or the volumetric approaches used by some calibration softwareRevisiting using consumer displays in a professional setting & why consumer TV companies have little incentive to integrate reference capabilitiesContinuing challenges of Rec.2020Calibrating computer monitors, iPads, and mobile devicesIf you like this episode, please be sure to subscribe to the podcast give the show a like wherever you're watching/listening!
The Offset Podcast is a semi-monthly (twice a month) podcast hosted by postproduction industry stalwarts Robbie Carman & Joey D’Anna - we’re professional colorists, educators, and polymaths in video postproduction and color. We’ve been told our detailed, informative, and easy-to-follow explanations of even the most technical subjects have helped people at all levels to improve their workflows, tackle their technical/creative problems, and even improve their approaches to business & client communication.
Geared towards postproduction industry professionals each episode feels like catching up with valued peers and is the perfect length for the average commute, lunch break, or to keep you company while you work.
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