Horror Queers

Here's a sneak peek at our all new full-length Patreon Requel episode on "Two Storms", aka the oner episode, of Mike Flanagan's The Haunting of Hill House (2018).

Like what you hear? Head on over to www.patreon.com/horrorqueers and become a Patron for more exclusive bonus content today!

Show Art: Travis Falligant / Theme Music: Alexander Nakarada

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Blast that Hot Ice, flip that switch on your van's reserve gas tank and put on your 3D glasses because we're talking Steve Miner's Friday the 13th Part III, the only entry in the franchise with the audacity to kill a pregnant character!

Join us as we discuss the many, many problems the 3D filming caused for the production before defending maligned characters like Shelly and Chris, the latter of which proves herself to be a very capable final girl in the film's extended climactic chase scene. 

Plus: a random Kill Bill connection, an absolute banger of a disco theme, and discussing the differences between "theme park 3D" and "cinematic 3D."

Questions? Comments? Snark? Connect with the boys on BlueSky, Instagram, Youtube, Letterboxd, or join the Horror Queers Discord to get in touch with other listeners.

> Trace: @tracedthurman (BlueSky)/ @tracedthurman (Instagram)

> Joe: @joelipsett (BlueSky) / @bstolemyremote (Instagram) 

Be sure to support the boys on Patreon!  

Show Art: Travis Falligant  / Theme Music: Alexander Nakarada   

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Hide your camcorder and don't drop out of film school because we're talking Spanish writer/director Alejandro Amenábar's 1996 feature film debut, Thesis (or Tesis)

The snuff film thriller is led by an enterprising College student surrounded by hot men, any of whom might be the balacava-wearing killer seen on screen. And while the reveal isn't exactly a whodunnit, the 2+ hour film is never boring.

Plus: Amenábar's queer and Franco fascism influences, 90s technology, and a sexy murder dream

Reference: Leora Lev. "Review of the film Tesis."  Film Quarterly, Vol. no. 54, Issue no. I, 2000

Questions? Comments? Snark? Connect with the boys on BlueSky, Instagram, Youtube, Letterboxd, or join the Horror Queers Discord to get in touch with other listeners.

> Trace: @tracedthurman (BlueSky)/ @tracedthurman (Instagram)

> Joe: @joelipsett (BlueSky) / @bstolemyremote (Instagram) 

Be sure to support the boys on Patreon!  

Show Art: Travis Falligant  / Theme Music: Alexander Nakarada   

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Here's a sneak peek at our all new 2 hour 40 minute Patreon episode on the long-delayed, highly controversial Scream 7 (2027).

Like what you hear? Head on over to www.patreon.com/horrorqueers and become a Patron for more exclusive bonus content today!

Show Art: Travis Falligant / Theme Music: Alexander Nakarada

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Grab your ladder because we're headed to NY to ride the subway with the Core Four in Radio Silence's sequel to the requel, Scream VI (2023).
Obviously this is a megasized episode because we have *thoughts.* Thoughts on the killers, thoughts on who survives, thoughts on the best chase sequences and how much (or little) each character gets to do.
Plus: an absent Sidney, the return of Skeet Ulrich, the Stab shrine, and all of those homages to Scream 2. Who gives a fuck about movies?!
Questions? Comments? Snark? Connect with the boys on BlueSky, Instagram, Youtube, Letterboxd, or join the Horror Queers Discord to get in touch with other listeners.
> Trace: @tracedthurman (BlueSky)/ @tracedthurman (Instagram)
> Joe: @joelipsett (BlueSky) / @bstolemyremote (Instagram) 
Be sure to support the boys on Patreon!  
Theme Music: Alexander Nakarada / Show Art: Travis Falligant

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.